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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Pastorally Imperative: They are all we have.

Richard J. Clark · May 26, 2017

ARDINAL SEÁN P. O’Malley, OFM, Cap. recently ordained eight men to the Priesthood on Saturday, May 20, 2017, at Immaculate Conception Church in Lowell, Massachusetts. (The Cathedral of the Holy Cross in Boston is currently under renovation.)

Please pray for these new priests! Fr. Jason Rinaldo Giombetti, Fr. Pablo Gomis, Fr. Kevin Paul Leaver, Fr. Godfrey Musabe, Fr. Wellington Oliveira, Fr. Joel Americo Santos, Fr. William Paro Joseph Sexton, and Fr. Michael Louis Zimmerman

FFORDED THE OPPORTUNITY to direct the music for this ordination, I hoped to emphasize to the choir the following:

What we do is not simply “important” music for an “important” Mass. This is a day that these eight men will carry in their hearts for the rest of their lives. Not only what we sing, but how we sing will have spiritual impact beyond a nice memory. It will help shape their formation.

Music itself won’t solve any problems or persuade any newly ordained priest to adjust their liturgical inclinations. That’s not the point.

But music sung in prayer and with joy hopefully permeates their hearts and minds. It can reach the hearts of their family and friends who will support and accompany them throughout their lives. To sing in prayer and with joy is pastorally imperative for they are all we have.

ERHAPS OF INTEREST, you can watch a video of the Ordination in the Archdiocese of Boston here. We are deeply grateful to Evan Landry for this recording.

Recording for broadcast is always tricky, especially capturing the true blend of a choir in the room. Mr. Landry did an exceptional job (with omnidirectional microphones) capturing a fairly representative blend of the choir while contending with specific restrictions in space.

Music of note:

• 4:15 • INTROIT • Sacerdotes Dei, benedicite, Mode VI • (Marc Demille intones verses) I chose to have men and women sing in unison for a brighter sound, to create a more energetic pronouncement. This was followed by the hymn This Is the Feast of Victory by Hillert.

• 20:45 • Kyrie and Gloria from the Mass of the Angels (Allesandra Cionco-Dahlberg, soprano)

• 28:30 • Psalm 23 • Jeffrey Ostrowski (Jaime Korkos, psalmist)

• 34:15 • Gospel Procession, Alleluia, Theodore Marier

• 36:24 • The Gospel is beautifully chanted by Rev. Mr. Joseph J. Sanderson

• 1:07:56 • Litany of the Saints (Marc DeMille Cantor)

• 1:16:30 • Holy Spirit, Come and Shine Chant, arr. Leo Abbott (Tom Manguem, cantor) and improvisation • repeated at 1:27:25

• 1:44:00 • Christ the Lord, a Priest Forever, RJC, Ps. 100

• 1:52:00 • You are My Friends, RJC • Jn. 15:14, Ps. 100

• 2:27: 40 • Agnus Dei XVI, Byrd/Agnus Dei XVIII

• 2:30:13 • Sicut Cervus Palestrina

• 2:33:28 • Adordo Te devote

• 2:53:45 • THAXTED, O God Beyond All Praising, arr. Richard Proulx

• 2:59:45 • Processional, Mathias • Dr. Janet Hunt, FAGO, organ

Photos by George Martell • Archdiocese of Boston

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Archdiocese of Boston, Ordination Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“He would lecture early in the morning at St Edmund’s College, perhaps more than once, rush from thence to the British Museum, and toil there intensely for hours, all without a scrap of food, having pledged himself to dine with us.”

— A description of Father Adrian Fortescue

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