Views from the Choir Loft

English Prayers at EF Mass • How old are they?

Jeff Ostrowski · January 24, 2018

OW OLD are the English translations found in Extraordinary Form missals? Consider books currently being sold, such as the Campion Hymnal, which uses the Fr. Lasance translation. Or consider the famous “red books” popular in the 1990s. Or go back further, to the 1806 Roman Missal for Use by Laity (Fr. Husenbeth), which underwent numerous editions. Most of them use the same basic translation of the ORDO MISSAE—but how old is it?

I have previously mentioned that, in addition to the many contemporary texts composed specifically for the forthcoming Brébeuf hymnal, we also plan to include a few historic translations. Our research recently revealed a fascinating ORDO MISSAE in Latin & English from the year 1687:

* * PDF Download • ORDO MISSAE (Latin & English) … from 1687AD

Here are some excerpts, showing a breathtaking similarity to the English translation most “Latin Mass” Catholics have memorized:

90607 p326 • Latin English Mass (1687) ORDO MISSAE

90607 p310 • Latin English Mass (1687) ORDO MISSAE

90607 p298 • Latin English Mass (1687) ORDO MISSAE

90607 p292 • Latin English Mass (1687) ORDO MISSAE

90607 p286 • Latin English Mass (1687) ORDO MISSAE

90607 Canon • Latin English Mass (1687) ORDO MISSAE

It’s the same one I know—almost verbatim!

I also enjoyed looking at the prayers they included to help the congregation achieve deeper devotion. Some excerpts:

90607 p338 • Latin English Mass (1687) ORDO MISSAE

90607 p336 • Latin English Mass (1687) ORDO MISSAE

90607 p332 • Latin English Mass (1687) ORDO MISSAE

In the full PDF file (above) you’ll find interesting items such as:

A Prayer Before Confession

Prayer Before Receiving the Blessed Sacrament

Short Prayers during the Time of Mass
Necessary for the Better Understanding Thereof

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

PDF Download • “Funeral Procession”

From a mediæval Book of Hours, I was sent this glorious depiction of a Roman Catholic funeral procession by Simon Bening (d. 1561). The image resolution is extremely high. I’m not sure I know of a more beautiful illustration of a mediæval church. And I love how the servers are wearing red and pink cassocks!

—Jeff Ostrowski

Simplified Accomp. • Schubert’s “Ave Maria.”

Sometimes the organist must simultaneously serve as the CANTOR. (Those who work in the field of church music know exactly what I’m talking about.) One of our contributors composed this simplified keyboard accompaniment for Franz Schubert’s “Ave Maria,” a piece which is frequently requested for Catholic funerals and weddings. In terms of the discussion about whether that piece is too theatrical (‘operatic’) for use in Church, I will leave that discussion to others. All I know is, many church musicians out there will appreciate this simplified version.

—Jeff Ostrowski

“Reminder” — Month of April (2026)

On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.

—Jeff Ostrowski

PDF Download • “Anima Christi”

I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.

—Jeff Ostrowski

PDF • “Liturgical Law” (467 Pages)

On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!

—Jeff Ostrowski

“Gregorian Chant Quiz” • 24 March 2026

How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!

—Jeff Ostrowski

The representative Protestant collection, entitled “Hymns, Ancient and Modern”—in substance a compromise between the various sections of conflicting religious thought in the Establishment—is a typical instance. That collection is indebted to Catholic writers for a large fractional part of its contents. If the hymns be estimated which are taken from Catholic sources, directly or imitatively, the greater and more valuable part of its contents owes its origin to the Church.

— Orby Shipley (1884)