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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for January 2017

Fr. David Friel · January 15, 2017

Cosmic Harmony

Thoughts from Saint Athanasius

Jeff Ostrowski · January 14, 2017

Ratzinger talks “Ad Orientem” (2003)

Cardinal Ratzinger’s English is *fantastic* (as this video shows).

Veronica Brandt · January 14, 2017

Forget the First Note, give me the Do

A tip for sight-reading chant – start with a Do La Fa to anchor your ear and find the starting note from the tonic.

Richard J. Clark · January 13, 2017

Nuptial Blessings • Practice Videos • Order of Celebrating Matrimony

Fr. Gaspar eloquently emphasis key words and phrases, underscoring the beauty of the sacrament.

Corpus Christi Watershed · January 12, 2017

Fr. Magiera Reviews The Campion Hymnal

“These renderings are accompanied by beautiful photos so even the novice should be able to follow the Mass rather easily.”

Andrew Leung · January 12, 2017

The Role of Catholic Church Choir

Keep God as the center of the choir and direct our music towards Him.

Corpus Christi Watershed · January 11, 2017

Practice Tracks • Ainslie’s “English Proper Chants”

Want a reliable and accessible way to learn the John Ainslie “English Proper Chants” for your parish choir? Subscribe for *free* weekly practice videos!

Jeff Ostrowski · January 10, 2017

Musical Resources • 2nd Sunday after Epiphany

“May this Communion, O Lord, cleanse us from sin…”

Dr. Lucas Tappan · January 10, 2017

When to Teach Children to Sight-Read Plainsong

Children can and should be taught Gregorian chant by hearing and repeating—but this binds them to singing only what they have memorized.

Jeff Ostrowski · January 9, 2017

“Ten Commandments” • for the Choirmaster

Truth is stranger than fiction.

Richard J. Clark · January 6, 2017

Recording of Announcement of Easter and Movable Feasts • 2017

A very helpful recording for anyone singing this in English for the Ordinary Form.

Jeff Ostrowski · January 6, 2017

PDF Download • Epiphany Booklet (FSSP.la)

To match the ancient acrostic, Erasmus changed the first line to “Herodis Hostes.”

Jeff Ostrowski · January 5, 2017

Best Mystery Movie Of All Time!

Every so often, we stumble across true excellence. Here’s a prime example.

Andrew Leung · January 5, 2017

PDF Download • “Missa de Angelis” (Fr. Castro)

Fr. Áureo Castro’s setting alternates the chant melody and the choral parts.

Fr. David Friel · January 3, 2017

The Hallowed Name 1

To Use or Not to Use?

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Corpus Christi Watershed

President’s Corner

    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski
    PDF Download • Introit (3rd Sn. Ord.)
    This coming Sunday, 25 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT (“Dóminus secus mare”) is somewhat rare because it comes from the New Testament. The authentic version in Latin—of astounding antiquity—was jettisoned in 1955 but restored in 1970. This rehearsal video has me attempting to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it because it has extremely ‘happy’ harmonies.
    —Jeff Ostrowski
    “Lamb of God” (Musical Setting)
    The MASS OF SAINT ANNE LINE has been quite popular ever since ROMAN MISSAL Third Edition was released circa 2011. You can now download the musical score (PDF) for this setting, placed into five (5) different keys; i.e. “pitch levels” that are high and low. This makes it possible to adjust based upon who’s singing at which time of day.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“If I could only make the faithful sing the Kyrie, the Gloria, the Credo, the Sanctus, and the Agnus Dei…that would be to me the finest triumph sacred music could have, for it is in really taking part in the liturgy that the faithful will preserve their devotion. I would take the Tantum Ergo, the Te Deum, and the Litanies sung by the people over any piece of polyphony.”

— ‘Giuseppe Cardinal Sarto, Letter to Msgr. Callegari (1897)’

Recent Posts

  • “Holy Name Hymn” (2-Voice Arrangement)
  • PDF Download • Introit (3rd Sn. Ord.)
  • “New Hope For Sacred Music!” • Richard J. Clark Interviews Dr. Myrna Keough
  • Fulton J. Sheen • “24-Hour Catechism”
  • “Information Requested About Hymnals”

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