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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Scandal and Allure of the Priesthood

Fr. David Friel · August 4, 2017

ACK IN late May, I attended the annual convocation of priests for my home presbyterate of Philadelphia. Our speaker this year was Archbishop Philip Tartaglia of Glasgow, Scotland. He gave three excellent talks, each marked by simplicity, gentleness, and insight.

The best of these presentations was the final one, in which the archbishop reflected on a mysterious duality of the priesthood. Priests in every age, he argued, are both scandalous and alluring, as a result of their unique call to holiness (or “set-apartness”).

This talk has just been published as an article in First Things. It is rather short, and I highly recommend it, especially as a reflection for priests on this feast of their patron, St. Jean-Marie Vianney.

Archbishop Tartaglia writes:

Priests are consecrated and set apart—this is fundamental to the priesthood. It means we invariably embody the scandal and the allure of the divine. Ordination consecrates a priest to a life of service. This means performing very tangible tasks, such as maintaining the parish buildings and ensuring that the parish school is well run. But that is not the core of the priestly ministry. . . . Priests are commissioned by God to handle divine things. We are custodians of the Church’s sacred liturgy and mysteries of faith. We are not the sources of divine grace. Jesus alone is the source. But like the ancient priesthood of Israel, priests are instruments of that grace, which reaches its fullness in the sacraments of the Church that Jesus Christ instituted. The world’s vision may be impaired by sin, but it’s not blind. Our secular culture can’t help but see us as odd and out-of-date, even scary—but strangely attractive. Even non-believers recognize that our job, as priests, is to stretch the umbilical cord of human nature toward the divine.

He goes on in another part of the article:

We’ve all heard the complaint that the Church should do more to meet the needs of the poor or address climate change, and worry less about liturgies and worship and spiritual realities. Fundamentally, that’s a complaint against holiness as the Church’s highest aim. And yet, the Church’s transcendent orientation fascinates our culture. Holiness offends and frightens people.

The full article is worth a few minutes’ attention.

St. Jean-Marie Vianney was a man who placed priority on holiness and prayer as the fundamentals of his pastoral plan, well ahead of parish programs and capital campaigns and motivational speakers. By holiness and prayer, he was able to bring about the conversion of his parish in Ars. Might not all parishes benefit from this pastoral plan?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“Dom Pothier does not belong to the dim past, as the silence which surrounds his name would lead one to believe. Only a few years separate us from the time when—growing old and heavily burdened by trials—Dom Pothier was concentrating his ever keen attention on the study of manuscripts in the Belgian place of retreat where his community had found refuge. For he was the abbot; and there can be no doubt that the cross he wore during those days was a cross of sorrow, though he bore it with a smile.”

— Dom Ermin Vitry, OSB (31-OCT-1936)

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  • PDF • “Music List” (Sunday, 28 December)
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  • PDF • “Music List” (Xmas Midnight Mass)

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