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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Older I Get…

Richard J. Clark · April 28, 2017

HE PIPE ORGAN changed my life. I was a pianist as a child and I avoided playing the organ because the only organs I ever heard were electronic instruments that were not played very well. Why play hymns on the organ when you can play Chopin and Beethoven on the piano?

A lot has changed since! A life-changing moment was playing a real pipe organ for the first time and hearing a simple 8’ flute stop resonate throughout an empty church. My life has never been the same since.

What followed were studies in counterpoint and organ performance including repertoire from French and German Baroque to contemporary classical composers. I devoted my craft to years of study and practice of such repertoire. Registration is an essential art and science. Appropriate tempo, articulation, and registration depend on architecture and the tonal design of the organ. Adaptability, yet striving for authentic historic practice has been my life.

For church, the vast majority of practice was on preludes and postludes. Hymns were nothing. Easy, right?

GAIN, MUCH HAS CHANGED. Not that focusing on repertoire is not important. It is. But the older I get, the more time I spend on practicing hymns, even ones I have played for decades. (Hymn playing alone is an art!) The older I get, the more time I spend practicing the congregational antiphons and responses. The older I get, the more time I devote to making sure I can conduct clearly—perhaps while singing one of the choral voices all from the organ console.

If the choir doesn’t respond the way I like them to, perhaps I should conduct better. If the congregation doesn’t sing comfortably, perhaps I should adjust the tempo or registration.

Playing daily Mass and singing each verse of every hymn will influence one’s view. Type setting hymns and antiphons for worship aids will heighten one’s awareness of the quality (or lack thereof) of any text.

Hymns are important. Hymnals are important. Liturgical texts are important. Making the congregation’s job easier to sing these is the ultimate goal. The older I get, the more I spend on these. If not, what good am I to the prayer of the people?

Finally, this often begs an important question: Who is the leader of song anyway? Read. And practice.

Soli Deo Gloria

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Cardinal Ranjith on “Active Participation”
    From 2005–2009, Malcolm Cardinal Ranjith served as Secretary of the Congregation for Divine Worship and the Discipline of the Sacraments. He was considered ‘papabile’ during the last conclave. On 8 December 2008, he wrote this powerful statement concerning Gregorian Chant, participatio actuosa, celebration “ad orientem,” and other subjects. When it comes to the question of what “sacred” means, Monsignor Robert A. Skeris provides a marvelous answer.
    —Jeff Ostrowski
    “Music List” • 22nd in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 31 August 2025, which is the 22nd Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “The Worm That Dieth Not”
    My pastor asked me to write a column for our parish bulletin with reflections on the sacred liturgy and church music. In my most recent article, I discuss “The Worm That Dieth Not.” At this website, you can access it conveniently; simply scroll down to the one dated 31 August 2025.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“Our Christian people regard with great joy everything that contributes to the splendor of the ceremonies. Jesus—who was poor in His private life—received ointment on His feet. See Thomas Aquinas (Prima Secundae, q. 102, art. 5, ad 10) and the holy Curé of Ars. The Church has always loved beautiful churches, and so forth. We must preserve our sacred patrimony and make sure sacred objects do not become secular possessions.”

— Abbot & Council Father denouncing “noble simplicity” during Vatican II

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