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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Pastorally Imperative: They are all we have.

Richard J. Clark · May 26, 2017

ARDINAL SEÁN P. O’Malley, OFM, Cap. recently ordained eight men to the Priesthood on Saturday, May 20, 2017, at Immaculate Conception Church in Lowell, Massachusetts. (The Cathedral of the Holy Cross in Boston is currently under renovation.)

Please pray for these new priests! Fr. Jason Rinaldo Giombetti, Fr. Pablo Gomis, Fr. Kevin Paul Leaver, Fr. Godfrey Musabe, Fr. Wellington Oliveira, Fr. Joel Americo Santos, Fr. William Paro Joseph Sexton, and Fr. Michael Louis Zimmerman

FFORDED THE OPPORTUNITY to direct the music for this ordination, I hoped to emphasize to the choir the following:

What we do is not simply “important” music for an “important” Mass. This is a day that these eight men will carry in their hearts for the rest of their lives. Not only what we sing, but how we sing will have spiritual impact beyond a nice memory. It will help shape their formation.

Music itself won’t solve any problems or persuade any newly ordained priest to adjust their liturgical inclinations. That’s not the point.

But music sung in prayer and with joy hopefully permeates their hearts and minds. It can reach the hearts of their family and friends who will support and accompany them throughout their lives. To sing in prayer and with joy is pastorally imperative for they are all we have.

ERHAPS OF INTEREST, you can watch a video of the Ordination in the Archdiocese of Boston here. We are deeply grateful to Evan Landry for this recording.

Recording for broadcast is always tricky, especially capturing the true blend of a choir in the room. Mr. Landry did an exceptional job (with omnidirectional microphones) capturing a fairly representative blend of the choir while contending with specific restrictions in space.

Music of note:

• 4:15 • INTROIT • Sacerdotes Dei, benedicite, Mode VI • (Marc Demille intones verses) I chose to have men and women sing in unison for a brighter sound, to create a more energetic pronouncement. This was followed by the hymn This Is the Feast of Victory by Hillert.

• 20:45 • Kyrie and Gloria from the Mass of the Angels (Allesandra Cionco-Dahlberg, soprano)

• 28:30 • Psalm 23 • Jeffrey Ostrowski (Jaime Korkos, psalmist)

• 34:15 • Gospel Procession, Alleluia, Theodore Marier

• 36:24 • The Gospel is beautifully chanted by Rev. Mr. Joseph J. Sanderson

• 1:07:56 • Litany of the Saints (Marc DeMille Cantor)

• 1:16:30 • Holy Spirit, Come and Shine Chant, arr. Leo Abbott (Tom Manguem, cantor) and improvisation • repeated at 1:27:25

• 1:44:00 • Christ the Lord, a Priest Forever, RJC, Ps. 100

• 1:52:00 • You are My Friends, RJC • Jn. 15:14, Ps. 100

• 2:27: 40 • Agnus Dei XVI, Byrd/Agnus Dei XVIII

• 2:30:13 • Sicut Cervus Palestrina

• 2:33:28 • Adordo Te devote

• 2:53:45 • THAXTED, O God Beyond All Praising, arr. Richard Proulx

• 2:59:45 • Processional, Mathias • Dr. Janet Hunt, FAGO, organ

Photos by George Martell • Archdiocese of Boston

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Archdiocese of Boston, Ordination Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski

Quick Thoughts

    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski

Random Quote

“For any member of laity, who is at least somewhat literate, the ignorance of the Latin tongue, which we can call a truly Catholic language, indicates a certain lack of affection towards the Church.”

— Pope Pius IX

Recent Posts

  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”
  • PDF Download • “Ubi Caritas” (SATB)
  • PDF • “Cantus Mariales” (192 pages)
  • PDF Download • Fourteen (14) Versions of the Splendid Hymn: “Salve Mater Misericordiae”

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