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Views from the Choir Loft

Saving the Church, One Choir at a Time

Dr. Alfred Calabrese · August 29, 2018

87756 alfred calabrese IS THE SEASON for choirs that have been on summer hiatus to begin work anew. This year, for the first time ever, I decided to begin our season’s work after Labor Day, never realizing last June when I made that decision how welcome these extra few weeks would be. Welcome, because it’s been hard to digest all the awfulness that’s been going on in our Catholic world, hard to know how to answer the inevitable questions that will come from choir members, those eager to know how “I feel” about this or that. I’ll tell them, of course, that I feel mostly likely just as they do—scandalized, angry, discouraged, fed-up, (did I say angry?). Many will have shed tears. Where’s the good news in all of this?

If you have, like I do, an enlightened and thoughtful pastor, then you’ll have some hope. Mine has talked to us about the strength of the parish, the sanctity of the small community. I believe it. It’s the parish, each exercising its own little “Benedict Option” that will save the Church. And it can start with our choirs. Do not be fooled into thinking there is nothing we can do, lowly church musicians that we may be. We have the power because we’re on the ground, in the parishes. We have credibility. Now is not the time to sit idly by and wring our hands. Now is the time for action. Here are three things you can do with your choir to save the Church.

Sing music of the true faith, both ancient and newly composed.

We have at our disposal a treasure trove of truth and beauty, of tradition and sanctification. The beauty which formed the great saints of old is still ours today. Pope Paul VI said, “The smoke of Satan has entered the Church of God.” And yet, each week we give form to true words and truer faith, to music composed for the ancient and beautiful worship of God. With our collective choral inspirations and exhalations, we can cut through that fetid smoke and drive it away.

Pray with your choir.

Begin and end each rehearsal with prayer. Pray upon entering the church and before Mass. Pray for help, for strength, and for courage. Pray for the Church. Find and use the prayers of old before they are lost, those that remind us of the heroic saints, the noble women and men of brave convictions, before we forget that such a being ever existed.

Teach the children.

Let the little ones come unto you. Teach the youngest among you about the faith. If you have not already done so, form a children’s choir. They will learn so much from you. They are our hope and our future.

On the ground in our parishes and in our choirs is where the truth lies. Let us not retreat. In our choirs we teach, pray, guard and defend, build relationships and create the light. We can save the Church, one choir at a time.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Alfred Calabrese

Dr. Alfred Calabrese is Director of Music and Liturgy at St. Rita Catholic Church in Dallas, TX. He and his wife have two children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
    EVIN ALLEN was commissioned by Sacred Music Symposium 2025 to compose a polyphonic ‘middle section’ for the GLORIA from Mass III, often denoted by its trope name: Missa Kyrie Deus sempiterne. This year, I’m traveling from Singapore to serve on the symposium faculty. I will be conducting Palestrina’s ‘Ave Maria’ as well as teaching plainsong to the men. A few days ago, I was asked to record rehearsal videos for this beautiful polyphonic extension. (See below.) This polyphonic composition fits ‘inside’ GLORIA III. That is, the congregation sings for the beginning and end, but the choir alone adds polyphony to the middle. The easiest way to understand how everything fits together is by examining this congregational insert. You may download the score, generously made available to the whole world—free of charge—by CORPUS CHRISTI WATERSHED:
    *  PDF Download • Gloria III ‘Middle Section’ (Kevin Allen)
    Free rehearsal videos for each individual voice await you at #24366. Related News • My colleague, Jeff Ostrowski, composed an organ accompaniment for this same GLORIA a few months ago. Obviously, the organist should drop out when the polyphony is being sung.
    —Corrinne May
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“The recitation of the Office of the Dead, the Christmas Office, the spectacle of the days of Holy Week, the sublime chant of the Exultet, beside which the most intoxicating accents of Sophocles and Pindar seemed to me to be insignificant—all of this overwhelmed me with respect and joy, with gratitude, repentance, and adoration!”

— Paul Claudel (1913)

Recent Posts

  • PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?
  • “Music List” • Pentecost Sunday

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