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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“On a Sacred Note” • Catholic TV Network • 13 Part Series on Sacred Music

Richard J. Clark · June 1, 2018

HE CATHOLIC TV Network is launching its thirteen-part series on sacred music beginning, Monday, June 4th. Hosted by Stephanie Scogna (Artistic Director, Boston Art Song Society), the series explores over a millennium of music history through present-day genres and experiences. A most ambitious series, Scogna tackles subjects from Gregorian Chant to Navigating Vatican II on the parish level.

Based in Boston, the series includes visits to various churches, live performance from The Brookline Consort, and interviews with various music directors.

• The show airs (HD) on Mon. 8:30 A.M., Tue. 8:30 P.M., Fri. 12 A.M., and Sat. 5 P.M. (All Eastern times) Beginning June 4, 2018, there will be a new episode each week.

• Download topics, guests, and broadcast schedule here.

• In addition to cable, Catholic TV is available on several streaming platforms. Chick here for various ways to watch. You can also get more information at CatholicTV.org.

Preview: The Brookline Consort being filmed at Saint Cecilia Church, Boston:

Beautiful music, beautiful churches—what more could you ask for? Only 2 more days until the premiere of On a Sacred Note, hosted by StephScogna</a>! Watch it Monday at 8:30am ET and catch it again Tuesday at 8:30pm ET. <a href="https://t.co/P26jn62qfo">pic.twitter.com/P26jn62qfo</a></p>&mdash; CatholicTV (CatholicTV) June 2, 2018



N AN INTERVIEW IN Catholic TV Magazine (June, 2018) Stephanie Scogna talks about the series and what to expect:

“I am beyond grateful that we’ve been able to pack each episode of the series with so much: educational content, interviews with church Music Directors, and real-time performances of music from throughout the centuries, all filmed in the churches themselves! I consciously chose to feature churches and directors that I believe present coherent and invaluable music programs to the parishes they serve. We have so much amazing talent in the Archdiocese of Boston when it comes to early sacred music, including music directors Richard Clark, John Robinson, Janet Hunt, and Michael Olbash! After watching an episode of On a Sacred Note, viewers will have learned a bit about one of the liturgical music genres and/or time periods, heard an interview with a parish music director about his or her experiences with that music and watched a performance by dedicated musicians who study — and often specialize in — sacred music.

“Just as there is so much respect and awe to be found when we dig deep into the Church’s social history — including the challenges, the codification of doctrine, and the abundance of theological writings — so also can we find depth and meaning in her music. At the end of the series, it is my hope that viewers will feel more connected to the composers and musical traditions that played a role in Catholic life over thousands of years. More specifically, my wish is that our viewers will walk into Sunday Mass with a new attentiveness to this aspect of liturgical experience, and that discussion may continue on the parish level regarding how the music of the Church can move us to prayer, excite our spirits, and call us to greater reverence, grounded in the theology and tradition that it represents.” — Stephanie Scogna

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Catholic TV, On a Sacred Note Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski
    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski
    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

Although the New Testament is now so much more important to us than the Old, we must remember that the archetype of the Canon of Scripture is the Old Testament. At first that was the whole Bible, to Christians as to Jews. When the apostles speak of “Scripture” they mean the Old Testament only. Indeed, the way in which the books of the New Testament came to be considered canonical was by making them equal to those of the Old.

— Rev’d Doctor Adrian Fortescue

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  • PDF Download • Sanctus VIII Organ Accompaniment (“Mass of the Angels”)

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