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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Lux Fulgebit: Mass at Dawn of Christmas Day

Fr. David Friel · December 24, 2017

OME OF OUR readers are familiar with the wonderful community of St. Mary’s Church in Norwalk, CT. In addition to its historic church, the parish is blessed with devoted priests and very welcoming parishioners. It also boasts an exemplary music program, featuring seven distinct choirs.

The parish’s professional Schola Cantorum, under the direction of David J. Hughes, sings the complete Gregorian propers and polyphonic Ordinaries on each Sunday and Holy Day of the year.

Earlier this year, the ensemble released its first recording, Lux Fulgebit: The Mass at Dawn of Christmas Day.

This new CD presents all the musical components of a sung Mass in the Extraordinary Form of the Roman Rite—bells, sung lessons, motets, organ improvisations, etc.—in a living, liturgical context.

The most unique aspect of this new album is that it features the world-premiere recording of William Rasar’s Mass Christe Jesu. An obscure composer of the 16th century, Rasar served as a boy chorister at St. George’s Chapel in Windsor. This Mass, written for five voices, is his only extant composition. Unusually for the time period, it is written entirely in duple meter.

In addition to the Mass Christe Jesu, the recording includes motets by Alfonso Ferrabosco (Mirabile mysterium), William Byrd (Quem terra, pontus, aethera), and Walter Lambe (Nesciens mater).

This album is a real achievement for St. Mary’s Schola Cantorum. Its 23 tracks present one hour and nine minutes of musical delight. It is also accompanied by ample background notes written by Charles Weaver, who sings bass on the recording.

If you’ve been looking for a Christmas present for yourself this year, this album is worth considering. For more information about the CD, see the parish webpage. Find the music for download on iTunes or Amazon.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Extraordinary Form 1962 Missal, Gregorian Chant, Improvisation, MP3, Recording, Traditional Latin Mass Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski
    “Music List” • 21st in Ordinary Time (Year C)
    Our choir returns on Sunday, 24 August 2025. Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for it, which is the 21st Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website. When it comes to the feast of the Assumption (15 August 2025), I have uploaded the music list for that Mass—but not the “bi-lingual” Mass in the evening (Spanish, Latin, and English) which has completely different music.
    —Jeff Ostrowski
    “Entrance Chant” • 21st Sunday Ordin. Time
    You can download the ENTRANCE ANTIPHON in English for the 21st Sunday in Ordinary Time (Year C) which is coming up on 24 August 2025. Corresponding to the vocalist score is this free organ accompaniment. It’s set in a melancholy mode, but if you heard my choir’s female voices singing it your soul would be uplifted beyond belief. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“Both of these appointments—of Cardinal Lercaro and Father Bugnini—to key positions on the Consilium made it possible for voices to be heard that could not be heard during the proceedings of the Council, and likewise silenced others.”

— Alfons Cardinal Stickler, Vatican II ‘peritus’

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  • Solemn “Salve Regina” (Chant)
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