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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Literal Translation of the New Testament

Fr. David Friel · March 11, 2018

ARLIER this year, David Bentley Hart published an article in The Tablet (London) that alerted me to a new translation of the New Testament he had published late last year.1 Hart’s NT, however, is not simply another translation to add to the pile.

In translating the New Testament, Hart set out to render the original text quite literally, even when doing so would produce a rough or surprising result. This was the task put to him by an editor at Yale University Press.

An Eastern Orthodox theologian, philosopher, and cultural commentator, Hart is presently a fellow at the Notre Dame Institute for Advanced Study in South Bend. He is the author of many articles and several books, including The Beauty of the Infinite: The Aesthetics of Christian Truth and The Experience of God: Being, Consciousness, Bliss.

Hart is not idealistic about what he set out to achieve in his NT translation. As he writes in his piece for The Tablet, “I acknowledge, of course, that the translation of words on a page can never be free of some interpretation of their contents.” Nevertheless, he asserts strongly that there is something to be gained by allowing the “historical and cultural remoteness” of an ancient text to remain, rather than trying to smooth such distance out through the translation process.

He has this to say concerning more standard modern translations of the Scriptures:

All of them seem to me to be shaped not only by too many inherited habits of theological thought and usage, but by the curious assumptions that the distinctive idioms and conceptual vocabularies of Jewish, Christian, and Pagan antiquity constitute nothing more than different ways of expressing intuitions and ideas that we today merely express in different (but “dynamically equivalent”) ways.

I tend to think that they actually express fundamentally different ways of seeing reality. For instance, to say that someone is “full of days” is not simply to say the same thing that a modern person means in describing someone as “very old.”

Hart admits very honestly the effect that this project had on him, personally. When he began translating, he says, “I took it as my primary task to restore some proper sense of the distance separating the world of the New Testament from ours—to make the text strange again, so to speak. . . . Precisely in making the texts strange—in trying to make them truly remote—I experienced them with an immediacy that I had never really known before.”

N NO WAY am I advocating that Hart’s translation should be considered for liturgical use. On the contrary, it is clear to me that his translation would not at all suffice for liturgical purposes. But this is not to say that his work has no value.

I believe his version of the NT is worth having on hand as an aid to both prayer and study, especially for those without facility in Greek. It succeeds admirably in shaking out of complacency those who know the Scriptures well, challenging them to hear again these texts, in all their strangeness and urgency.

Hart’s New Testament is available from Amazon, where one can also read positive reviews of the work from such figures as Donald Senior, CP, Rowan Williams, Robert Louis Wilken, Paul Mankowski (First Things), and Jennifer Kurdyla (America).




NOTES FROM THIS ARTICLE:

1   David Bentley Hart, “The Word made fresh,” The Tablet 272, no. 9233 (13 January 2018): 11-13. For his translation, see David Bentley Hart, The New Testament: A Translation (New Haven, CT: Yale University Press, 2017).

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Novus Ordo Lectionary Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski
    “To Cover Sin With Smooth Names”
    Monsignor Ronald Knox created several English translations of the PSALTER at the request of the Cardinal Archbishop of Westminster. Readers know that the third edition of the Saint Edmund Campion Missal uses a magnificent translation of the ROMAN CANON (and complete Ordo Missae) created in 1950 by Monsignor Knox. What’s interesting is that, when psalms are used as part of the Ordo Missae, he doesn’t simply copy and paste from his other translations. Consider the beautiful turn of phrase he adds to Psalm 140 (which the celebrant prays as he incenses crucifix, relics, and altar): “Lord, set a guard on my mouth, a barrier to fence in my lips, lest my heart turn to thoughts of evil, to cover sin with smooth names.” The 3rd edition of the CAMPION MISSAL is sleek; it fits easily in one’s hand. The print quality is beyond gorgeous. One must see it to believe it! You owe it to yourself—at a minimum—to examine these sample pages from the full-color section.
    —Jeff Ostrowski
    Heretical Hymns
    As a public service, perhaps a theologian ought to begin assembling a heretical hymns collection. A liturgical book—for funerals!—published by the Collegeville Press contains this monstrosity by someone named “Delores Dufner.” I can’t tell what the lyrics are trying to convey—can you? I detest ‘hymns’ with lines such the one she came up with: “Let the thirsty come and drink, Share My wine and bread.” Somehow, the publication was granted an IMPRIMATUR by Most Rev’d Jerome Hanus (bishop of Saint Cloud) on 16 August 1989. It’s a nice tune, but paired with a nasty text!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“I ask that future priests, from their time in the seminary, receive the preparation needed to understand and to celebrate Mass in Latin, and also to use Latin texts and execute Gregorian chant; nor should we forget that the faithful can be taught to recite the more common prayers in Latin, and also to sing parts of the liturgy to Gregorian chant.”

— SACRAMENTUM CARITATIS

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