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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

God Has No Need of Our Music

Fr. David Friel · February 5, 2017

OT EVERYONE appreciates the value of the liturgy, nor do all understand the value of particular aspects of liturgical celebration. For some, church architecture seems frivolous, while to others, it is “organized religion” that poses a difficulty. For some, the very idea of offering a “sacrifice” is interpreted (wrongly, I believe) as unnecessary, unfruitful, or unscriptural.

The value and pertinence of sacred music, also, is very often not well understood or appreciated. After all, some people ask, what good does a choir accomplish? What purpose does singing serve in the act of worship? “God doesn’t need to hear your music,” they might say. “He has no need of your praise or your music.”

A passage from Saint Irenaeus might serve as a clarifying response to such a position:

The Lord gave directions to His disciples to offer first-fruits to God from His own creatures, not as though He stood in need of them, but in order that they, themselves, might be neither unfruitful nor ungrateful. (Irenaeus, Adversus haereses 4.17.5; trans. adapt. from David Power, Irenaeus of Lyons on Baptism and Eucharist {Nottingham, England: Grove Books, 1991}, 15-16)

Indeed, while God may have no need of our music, nor does He have need of our worship, our love, or our very existence. This is precisely how we know the magnitude of His love.

UR DILIGENCE in the work of sacred music, therefore, serves not to fulfill a need on God’s part (as though the Godhead could stand in “need” of anything). Our worship, rather, serves to fulfill our own need to bear fruit for God and to express our gratitude for His munificence.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “The Worm That Dieth Not”
    My pastor asked me to write a column for our parish bulletin with reflections on the sacred liturgy and church music. In my most recent article, I discuss “The Worm That Dieth Not.” At this website, you can access it conveniently; simply scroll down to the one dated 31 August 2025.
    —Jeff Ostrowski
    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski
    “Music List” • 21st in Ordinary Time (Year C)
    Our choir returns on Sunday, 24 August 2025. Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for it, which is the 21st Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website. When it comes to the feast of the Assumption (15 August 2025), I have uploaded the music list for that Mass—but not the “bi-lingual” Mass in the evening (Spanish, Latin, and English) which has completely different music.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“The following question is asked by the Most Reverend Lord Bishop of the Diocese of Chur: May this Diocese’s ancient custom be continued of having the Celebrant in Sung Masses (excepting more solemn Masses) intone the Credo and when he is finished reciting it going on immediately to the offertory and finishing it while the credo is being sung by the choir?” (Dubium of Dec 1909)

— 11 December 1909

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