Video Recording • Pro-Arte Saint Louis

Corpus Christi Watershed · August 6, 2018

R. HORST BUCHHOLZ is well known as Sacred Music Director at the Cathedral of Saint Louis, Vice-President of the Church Music Association of America, and frequent Presenter throughout the world—including the Los Angeles Symposium.

In addition to all of this, he currently serves as artistic director for Pro-Arte Saint Louis:

You can view a recent program from one of their concerts, including works by Jean de Ockeghem (d. 1497), Alexander Agricola (d. 1506), Robert Parsons (d. 1572), Giovanni Battista Casali (d. 1792), Pedro de Aranaz (d. 1825) and many more:

* * PDF Download • Pro-Arte Saint Louis Program

You can learn more about Pro-Arte Saint Louis by visiting their website

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

20 January 2021 • REMINDER

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—Jeff Ostrowski

19 January 2021 • Confusion over feasts

For several months, we have discussed the complicated history of the various Christmas feasts: the Baptism of the Lord, the feast of the Holy Family, the Epiphany, and so forth. During a discussion, someone questioned my assertion that in some places Christmas had been part of the Epiphany. As time went on, of course, the Epiphany came to represent only three “manifestations” (Magi, Cana, Baptism), but this is not something rigid. For example, if you look at this “Capital E” from the feast of the Epiphany circa 1350AD, you can see it portrays not three mysteries but four—including PHAGIPHANIA when Our Lord fed the 5,000. In any event, anyone who wants proof the Epiphany used to include Christmas can read this passage from Dom Prosper Guéranger.

—Jeff Ostrowski

6 January 2021 • Anglicans on Plainsong

A book published by Anglicans in 1965 has this to say about Abbat Pothier’s Editio Vaticana, the musical edition reproduced by books such as the LIBER USUALIS (Solesmes Abbey): “No performing edition of the music of the Eucharistic Psalmody can afford to ignore the evidence of the current official edition of the Latin Graduale, which is no mere reproduction of a local or partial tradition, but a CENTO resulting from an extended study and comparison of a host of manuscripts gathered from many places. Thus the musical text of the Graduale possesses a measure of authority which cannot lightly be disregarded.” They are absolutely correct.

—Jeff Ostrowski

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