Views from the Choir Loft

Translations By Non-Catholics In A Catholic Hymnal?

Jeff Ostrowski · September 27, 2017

OR A LONG TIME, Catholic hymnals categorically refused to include translations by Protestants. The fear was that Protestant translators might taint or distort the theology contained in the ancient Catholic hymns—and in some cases this fear was justified. However, Fr. Adrian Fortescue disagreed, writing in 1913: “After Dr. Neale’s beautiful poetic translations of nearly all our hymns it seems vain for anyone else to try to rival them.”

This prohibition—at least for American hymnals—seems to have softened in the 1950s. The Mediator Dei Hymnal (1955) contains many translations by non-Catholics, such as the following:

The New Saint Basil Hymnal (1958) also contains many translations by non-Catholics, such as this one by Athelstan Riley:

The Catholic Hymn Book (1998) by the London Oratory contains a translation by someone considered by many to be a “virulant anti-Catholic,” viz. Percy Dearmer:

FOR MYSELF, I HAVE NO ISSUE with English translations by Protestants, so long as theological truth is not damaged. Before agreeing to help with the St. Jean de Brébeuf Hymnal—which is turning out fantastic, by the way!—I made it clear that we should accept translations by non-Catholics if they are excellent and fully correct from a theological standpoint.

On the other hand, it is sad to see that John Henry Newman’s prediction has come to pass:

“Liberalism in religion is the doctrine that there is no positive truth in religion, but that one creed is as good as another… It teaches that all are to be tolerated, for all are matters of opinion. Revealed religion is not a truth, but a sentiment and a taste; not an objective fact, not miraculous; and it is the right of each individual to make it say just what strikes his fancy. […] Men may go to Protestant Churches and to Catholic, may get good from both and belong to neither.”
—Bl. John Henry Cardinal Newman (May of 1879)

To disguise the real differences between Catholics and Protestants, some now refer to “different traditions”—as if Catholics have one tradition and Baptists another. But JESUS CHRIST was quite clear about what happens to anyone who corrupts his teaching—so perhaps we should reflect carefully on that.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Dom Pothier • Photo from 1904

Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠

—Jeff Ostrowski

PDF • “3-Voice Motet” (Father De Laet)

I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.

—Jeff Ostrowski

“Reminder” — Month of Febr. (2026)

On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.

—Jeff Ostrowski

PDF Chart • “Plainsong Rhythm”

I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”

—Jeff Ostrowski

PDF • “O Come All Ye Faithful” (Simplified)

I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.

—Jeff Ostrowski