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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

The Scandal and Allure of the Priesthood

Fr. David Friel · August 4, 2017

ACK IN late May, I attended the annual convocation of priests for my home presbyterate of Philadelphia. Our speaker this year was Archbishop Philip Tartaglia of Glasgow, Scotland. He gave three excellent talks, each marked by simplicity, gentleness, and insight.

The best of these presentations was the final one, in which the archbishop reflected on a mysterious duality of the priesthood. Priests in every age, he argued, are both scandalous and alluring, as a result of their unique call to holiness (or “set-apartness”).

This talk has just been published as an article in First Things. It is rather short, and I highly recommend it, especially as a reflection for priests on this feast of their patron, St. Jean-Marie Vianney.

Archbishop Tartaglia writes:

Priests are consecrated and set apart—this is fundamental to the priesthood. It means we invariably embody the scandal and the allure of the divine. Ordination consecrates a priest to a life of service. This means performing very tangible tasks, such as maintaining the parish buildings and ensuring that the parish school is well run. But that is not the core of the priestly ministry. . . . Priests are commissioned by God to handle divine things. We are custodians of the Church’s sacred liturgy and mysteries of faith. We are not the sources of divine grace. Jesus alone is the source. But like the ancient priesthood of Israel, priests are instruments of that grace, which reaches its fullness in the sacraments of the Church that Jesus Christ instituted. The world’s vision may be impaired by sin, but it’s not blind. Our secular culture can’t help but see us as odd and out-of-date, even scary—but strangely attractive. Even non-believers recognize that our job, as priests, is to stretch the umbilical cord of human nature toward the divine.

He goes on in another part of the article:

We’ve all heard the complaint that the Church should do more to meet the needs of the poor or address climate change, and worry less about liturgies and worship and spiritual realities. Fundamentally, that’s a complaint against holiness as the Church’s highest aim. And yet, the Church’s transcendent orientation fascinates our culture. Holiness offends and frightens people.

The full article is worth a few minutes’ attention.

St. Jean-Marie Vianney was a man who placed priority on holiness and prayer as the fundamentals of his pastoral plan, well ahead of parish programs and capital campaigns and motivational speakers. By holiness and prayer, he was able to bring about the conversion of his parish in Ars. Might not all parishes benefit from this pastoral plan?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Common” Responsorial Psalm?
    I try to avoid arguing about liturgical legislation (even with Catholic priests) because it seems like many folks hold certain views—and nothing will persuade them to believe differently. You can show them 100 church documents, but it matters not. They won’t budge. Sometimes I’m confronted by people who insist that “there’s no such thing” as a COMMON RESPONSORIAL PSALM. When that happens, I show them a copy of the official legislation in Latin. I have occasionally prevailed by means of this method.
    —Jeff Ostrowski
    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

Soloists are dangerous in any church choir! Their voices frequently do not blend with those of the other singers to form a rich, integrated tone.

— Roger Wagner

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