• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

The Japanese Martyrs

Fr. David Friel · February 6, 2017

HE CHURCH celebrates today an extraordinary group of martyrs who were called to give witness to their faith during a time of severe religious oppression in Japan. St. Paul Miki and his companions lived not long before the time in which the recent movie, Silence, is set. (See my thoughts on the film.)

The historical background to the martyrdom we recall today begins with the mid-1500’s missionary journey of St. Francis Xavier to Japan. We call him the “Apostle to Japan” now, because of his success in bringing the Catholic faith to the island. Not even 50 years later, though, the faith of the Japanese people was tested, since the Japanese authorities began to persecute those who had become Christians.

Paul Miki converted to the faith and became a Jesuit, himself, like Francis Xavier. On February 5, 1597, Paul was martyred along with 25 others. They were crucified, and many more after them were burned or otherwise executed. The authorities were trying to squelch the growing Christian presence in Japan by means of these executions, but they were largely unsuccessful.

The Office of Readings for this memorial includes a passage from a contemporary account about the martyrdom. It reads, in part:

Our brother, Paul Miki, saw himself standing now in the noblest pulpit he had ever filled. To his “congregation” he began by proclaiming himself a Japanese and a Jesuit. He was dying for the Gospel he preached.

He gave thanks to God for this wonderful blessing and he ended his “sermon” with these words: “As I come to this supreme moment of my life, I am sure none of you would suppose I want to deceive you. And so I tell you plainly: there is no way to be saved except the Christian way. My religion teaches me to pardon my enemies and all who have offended me. I do gladly pardon the Emperor and all who have sought my death. I beg them to seek baptism and be Christians themselves.”

Then he looked at his comrades and began to encourage them in their final struggle. Joy glowed in all their faces. . . . According to Japanese custom, the four executioners began to unsheathe their spears. At this dreadful sight, all the Christians cried out, “Jesus, Mary!” And the storm of anguished weeping then rose to batter the very skies. The executions killed them one by one. One thrust of the spear, then a second blow. It was over in a very short time.

Japan closed itself to foreign visitors in the 1630’s, and remained that way until the 1860’s. So, for about 230 years—nearly as long as the whole history of the USA—Japan attempted to eradicate Christianity in its territory by keeping missionaries out and executing those who were left behind. Amazingly, when the borders of Japan were reopened in 1865, thousands of covert Catholics came forward, still clinging to the faith of their forefathers, which they had been practicing in secret for more than two centuries.

HE STRENGTH of faith we see in Paul Miki & his companions is extraordinary. It is beautiful, compelling, and challenging. It makes me ask myself the question: “Is my faith that strong?” Is your faith so strong that it would not only stick with you to martyrdom, but that it would survive underground among your descendants for 230 years?

From the Collect for today’s Mass: “O God, strength of all the Saints, who through the Cross were pleased to call the Martyrs Saint Paul Miki and companions to life, grant, we pray, that by their intercession we may hold with courage even until death to the faith that we profess.”

Faith of our fathers, holy faith! We will be true to thee ‘til death!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski
    “Entrance Chant” • 23rd (Ordinary Time)
    This coming Sunday, 7 September 2025, is the 23rd Sunday in Ordinary Time (Year C). You can download the “Entrance Chant,” conveniently located at the feasts website. I also recorded a rehearsal video for it (freely available at the same website). The Communion Chant includes gorgeous verses in FAUXBOURDON. I attempted to create a rehearsal video for it, and it’s been posted at the feasts website, called by some: “church music’s best kept secret.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“I have a great quarrel on with Dom Mocquereau over a very stiff book of his which we have translated & which a stupid American woman wants to be adapted to her understanding & terminology. It will be a little difficult to persuade the dear old man, for the lady is going to pay the piper. Truly money is at the root of all evils!”

— Dame Laurentia (talking about Justine Ward)

Recent Posts

  • Do You Recognize This Hymn? Do You Like It?
  • Charlie Kirk’s Fascination with Traditional Catholic Liturgy
  • “Novus Ordo Parish … With Polyphony?” • Is that possible? How specifically does that work?
  • “The Injustice of Traditionis Custodes” • (Private Meetings at the Vatican)
  • New Bulletin Article • “14 September 2025”

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.