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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Sing Everything From the Viewpoint of the Resurrection

Richard J. Clark · April 7, 2017

T IS QUITE POSSIBLE the best thing to happen to me is to understand my own mortality. Birthdays at my age will do that. The physical, mental, and emotional challenge of caring for young children will do that. Failure and uncertainty will do that. We are but dust and to dust we shall return. For me at least, it is way past time to repent and believe in the Gospel. This is a gift of Ash Wednesday.

Facing mortality may wake us up to what God wishes for us: The gift of Christ’s sacrifice is the ultimate show of love, for he wants us to share in his eternal life—where death has no dominion. “…the love of God doesn’t end in death. It goes beyond it. Death is no hindrance to the love of God.” (Peter G. van Breemen, SJ, As Bread That Is Broken, pg.169)

OLY WEEK is upon us. Now, in these last days of Lent, the tension in the daily Gospels is palpable. There is no question Jesus will suffer horrifically and die. Peter van Breemen states, “The Gospel should be read from the viewpoint of the resurrection because that is the way it was written.“ (As Bread That Is Broken, pg.167) Central to our faith is the Resurrection. We know this intellectually. We profess this. But music has has power to describe the indescribable and speak the ineffable. That is what our choirs must do this Holy Week.

Most especially during Holy Week, sacred song and prayer become indistinguishable (although this is always our goal!) How does this happen? The period of Lent prepares us in unexpected ways. Take for example, Jesus’ Transfiguration on the second Sunday of Lent. God shows us as he really is—something beyond our human comprehension. Christ’s revelation in the Transfiguration is echoed in the communion antiphon on August 6th—the Feast of the Transfiguration: “When Christ appears, we shall be like him, for we shall see him as he is.”

This is truly God’s wish for us—to see him as he IS, which in turn reveals just how much God truly loves us. From the familiar text of John 3:16: “For God so loved the world that he gave his only Son, so that everyone who believes in him might not perish but might have eternal life.”

HIS HOLY WEEK especially, we must sing everything from the viewpoint of the resurrection, of God’s overpowering love. This includes the emotional roller coaster of Palm Sunday. This includes the confusion the disciples feel of Christ’s example in washing their feet. This includes the suffering of Good Friday, for Good Friday brings us the greatest hope of all. For death has no power over God, and God wants the same for us.

Your choir’s preparation for Holy Week has been a great prayer. This week, your song and prayer will be indistinguishable. Sing with great joy and hope. Christ’s love is more than you can bear.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski
    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski
    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“I never cared a tinker’s cuss what the Congregation may have decided about the order in which the acolyte should put out the candles after Vespers.”

— Dr. Adrian Fortescue (24 Nov. 1919)

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