• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
    • “Let the Choir Have a Voice” (Essay)
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

PDF Download • Rare German Hymnal

Jeff Ostrowski · October 17, 2017

4195 In Dulci Jubilo HE Brébeuf Hymnal project is really coming along. I have been privileged (for several years) to serve on a committee creating this book. One of the members is a veritable encyclopedia of hymnody, and it’s difficult to find a tune, text, or author he doesn’t know. The amount of material we have unearthed is overwhelming, and I hope someday 100% can be released online.

We have commissioned a remarkable amount of new texts and melodies for this book. However, we will also include historic Catholic tunes that have been (unfairly) neglected—and the following book by Dreves has several nice ones.

For the first time in history we have placed this celebrated German hymnal online:

    * *  PDF Download •   O CHRIST HIE MERK!   (Rev. Dreves, 1885)

Fr. Robert Skeris, perhaps the world’s preëminent scholar of hymnody, wrote about Dreves:

In order to make available in practise some of the results of his research work, DREVES published two small books which were important and influential in the continuing discussion: Ein Wort zur Gesangbuchfrage and “O Christ hie merk!” DREVES intended his “Wort” as “building material” for an eventual German national hymnal. If the “Wort zur Gesangbuchfrage” is more theoretical, then “O Christ hie merk!” is completely practical: a hymnal with 150 tunes illustrating the principles set forth in the “Wort.” WITT identified himself with this “word” by saying that it expressed “the principles of the Caecilian Society on this point.”

Fr. Guido Maria Dreves was a Jesuit priest who died in 1909. He’s responsible for the definitive work (55 volumes) on Latin hymnody: Analecta Hymnica Medii Aevi.

DESCRIPTION OF THIS BOOK :

Dreves, Guido Maria S. J. — “O Christ hie merk!”
Ein Gesangbüchlein geistlicher Lieder. Freiburg im Breisgau.
Herdersche Verlagshandlung. 1885.
Mit Approbation des hochw. Herrn Erzbischofs von Freiburg.

S. Halbleinen-Bibliothekseinband mit Leinenecken und marm. Deckeln. Handbeschr. Rückenschild oben sowie Bibliotheksschild auf V-Deckel, gestempelt. Kanten und Deckel berieben, sonst gut. Innen stärker gebräunt, die ersten Seiten mit zahlreichen Bibliotheksstempeln und handschr. kleinen Eintragungen. Nach S. X im Gelenk angebrochen. Vorsätze sowie Innendeckel und erste bzw. letzte S. gilbtleckig, sonst sauber.

Zweck dieses Gesangbüchleins ist einzig und allein, die echt christlichen, echt volkstümlichen Lieder, wie sie von Anfang bei unseren Vorfahren in Brauch und Übung gewesen, dann aber in glaubensschwacher, nüchterner Zeit über Bord geworfen oder bis zu Unkenntlichkeit entstellt wurden, unserem Volke zurückzugeben, und zwar in einer Gestalt, die sich möglichst innig der überlieferten Urform des Liedes anschlösse (…) Aus dem Vorwort.

Mit zahlreichen Notenbeigaben.

DREVES. Guido Maria, Jesuit, Hymnologe und geistlicher Lyriker, * 27.10. 1854 in Hamburg als Sohn des Notars und Dichters Leberecht D., † 1.6. 1909 in Mitwitz bei Kronach (Ober.franken).

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski
    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski
    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“We must remember that the important elements of a rite are not the things that will first be noticed by a casual and ignorant onlooker—the number of candles, colour of the vestments and places where the bell is rung—but just those things he would not notice: the Canon, fraction and so on, the prayers said in a low voice and the characteristic but less obvious rites done by the celebrant at the altar.”

— Fr. Fortescue explaining that Anglicanism does not preserve Sarum

Recent Posts

  • Fulton J. Sheen • “24-Hour Catechism”
  • 2-Voice Arrangement for Lent
  • Pope Paul VI • “Sacrificium Laudis” (15 Aug 1966)
  • “Sanctus VIII” • Organ Accompaniment
  • PDF Download • Sanctus VIII Organ Accompaniment (“Mass of the Angels”)

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.