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Views from the Choir Loft

Installation of New Pipe Organ on Capitol Hill

Fr. David Friel · May 19, 2019

NSTALLATIONS of new pipe organs are significant events. Even as their digital counterparts have grown in popularity, pipe organs have retained a place of unique importance in the field of Church music. New installations require the cooperation and support of the whole parish—pastor, musicians, and faithful—and they are a cause for real celebration.

One recently completed project took place at St. Peter’s Church in Washington, DC. Situated on the House side of Capitol Hill, the parish elected to replace, rather than repair, its previous instrument. The earlier organ, installed in 1940, had been damaged by plaster that fell during a 2001 earthquake in the city. The new organ debuted at this year’s Easter Vigil.

The music program at St. Peter’s is directed by Kevin O’Brien, a respected organist and conductor who holds a DMA from The Catholic University of America. The Archdiocese of Washington’s Catholic Standard featured a nice article on the installation project, including interviews of O’Brien and the pastor.

The new instrument is Opus 162 of Noack Organ Company, headquartered in Massachusetts. It is both modern and traditional: modern in the sense that it is carefully designed to support congregational singing, and traditional in that it uses all mechanical (tracker) action. One of the most interesting aspect of this project is that the organ builders worked around two brick walls in the choir loft area that are integral to the structure of the church. Below are three images illustrating how this was accomplished:

Organ3 Organ2 Organ1

Full specifications of the instrument are found on the organ builder’s website here.

St. Peter’s Church is one of two venues utilized by the excellent Washington Bach Consort. The ensemble performs a Noontime Cantata Series on the first Mondays and Tuesdays of several months throughout the year. In addition to a fine program of Bach works, each concert begins with an organ solo. The new instrument will be specially featured in the upcoming season of the Consort.

Congratulations to St. Peter’s Church on their achievement!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Pipe Organ Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“I would hope there is a place [at Mass] for the avant-garde in the same way I think there has to be a place—and we have to be careful with this—a place for Jazz and a place for Evangelical and all of that. […] On theological grounds, I do think we need interaction with the culture at the level of high art or at the level of more commercial pop culture.”

— Fr. Anthony Ruff (22 June 2016)

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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