• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

I forgot to tell them it’s supposed to be hard.

Richard J. Clark · June 9, 2017

DULTS AND children sometimes learn very differently. The brains of children are still developing, and adults often assume many things are too difficult for them to learn, absorb, or even attempt. How wrong we are!

My son has been playing baseball. He bats and throws right-handed. My daughter is left-handed. So one day, while I was throwing batting practice to them, my son wanted to try batting left-handed just like his older sister. It never occurred to him that this would be hard, or that he wouldn’t do well. He just thought it would be fun.

What happened surprised me. Instead of struggling, he hit he ball quite consistently (if not for as much power…) He continued to bat left-handed for the rest of our practice. He had no inhibition to try something potentially uncomfortable, and he had a positive, fun, experience. He’ll probably try it again. I guess I forgot to tell him how hard it is to become a successful switch-hitter.

Furthermore, those who teach languages or music to young school children know better. Certain young ages are ideal times to teach children because they absorb certain things much faster and quite naturally. Start teaching children a new language when they are in high school, and it will be difficult. Start when they are younger, and they will have a far greater chance of mastering the language as they grow.

I live in a town in which the public elementary schools have a French Immersion program. It has become so popular and effective, that they have had to hire more teachers and potentially cap the program.

ERHAPS MY FAVORITE words of wisdom come from my friend, colleague, and sage, Maestro Michael Olbash. A few years ago, he began a children’s choir who sang a great deal of Gregorian Chant. They sang beautifully; his choir blossomed in size. He said, “They don’t know it’s supposed to be hard.”

He must have forgotten to tell the children that Latin and chant are supposed to be too hard for them; they made singing in Latin look easy.

My colleague and friend, Ryan Lynch gave the first-graders in the school where he teaches the choice to sing the Sanctus XVIII in English (ICEL Chant) or in Latin. The seven-year-olds insisted on singing in Latin. Maestro Lynch must have forgotten to tell them Latin and Chant are supposed to be hard, and that children shouldn’t be taught such music in the first place.

My own children recently sang Regina Caeli at Mass both in Latin and then in English. It’s a great “starter piece” for chant. It’s not very ambitious compared to the work of my other colleagues. They learned the meaning of the Latin text quite easily. In fact, we had to spend more time rehearsing it in English. I forgot to tell them, it’s supposed to be hard.

ERE’S A MODEST musical and liturgical resource from the Archdiocese of Boston for First Communion and Confirmation. If you forget to tell the children this is too hard for them, they just might pick it up easily—just as God created them to do!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“We turn to the East when we stand to pray, since this is where the sun and the stars rise. It is not, of course, as if God were there alone and had forsaken the rest of creation. Rather, when these earthly bodies of ours are turned towards the more excellent, heavenly bodies, our minds are thereby prompted to turn towards the most excellent being, that is, to our Lord.”

— Saint Augustine of Hippo

Recent Posts

  • New Bulletin Article • “21 September 2025”
  • How do you pronounce this word in Latin?
  • Cheap! Cheap! Cheap!
  • Children’s Repertoire: “3 Recommendations”
  • PDF Download • Dom Murray Harmonies

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.