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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Scandal and Allure of the Priesthood

Fr. David Friel · August 4, 2017

ACK IN late May, I attended the annual convocation of priests for my home presbyterate of Philadelphia. Our speaker this year was Archbishop Philip Tartaglia of Glasgow, Scotland. He gave three excellent talks, each marked by simplicity, gentleness, and insight.

The best of these presentations was the final one, in which the archbishop reflected on a mysterious duality of the priesthood. Priests in every age, he argued, are both scandalous and alluring, as a result of their unique call to holiness (or “set-apartness”).

This talk has just been published as an article in First Things. It is rather short, and I highly recommend it, especially as a reflection for priests on this feast of their patron, St. Jean-Marie Vianney.

Archbishop Tartaglia writes:

Priests are consecrated and set apart—this is fundamental to the priesthood. It means we invariably embody the scandal and the allure of the divine. Ordination consecrates a priest to a life of service. This means performing very tangible tasks, such as maintaining the parish buildings and ensuring that the parish school is well run. But that is not the core of the priestly ministry. . . . Priests are commissioned by God to handle divine things. We are custodians of the Church’s sacred liturgy and mysteries of faith. We are not the sources of divine grace. Jesus alone is the source. But like the ancient priesthood of Israel, priests are instruments of that grace, which reaches its fullness in the sacraments of the Church that Jesus Christ instituted. The world’s vision may be impaired by sin, but it’s not blind. Our secular culture can’t help but see us as odd and out-of-date, even scary—but strangely attractive. Even non-believers recognize that our job, as priests, is to stretch the umbilical cord of human nature toward the divine.

He goes on in another part of the article:

We’ve all heard the complaint that the Church should do more to meet the needs of the poor or address climate change, and worry less about liturgies and worship and spiritual realities. Fundamentally, that’s a complaint against holiness as the Church’s highest aim. And yet, the Church’s transcendent orientation fascinates our culture. Holiness offends and frightens people.

The full article is worth a few minutes’ attention.

St. Jean-Marie Vianney was a man who placed priority on holiness and prayer as the fundamentals of his pastoral plan, well ahead of parish programs and capital campaigns and motivational speakers. By holiness and prayer, he was able to bring about the conversion of his parish in Ars. Might not all parishes benefit from this pastoral plan?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Always remember: God opposes the proud.” (leaning into the microphone) “…even when they’re right!”

— ‘Scott Hahn, speaking in Plano, TX’

Recent Posts

  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”
  • “Inquiry” • For Music Directors of Cathedrals and Larger Parish Churches

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