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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Saving the Church, One Choir at a Time

Dr. Alfred Calabrese · August 29, 2018

87756 alfred calabrese IS THE SEASON for choirs that have been on summer hiatus to begin work anew. This year, for the first time ever, I decided to begin our season’s work after Labor Day, never realizing last June when I made that decision how welcome these extra few weeks would be. Welcome, because it’s been hard to digest all the awfulness that’s been going on in our Catholic world, hard to know how to answer the inevitable questions that will come from choir members, those eager to know how “I feel” about this or that. I’ll tell them, of course, that I feel mostly likely just as they do—scandalized, angry, discouraged, fed-up, (did I say angry?). Many will have shed tears. Where’s the good news in all of this?

If you have, like I do, an enlightened and thoughtful pastor, then you’ll have some hope. Mine has talked to us about the strength of the parish, the sanctity of the small community. I believe it. It’s the parish, each exercising its own little “Benedict Option” that will save the Church. And it can start with our choirs. Do not be fooled into thinking there is nothing we can do, lowly church musicians that we may be. We have the power because we’re on the ground, in the parishes. We have credibility. Now is not the time to sit idly by and wring our hands. Now is the time for action. Here are three things you can do with your choir to save the Church.

Sing music of the true faith, both ancient and newly composed.

We have at our disposal a treasure trove of truth and beauty, of tradition and sanctification. The beauty which formed the great saints of old is still ours today. Pope Paul VI said, “The smoke of Satan has entered the Church of God.” And yet, each week we give form to true words and truer faith, to music composed for the ancient and beautiful worship of God. With our collective choral inspirations and exhalations, we can cut through that fetid smoke and drive it away.

Pray with your choir.

Begin and end each rehearsal with prayer. Pray upon entering the church and before Mass. Pray for help, for strength, and for courage. Pray for the Church. Find and use the prayers of old before they are lost, those that remind us of the heroic saints, the noble women and men of brave convictions, before we forget that such a being ever existed.

Teach the children.

Let the little ones come unto you. Teach the youngest among you about the faith. If you have not already done so, form a children’s choir. They will learn so much from you. They are our hope and our future.

On the ground in our parishes and in our choirs is where the truth lies. Let us not retreat. In our choirs we teach, pray, guard and defend, build relationships and create the light. We can save the Church, one choir at a time.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Alfred Calabrese

Dr. Alfred Calabrese is Director of Music and Liturgy at St. Rita Catholic Church in Dallas, TX. He and his wife have two children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Reminder” — Month of April (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simply click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski
    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“We must say it plainly: the Roman rite as we knew it exists no more. It has gone. Some walls of the structure have fallen, others have been altered—we can look at it as a ruin or as the partial foundation of a new building. Think back, if you remember it, to the Latin sung High Mass with Gregorian chant. Compare it with the modern post-Vatican II Mass. It is not only the words, but also the tunes and even certain actions that are different. In fact it is a different liturgy of the Mass.”

— Fr. Joseph Gelineau (1978)

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