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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for February 2018

Jeff Ostrowski · February 28, 2018

Contemporary “Stabat Mater” (SATB) • by Gustaaf Nees (d. 1965)

You’ve never heard this arrangement before—perfect for Lent.

Jeff Ostrowski · February 25, 2018

“Tu Es Petrus” (Rec. 2017 Symposium)

No matter how many people imitate John Denver on the guitar in our churches, Palestrina and Victoria will always be loved and sought by serious Catholics.

Veronica Brandt · February 24, 2018

Build your Music Theory Skills

How to Finally Acquire a Musical Education While Still in College or Anywhere Else (with apologies to James V Schall)

Jeff Ostrowski · February 22, 2018

“First Run Through” • Guerrero’s Kyrie

“To put it simply, I was pierced by the beauty of the liturgy in a way I have never before experienced.” —2017 participant

Andrew Leung · February 22, 2018

The Smoke of Satan

Blessed Pope Paul VI: “The smoke of Satan has entered the Church.”

Dr. Lucas Tappan · February 20, 2018

Building Your Choir Vocally

If more choirmasters were honest with themselves, they would probably acknowledge that no more than 25 to 40 percent of their singers are actually leaders within their choirs.

Jeff Ostrowski · February 19, 2018

Rare Lenten Hymns You’ve Not Sung

“Our hymnbooks know nothing of such a treasure as this, and give us pages of poor sentiment in doggerel lines by some tenth-rate modern versifier.” —Fr. Fortescue

Fr. David Friel · February 18, 2018

St. Thomas More on the Reception of Holy Communion

“Let us not lose this time…for we can hardly tell whether we will ever get in to church again or not.” —St. Thomas More

Veronica Brandt · February 17, 2018

Towards a Standard Protocol for Frayed Ribbons

Adding ribbons sounds like a fine idea, until they fray and come adrift. Serious bookmakers take precautions to stop ribbons fraying, but even amateurs can learn from these tips.

Jeff Ostrowski · February 15, 2018

Phone Interview • Fr. Guy Nicholls, Cong. Orat.

The Blessed John Henry Newman Institute of Liturgical Music (England) has a big announcement!

Jeff Ostrowski · February 13, 2018

Hymn Tunes That Are Actually The Same

Look carefully at this image…

Dr. Lucas Tappan · February 13, 2018

Review • Fr. White’s Tools for Rebuilding

I’m edified by Fr. White’s work, but hope his regard for “church growth” doesn’t negate the Sacramental and supernatural nature of the Church.

Jeff Ostrowski · February 12, 2018

“Live Excerpts” … With One Rehearsal

This is something we will do again, because I think there’s great potential here.

Fr. David Friel · February 10, 2018

1940’s Prayer for Priests

“Fit me, I pray Thee, for this task…”

Jeff Ostrowski · February 9, 2018

How Medieval Books Were Made

Absolutely *fascinating* beyond words!

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Corpus Christi Watershed

President’s Corner

    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“During Lent…the use of musical instruments is allowed only so as to support the singing. Nevertheless, Laetare Sunday (the Fourth Sunday of Lent), Solemnities and Feasts are exceptions to this rule.”

— ‘Roman Missal, 3rd Edition (2011)’

Recent Posts

  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”
  • “Inquiry” • For Music Directors of Cathedrals and Larger Parish Churches
  • PDF Download • “Pange Lingua” for Three Voices (Father Edgard De Laet)

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