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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Literal Translation of the New Testament

Fr. David Friel · March 11, 2018

ARLIER this year, David Bentley Hart published an article in The Tablet (London) that alerted me to a new translation of the New Testament he had published late last year.1 Hart’s NT, however, is not simply another translation to add to the pile.

In translating the New Testament, Hart set out to render the original text quite literally, even when doing so would produce a rough or surprising result. This was the task put to him by an editor at Yale University Press.

An Eastern Orthodox theologian, philosopher, and cultural commentator, Hart is presently a fellow at the Notre Dame Institute for Advanced Study in South Bend. He is the author of many articles and several books, including The Beauty of the Infinite: The Aesthetics of Christian Truth and The Experience of God: Being, Consciousness, Bliss.

Hart is not idealistic about what he set out to achieve in his NT translation. As he writes in his piece for The Tablet, “I acknowledge, of course, that the translation of words on a page can never be free of some interpretation of their contents.” Nevertheless, he asserts strongly that there is something to be gained by allowing the “historical and cultural remoteness” of an ancient text to remain, rather than trying to smooth such distance out through the translation process.

He has this to say concerning more standard modern translations of the Scriptures:

All of them seem to me to be shaped not only by too many inherited habits of theological thought and usage, but by the curious assumptions that the distinctive idioms and conceptual vocabularies of Jewish, Christian, and Pagan antiquity constitute nothing more than different ways of expressing intuitions and ideas that we today merely express in different (but “dynamically equivalent”) ways.

I tend to think that they actually express fundamentally different ways of seeing reality. For instance, to say that someone is “full of days” is not simply to say the same thing that a modern person means in describing someone as “very old.”

Hart admits very honestly the effect that this project had on him, personally. When he began translating, he says, “I took it as my primary task to restore some proper sense of the distance separating the world of the New Testament from ours—to make the text strange again, so to speak. . . . Precisely in making the texts strange—in trying to make them truly remote—I experienced them with an immediacy that I had never really known before.”

N NO WAY am I advocating that Hart’s translation should be considered for liturgical use. On the contrary, it is clear to me that his translation would not at all suffice for liturgical purposes. But this is not to say that his work has no value.

I believe his version of the NT is worth having on hand as an aid to both prayer and study, especially for those without facility in Greek. It succeeds admirably in shaking out of complacency those who know the Scriptures well, challenging them to hear again these texts, in all their strangeness and urgency.

Hart’s New Testament is available from Amazon, where one can also read positive reviews of the work from such figures as Donald Senior, CP, Rowan Williams, Robert Louis Wilken, Paul Mankowski (First Things), and Jennifer Kurdyla (America).




NOTES FROM THIS ARTICLE:

1   David Bentley Hart, “The Word made fresh,” The Tablet 272, no. 9233 (13 January 2018): 11-13. For his translation, see David Bentley Hart, The New Testament: A Translation (New Haven, CT: Yale University Press, 2017).

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Novus Ordo Lectionary Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“The liturgy needed reform by 1965; there was no call for dismantling it. It was intended that the vernacular would enhance the Latin, not supplant it. It was not, emphatically, the mind of the Council Fathers to jettison Gregorian Chant, or to encourage the banal secularization of Church music, so as now to surpass in crudity the worst aberrations of the Howling Pentecostals.”

— Most Rev’d Robert J. Dwyer, Archbishop of Portland (9 July 1971)

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  • “Dies Irae” • A Monstrous Translation

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