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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Pope Pius XII Hymnal” (1959)

Jeff Ostrowski · November 6, 2018

N LATE OCTOBER, the Brébeuf Hymnal was officially sent off to the printer. Within a few weeks, it should be available for purchase. Folks, I’ve got to tell you: this book is a game changer. The world of Catholic music will never be the same after its release. It is a million times more powerful than any of us could have dreamt. Please stay tuned…I have much more to share.

I was recently sent a fascinating hymnal from 1959:

* *  PDF Download • PIUS XII HYMNAL (1959)

The 1959 editors placed a serious emphasis on excellent hymn tunes, similar to what we did in the Brébeuf hymnal. However, they were more bold and daring than the Brébeuf committee. They mixed Advent and Lent tunes with “general” texts in ways that—in my humble opinion—went too far.

In the Brébeuf hymnal, we carefully emphasized the very best, most traditional, most Catholic melodies. We placed them strategically, so they can be used at various times throughout the liturgical year. We realize too many Catholic congregations don’t have in their repertory an abundance of excellent tunes. They must be taught—but this is no easy thing. When it comes to the strategic repetition of hymn tunes, no effort was spared by the editors of the Brébeuf hymnal.

Were you shocked to see the Pius XII Hymnal assigning vernacular hymns to different parts of the Mass? This was common at Low Mass in those days. Indeed, I own numerous Catholic hymnals (from the 1940s and 1950s) which promote the same exact same thing. 1

“During a Low Mass there is usually time for four hymns—one from the beginning of Mass up to or through the Gospel, but certainly to be finished by or before the end of the Gospel, so as not to interfere with or delay the making of announcements or the preaching of the sermon. A second hymn can be started at the Credo; another after the Elevation, and the last one during Communion, to end with the last Gospel for the prayers after Mass.”
—Caecilia Magazine of Catholic Church Music, 64:4 (1937)


This was not just done in America. Look at this example from a 1913 hymnal by Fr. Gregory Ould, OSB.


NOTES FROM THIS ARTICLE:

1   Customs such as this helped pave the way for the liturgical reforms of the 1960s. Vatican II wanted to have Catholics “sing the Mass” instead of “singing at Mass.” Unfortunately, things got even worse after the Council—and we’ve reached a point where nobody has a clue what it means to “sing the Mass.” There is much work to be done…

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Affordable Hymnal for Catholic Parishes, Jean de Brebeuf Hymnal, Low Mass Vernacular Hymns, Pope Pius XII Hymnal 1959 Last Updated: November 2, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski
    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

To the extent that the new sacred music is to serve the liturgical celebrations of the various churches, it can and must draw from earlier forms — especially from Gregorian chant — a higher inspiration, a uniquely sacred quality, a genuine sense of what is religious.

— Pope John Paul II (June 1980)

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