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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Spirit of All Souls’ Day

Fr. David Friel · October 22, 2017

LL SOULS’ DAY lies just around the corner. November 2nd is typically a day filled with Masses—the result of the Church’s longing for the salvation of the departed and her confidence in the merits of the Lord’s sacrifice to obtain that salvation.

It has been the Church’s longstanding practice to permit priests to offer Mass not once, not twice, but even three times on this day. The same permission is granted for only one other observance of the liturgical year: Christmas Day. For a discussion of this permission and whether it constitutes an encouragement, take a look at two posts from a couple of years ago (here and here).

The ethos of All Souls’ Day stands in stark contradistinction to the universalism of our age. When attending a Catholic funeral or a Mass on All Souls’ Day, one does not encounter the spirit of “life celebration.” This idea is, indeed, foreign to the funeral and All Souls’ Day liturgies.

What these liturgies do clearly convey is a spirit of profound grief and mourning, salved by the hope of resurrected life. On the fittingness of this liturgical spirit, Dietrich von Hildebrand writes:

It is a regrettable sophism to say (as it was sometimes said in sermons) that the death of a father or mother, husband or wife, or of a child, is no reason for sadness as long as they have died well, after receiving the last Sacraments, as long as we can hope that they are with God. Of course the eternal happiness of one whom we truly love is the most important thing, but separation from the beloved, even if only for a time, remains a terrible cross.

Whoever does not feel this cross, whoever just happily goes his way with the consolation that the beloved has found eternal happiness, is not directed to eternity in a special way—he is simply insensitive and does not want to be disturbed in the normal rhythm of his daily life. He is simply making a comfortable excuse when he emphasizes that the eternal salvation of the other is the most important thing. He has forgotten that even Jesus Christ, the God-Man, prayed in Gethsemane: “Father, if it be possible, let this cup pass from Me.” He does not understand that a cross which has been imposed on us should be suffered under as a cross. Only then can we attain to the true consolation which lies in the perspective of eternity, to the true hope of eternal blessedness.” [Dietrich von Hildebrand, The Devastated Vineyard (1973), pg. 130]

Again this year, many parishes will offer special commemorations of the faithful departed on or near November 2nd. I would like to draw your attention to just two.

First, the National Shrine of St. John Paul II here in Washington, DC has announced that they will host a Missa Cantata at 7 PM on November 2nd in their main church (3900 Harewood Road NE, Washington, DC). Faure’s Requiem in D minor (Op. 48) will be sung, adhering closely to the original instrumentation for strings, choir, and soloists. Of this Mass, the composer once wrote: “Everything I managed to entertain by way of religious illusion I put into my Requiem, which moreover is dominated from beginning to end by a very human feeling of faith in eternal rest.”

Second, the Catholic Artists Society will host their 15th annual solemn Requiem Mass on November 13th at 7 PM in the Church of St. Vincent Ferrer (869 Lexington Avenue, NYC). The music for this Mass will be Mozart’s Requiem in D minor (K. 626). This society is the same group that sponsors the Art of the Beautiful lecture series, featured before on these pages.

Requiescant in pace!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: All Souls, Requiem Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    Pipe Organ “Answers” in Plainsong?
    In 2003, I copied a book by Félix Bélédin (d. 1895), who was titular organist—from 1841 to 1874—at the Cathedral of Saint John the Baptist in Lyon (France). In 2008, we scanned and uploaded the book to the Lalande Online Library. Nobody knows for sure when the book was published; some believe it first appeared in the 1840s. In any event, one who examines this excerpt, showing GLORIA IX might wonder why it says the organ answers in plainsong. However, the front of the book explains, telling the organist explicitly when to “respond in plainchant.” This is something called organ alternatim. Believe it or not, the pipe organ would take turns with the choir, playing certain texts instrumentally instead of having them sung. I’m not very well-versed in this—pardon the pun—but if memory serves, ORGAN ALTERNATIM was frowned upon by the time of Pope Saint Pius X. Nevertheless, French organists kept doing it, even after it was explicitly condemned as an abuse.
    —Jeff Ostrowski
    Music List • (5th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 5th Sunday of Lent (22 March 2026). If such a thing interests you, feel free to download it as a PDF file. Traditionally, this Sunday was called ‘Passion’ Sunday. Starting in 1956, certain church leaders attempted rename both ‘Passion’ Sunday and ‘Palm’ Sunday—but it didn’t work. For example, Monsignor Frederick McManus tried to get people to call PALM SUNDAY “Second Passion Sunday”—but the faithful rejected that. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“The plan to definitively abolish the traditional Tridentine Mass … if it is true, seems to me to be an insult to the history of the Church and to Sacred Tradition, a diabolical project that seeks to break with the Church of Christ, the apostles, and the saints.”

— The Vatican’s chief liturgist (appointed by Pope Francis) from 2014-2021

Recent Posts

  • Pipe Organ “Answers” in Plainsong?
  • “Gregorian Chant Quiz” • 24 March 2026
  • “Versions of the Psalter” • Jeff Interviews Top Biblical Scholar: Dr. Mark Giszczak
  • PDF Download • “Ubi Caritas” (SATB)
  • Summer 2026 • “Gregorian Chant Course” at Aquinas College (Nashville, TN)

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