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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

In the Beauty of Holiness: Music and the Transcendent

Fr. David Friel · October 8, 2017

HILADELPHIA is home to a fascinating organization called the International Institute for Culture (IIC). Their website describes the non-profit as a research center devoted to promoting international understanding through cultural means. Practically, this means that the IIC hosts conferences and concerts, art exhibits and Oktoberfests, and even courses in Latin and Greek.

At the heart of the IIC’s vision for culture is the Catholic Faith. As their website explains:

The purpose of IIC is not to advance the idea that it is possible to restore some ideal Christian past. There never has been one. Rather, it is to look at the way in which the Faith has shaped cultures in the past and the culture in which we live today, the manner in which it preserved and elevated whatever was good and noble in any culture which it encountered and repudiated whatever debased the human spirit. With such knowledge and with a commitment to the Redeemer of Culture, we can begin working together to build the new “civilization of love.”

Recently announced is a new program of talks at the IIC, billed as a “Sunday Brunch and Lecture Series.” Building upon an earlier lecture series that focused on art and architecture, this new series finds its focus in music and kicks off next week.

In the Beauty of Holiness: Music and the Transcendent

Sunday, October 15, 2017
The Unity of Ascent: Musical Supplication and Redemption in Early Modern Venice
Dr. Sara Pecknold, Musicologist, The Catholic University of America

Sunday, November 5, 2017
Pedro de Gante and the Creation of Euro-Aztec Catholic Song in Sixteenth Century Mexico
Dr. Lorenzo Candelaria, Music Historian, University of Texas at El Paso

Sunday, December 3, 2017
Gregorian Chant and the Spirit of Liturgical Prayer
Dr. Timothy McDonnell, Director of the Institute of Sacred Music, The Catholic University of America

Sunday, January 7, 2018
The Language of Music to Address the Holy
Mark Bradford, former Director of Sacred Music, St. Charles Borromeo Seminary

Sunday, February 4, 2018
Pythagoras, Bach, and Universal Harmony in the Great B-Minor Mass
Dr. Lorenzo Candelaria, Music Historian, University of Texas at El Paso

Sunday, March 4, 2018
Music in Honor of San Gennaro: Early Modern Martyr, Miracle Worker, and Musical Protagonist
Dr. Anthony DelDonna, Musicologist, Georgetown University

Sunday, April 8, 2018
The Island of Catholic Exuberance in Protestant Germany: Music of the Dresden Court
Dr. Timothy McDonnell, Director of the Institute of Sacred Music, The Catholic University of America

For each of these events, brunch will be served at 12:45 PM at Ivy Hall (6331 Lancaster Avenue, Philadelphia, PA 19151), which follows the 11:30 AM Mass at Our Lady of Lourdes Church nearby. The lectures will begin at 2 PM, and the suggested donation is $15/person or $35/family to defray the cost of the brunch and lecture.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Gregorian Chant, Johann Sebastian Bach Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“Who dreamed on that day that within a few years, far less than a decade, the Latin past of the Church would be all but expunged, that it would be reduced to a memory fading into the middle distance? The thought of it would have horrified us, but it seemed so far beyond the realm of the possible as to be ridiculous. So we laughed it off.”

— Archbishop Dwyer of Portland (26-Oct-1973)

Recent Posts

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  • Dr. Mahrt explains the ‘Spoken’ Propers
  • PDF • “Music List” (1st Sunday of Advent)
  • Kid’s Repertoire • “Jeffrey’s 3 Recommendations”

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