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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Older I Get…

Richard J. Clark · April 28, 2017

HE PIPE ORGAN changed my life. I was a pianist as a child and I avoided playing the organ because the only organs I ever heard were electronic instruments that were not played very well. Why play hymns on the organ when you can play Chopin and Beethoven on the piano?

A lot has changed since! A life-changing moment was playing a real pipe organ for the first time and hearing a simple 8’ flute stop resonate throughout an empty church. My life has never been the same since.

What followed were studies in counterpoint and organ performance including repertoire from French and German Baroque to contemporary classical composers. I devoted my craft to years of study and practice of such repertoire. Registration is an essential art and science. Appropriate tempo, articulation, and registration depend on architecture and the tonal design of the organ. Adaptability, yet striving for authentic historic practice has been my life.

For church, the vast majority of practice was on preludes and postludes. Hymns were nothing. Easy, right?

GAIN, MUCH HAS CHANGED. Not that focusing on repertoire is not important. It is. But the older I get, the more time I spend on practicing hymns, even ones I have played for decades. (Hymn playing alone is an art!) The older I get, the more time I spend practicing the congregational antiphons and responses. The older I get, the more time I devote to making sure I can conduct clearly—perhaps while singing one of the choral voices all from the organ console.

If the choir doesn’t respond the way I like them to, perhaps I should conduct better. If the congregation doesn’t sing comfortably, perhaps I should adjust the tempo or registration.

Playing daily Mass and singing each verse of every hymn will influence one’s view. Type setting hymns and antiphons for worship aids will heighten one’s awareness of the quality (or lack thereof) of any text.

Hymns are important. Hymnals are important. Liturgical texts are important. Making the congregation’s job easier to sing these is the ultimate goal. The older I get, the more I spend on these. If not, what good am I to the prayer of the people?

Finally, this often begs an important question: Who is the leader of song anyway? Read. And practice.

Soli Deo Gloria

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    What does this mean? “Pre-Urbanite”
    One of the things informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal has to do with its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed

Random Quote

“The first tasks of the new pope will be to restore normality, restore doctrinal clarity in faith and morals, restore a proper respect for the law and ensure that the first criterion for the nomination of bishops is acceptance of the apostolic tradition. Theological expertise and learning are an advantage, not a hinderance for all bishops and especially archbishops.”

— Cardinal Pell (2022) about the pope who will succeed Francis

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  • PDF • “Music List” (Xmas Midnight Mass)
  • What does this mean? “Pre-Urbanite”

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