Views from the Choir Loft

Sacred Music Symposium (2018)

Corpus Christi Watershed · June 3, 2018

HE SUCCESS of the Symposium has exceeded anything its founders could have hoped for. With great excitement and gratitude to God, we announce our third annual event, designed especially for (but certainly not limited to) choir directors. ¹

* * PDF Download • Testimonials from 2017|
* * PDF Download • OFFICIAL SCHEDULE for 2018

Read about what happened in 2018, and watch videos!

Not to be missed is marker 59:47 of the final Mass.

Each year we retain familiar faces while adding fresh faculty and events:

90451 Sacred Music Symposium 2018 • 2832 high

Full Resolution Poster : (PNG) • (PDF)

Excited about this 2018 event?

To receive your application, kindly email dom.mocquereau@gmail.com before the 31 March deadline. Space is limited. Thanks to a generous grant, the conference fee is just $85.00—in addition to the mandatory application fee. Purchasing the meal plan ($145) is recommended, so that you can enjoy a week of catered meals. During the same week, at the same location, the Priestly Fraternity of Saint Peter will be conducting an Altar Server training camp and private instruction for priests. (Information on these will be released soon.)

From the 2016 Symposium :

2016 • TESTIMONIALS from 2016|
2016 • REHEARSAL the first day|
2016 • REHEARSAL in the Church|
2016 • FINAL CEREMONY with Archbishop Gomez|
2016 • VIDEO PRESENATION explaining the goals

From the 2017 Symposium :

2017 • SLIDE SHOW|
2017 • REHEARSAL FOOTAGE|
2017 • ALLELUIA & IMPROVISATION|
2017 • HOSANNA “Live”

90283 • Los Angeles • Sacred Music Symposium 2017

90282 • Los Angeles • Sacred Music Symposium 2017

90281 • Los Angeles • Sacred Music Symposium 2017

Examples of faculty in past years: Dr. Alfred Calabrese, Dr. Lucas Tappan, Pete Avendaño, and Dr. Meaghan King.

All Symposium events will take place at St. Therese in Alhambra (1100 E Alhambra Rd, Alhambra, CA 91801) with its magnificent organ.

NOTES FROM THIS ARTICLE:

1 Those who aren’t professional musicians (but love singing) will take delight in learning from friendly conductors who are the world’s experts. Don’t let fear prevent you from attending!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

“Music List” • 29th in Ordinary Time (Year C)

Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 19 October 2025, which is the 29th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the sensational feasts website alongside the official texts in Latin.

—Jeff Ostrowski

Liturgical Round (“Canon”) in C-Major

Those who direct children’s choirs are always on the lookout for repertoire that’s dignified, inspired, and pleasing—yet still within reach of young choristers. Such directors will want to investigate this haunting liturgical round (PDF download) which has been married to the KYRIE from Mass VI (EDITIO VATICANA). I have provided an accompaniment, but it’s only for use during rehearsal; i.e. when teaching this round to your choristers. I also provided an organ accompaniment for the KYRIE—which some know by its trope (Kyrie Rex Genitor)—so that your congregation can take part when this round is used as a choral extension during Mass.

—Jeff Ostrowski

Latin Liturgy Association

We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”

—Corpus Christi Watershed

New Bulletin Article • “12 October 2025”

My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.

—Jeff Ostrowski

“American Catholic Hymnal” (1991)

The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).

—Jeff Ostrowski

“Canonic” • Ralph Vaughan Williams

Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.

—Jeff Ostrowski