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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Sing Everything From the Viewpoint of the Resurrection

Richard J. Clark · April 7, 2017

T IS QUITE POSSIBLE the best thing to happen to me is to understand my own mortality. Birthdays at my age will do that. The physical, mental, and emotional challenge of caring for young children will do that. Failure and uncertainty will do that. We are but dust and to dust we shall return. For me at least, it is way past time to repent and believe in the Gospel. This is a gift of Ash Wednesday.

Facing mortality may wake us up to what God wishes for us: The gift of Christ’s sacrifice is the ultimate show of love, for he wants us to share in his eternal life—where death has no dominion. “…the love of God doesn’t end in death. It goes beyond it. Death is no hindrance to the love of God.” (Peter G. van Breemen, SJ, As Bread That Is Broken, pg.169)

OLY WEEK is upon us. Now, in these last days of Lent, the tension in the daily Gospels is palpable. There is no question Jesus will suffer horrifically and die. Peter van Breemen states, “The Gospel should be read from the viewpoint of the resurrection because that is the way it was written.“ (As Bread That Is Broken, pg.167) Central to our faith is the Resurrection. We know this intellectually. We profess this. But music has has power to describe the indescribable and speak the ineffable. That is what our choirs must do this Holy Week.

Most especially during Holy Week, sacred song and prayer become indistinguishable (although this is always our goal!) How does this happen? The period of Lent prepares us in unexpected ways. Take for example, Jesus’ Transfiguration on the second Sunday of Lent. God shows us as he really is—something beyond our human comprehension. Christ’s revelation in the Transfiguration is echoed in the communion antiphon on August 6th—the Feast of the Transfiguration: “When Christ appears, we shall be like him, for we shall see him as he is.”

This is truly God’s wish for us—to see him as he IS, which in turn reveals just how much God truly loves us. From the familiar text of John 3:16: “For God so loved the world that he gave his only Son, so that everyone who believes in him might not perish but might have eternal life.”

HIS HOLY WEEK especially, we must sing everything from the viewpoint of the resurrection, of God’s overpowering love. This includes the emotional roller coaster of Palm Sunday. This includes the confusion the disciples feel of Christ’s example in washing their feet. This includes the suffering of Good Friday, for Good Friday brings us the greatest hope of all. For death has no power over God, and God wants the same for us.

Your choir’s preparation for Holy Week has been a great prayer. This week, your song and prayer will be indistinguishable. Sing with great joy and hope. Christ’s love is more than you can bear.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • Offertory (9 Nov.)
    This year, the feast of 9 November replaces the Sunday. The OFFERTORY ANTIPHON (PDF file) for 9 November is exceedingly beautiful. The ‘Laterani’ mansion at Rome was the popes’ residence for a thousand years. The church there still is the cathedral church of Rome—“Mother and Head of all churches of the City and of the World,” says the inscription over the entrance. It is dedicated to Our Holy Savior, but has long been commonly known as “St. John Lateran” owing to its famous baptistery of St. John the Baptist. In this church, the pope’s own ‘cathedra’ (episcopal chair) stands in the apse.
    —Jeff Ostrowski
    Job Opening • $65,000 per year +
    A parish 15 minutes away from me is looking for a choir director and organist. The parish is filled with young families. When I began my career, I would have jumped at such an opportunity! Saint Patrick’s in Grand Haven has a job opening for a music director paying $65,000 per year including benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” I lived in Kansas for 15 years, Texas for 10 years, and Los Angeles for 10 years. Michigan is the closest place I know to heaven!
    —Jeff Ostrowski
    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“There are some so restless that when they are free from labour they labour all the more, because the more leisure they have for thought, the worse interior turmoil they have to bear.”

— Pope Gregory the Great

Recent Posts

  • PDF Download • Offertory (9 Nov.)
  • Exclusive Interview • Hannah Houston w/ Mæstro Richard J. Clark
  • Job Opening • $65,000 per year +
  • “Reminder” — Month of November (2025)
  • “Reader Feedback” • 5 November 2025

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