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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for January 2017

Fr. David Friel · January 15, 2017

Cosmic Harmony

Thoughts from Saint Athanasius

Jeff Ostrowski · January 14, 2017

Ratzinger talks “Ad Orientem” (2003)

Cardinal Ratzinger’s English is *fantastic* (as this video shows).

Veronica Brandt · January 14, 2017

Forget the First Note, give me the Do

A tip for sight-reading chant – start with a Do La Fa to anchor your ear and find the starting note from the tonic.

Richard J. Clark · January 13, 2017

Nuptial Blessings • Practice Videos • Order of Celebrating Matrimony

Fr. Gaspar eloquently emphasis key words and phrases, underscoring the beauty of the sacrament.

Corpus Christi Watershed · January 12, 2017

Fr. Magiera Reviews The Campion Hymnal

“These renderings are accompanied by beautiful photos so even the novice should be able to follow the Mass rather easily.”

Andrew Leung · January 12, 2017

The Role of Catholic Church Choir

Keep God as the center of the choir and direct our music towards Him.

Corpus Christi Watershed · January 11, 2017

Practice Tracks • Ainslie’s “English Proper Chants”

Want a reliable and accessible way to learn the John Ainslie “English Proper Chants” for your parish choir? Subscribe for *free* weekly practice videos!

Jeff Ostrowski · January 10, 2017

Musical Resources • 2nd Sunday after Epiphany

“May this Communion, O Lord, cleanse us from sin…”

Dr. Lucas Tappan · January 10, 2017

When to Teach Children to Sight-Read Plainsong

Children can and should be taught Gregorian chant by hearing and repeating—but this binds them to singing only what they have memorized.

Jeff Ostrowski · January 9, 2017

“Ten Commandments” • for the Choirmaster

Truth is stranger than fiction.

Richard J. Clark · January 6, 2017

Recording of Announcement of Easter and Movable Feasts • 2017

A very helpful recording for anyone singing this in English for the Ordinary Form.

Jeff Ostrowski · January 6, 2017

PDF Download • Epiphany Booklet (FSSP.la)

To match the ancient acrostic, Erasmus changed the first line to “Herodis Hostes.”

Jeff Ostrowski · January 5, 2017

Best Mystery Movie Of All Time!

Every so often, we stumble across true excellence. Here’s a prime example.

Andrew Leung · January 5, 2017

PDF Download • “Missa de Angelis” (Fr. Castro)

Fr. Áureo Castro’s setting alternates the chant melody and the choral parts.

Fr. David Friel · January 3, 2017

The Hallowed Name 1

To Use or Not to Use?

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Corpus Christi Watershed

President’s Corner

    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“It is when they are practicing that large groups stop in order to sleep; they don’t give themselves a new impetus after a pause (even if it is minimal) and singers pause when they should not (quarter-bar, half-bar)—everything provides temptation to go to sleep! It is thus not a question of rhythm but of musical integrity.”

— Justine Ward (20 July 1952)

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