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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Introducing the Wethersfield Institute Chant Workshop

Fr. David Friel · April 16, 2017

UMMER 2017 has several excellent sacred music programs on offer. Within a span of just two weeks in late June, there will be three outstanding programs offered on the East Coast, on the West Coast, and in the Midwest.

First up is the 27th annual CMAA Sacred Music Colloquium, to be held in St. Paul, MN from June 19-24, 2017. More details available here.

Second is the second annual Sacred Music Symposium hosted by the FSSP parish in Los Angeles, CA. Dates for the symposium are June 26-30, 2017, and information can be found here.

Third is the inaugural Wethersfield Institute Chant Workshop, which runs from June 27-30, 2017. This event, to be held at Wethersfield house, Amenia, NY, will be led by two Dominicans: Fr. Vincent Ferrer Bagan, O.P. and Fr. Innocent Smith, O.P. This event is billed as an intensive course on Gregorian chant that will feature instruction in singing, teaching, and directing Gregorian chant. Both Mass and the Divine Office will be sung daily. Further details are available from the workshop website here.

June promises to be a wonderful month for the advancement of sacred music. These three conferences, together with Sacra Liturgia Milano earlier in the month (June 6-9, 2017), will introduce the treasury of the Church’s music to many new people. These workshops will also deepen the knowledge and experience of many folks already working with chant in their parishes and institutions.

The placement of these opportunities across the country is very good news for the renewal of sacred music. It is simple evidence that there is a widespread need being met. May the Lord bring forth much fruit from each of these events!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Gregorian Chant, Sacred Music Colloquium, Sacred Music Symposium Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    17th Sunday in Ordinary Time (Year C)
    All of the chants for 27 July 2025, which is the 17th Sunday in Ordinary Time (Year C), have been added to the feasts website, as usual under a convenient “drop down.” The COMMUNION ANTIPHON—both text and melody—are particularly beautiful and exceedingly ancient.
    —Jeff Ostrowski
    Jeff’s Mother Joins Our Fundraiser
    To assist our fundraiser, Mrs. Kathleen Ostrowski has drawn several beautiful sketches which she offers to all our readers free of charge. If you have a moment, I invite you download them at this link.
    —Jeff Ostrowski
    Errors in Latin: “17th Sund. Ordinary”
    The COMMUNION for the 17th Sunday in Ordinary Time (Year C) contains several typos in the Jogues Illuminated Missal with regard to the Latin text. That particular COMMUNION ANTIPHON is extremely ancient, and the English Adaptation is utterly gorgeous. For the record, it’s normal for books to contain typos; even books by Father Fortescue and Monsignor Knox have errors. Books by Solesmes Abbey—surely among the finest ever produced—contain many printing errors. Click here to see a few examples of typos.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Older priests, therefore, should receive younger priests as true brothers and help them in their first undertakings and priestly duties. The older ones should likewise endeavor to understand the mentality of younger priests, even though it be different from their own, and follow their projects with good will.”

— Pope Saint Paul VI (7 dec 1965)

Recent Posts

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  • PDF Download • “Catholic Texts Transcend”

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