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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

I forgot to tell them it’s supposed to be hard.

Richard J. Clark · June 9, 2017

DULTS AND children sometimes learn very differently. The brains of children are still developing, and adults often assume many things are too difficult for them to learn, absorb, or even attempt. How wrong we are!

My son has been playing baseball. He bats and throws right-handed. My daughter is left-handed. So one day, while I was throwing batting practice to them, my son wanted to try batting left-handed just like his older sister. It never occurred to him that this would be hard, or that he wouldn’t do well. He just thought it would be fun.

What happened surprised me. Instead of struggling, he hit he ball quite consistently (if not for as much power…) He continued to bat left-handed for the rest of our practice. He had no inhibition to try something potentially uncomfortable, and he had a positive, fun, experience. He’ll probably try it again. I guess I forgot to tell him how hard it is to become a successful switch-hitter.

Furthermore, those who teach languages or music to young school children know better. Certain young ages are ideal times to teach children because they absorb certain things much faster and quite naturally. Start teaching children a new language when they are in high school, and it will be difficult. Start when they are younger, and they will have a far greater chance of mastering the language as they grow.

I live in a town in which the public elementary schools have a French Immersion program. It has become so popular and effective, that they have had to hire more teachers and potentially cap the program.

ERHAPS MY FAVORITE words of wisdom come from my friend, colleague, and sage, Maestro Michael Olbash. A few years ago, he began a children’s choir who sang a great deal of Gregorian Chant. They sang beautifully; his choir blossomed in size. He said, “They don’t know it’s supposed to be hard.”

He must have forgotten to tell the children that Latin and chant are supposed to be too hard for them; they made singing in Latin look easy.

My colleague and friend, Ryan Lynch gave the first-graders in the school where he teaches the choice to sing the Sanctus XVIII in English (ICEL Chant) or in Latin. The seven-year-olds insisted on singing in Latin. Maestro Lynch must have forgotten to tell them Latin and Chant are supposed to be hard, and that children shouldn’t be taught such music in the first place.

My own children recently sang Regina Caeli at Mass both in Latin and then in English. It’s a great “starter piece” for chant. It’s not very ambitious compared to the work of my other colleagues. They learned the meaning of the Latin text quite easily. In fact, we had to spend more time rehearsing it in English. I forgot to tell them, it’s supposed to be hard.

ERE’S A MODEST musical and liturgical resource from the Archdiocese of Boston for First Communion and Confirmation. If you forget to tell the children this is too hard for them, they just might pick it up easily—just as God created them to do!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

[to the executioner] Sir Thomas More: “I forgive you right readily.” [gives him a coin] “Be not afraid of your office; you send me to God.” Archbishop Cranmer: “You’re very sure of that, Sir Thomas?” More: “He will not refuse one who is so blithe to go to him.” [kneeling, he places his head on the chopping block]

— From “A Man for All Seasons” (1960 play by Robert Bolt)

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