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Views from the Choir Loft

Archives for January 2017

Jeff Ostrowski · January 31, 2017

Photos • Society for Catholic Liturgy Conference

After Mass, a presentation was delivered by the Executive Director of the USCCB Committee on Divine Worship.

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Fr. David Friel · January 30, 2017

In Defense of the Organ Postlude 1

Newly-published reflections from Professor Kwasniewski.

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Jeff Ostrowski · January 30, 2017

Mind-Blowing SATB Canon

“Laudate Dominum” by William Croft (†1727) is a miracle.

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Fr. David Friel · January 30, 2017

In Defense of the Organ Postlude

Newly-published reflections from Professor Kwasniewski.

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Fr. David Friel · January 29, 2017

Conference Updates

Dunwoodie Chant Conference & Sacra Liturgia Milano

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Jeff Ostrowski · January 26, 2017

PDF Download • “Sing the Angelus” (Plainchant)

Can you think of a better way to begin your choir rehearsals?

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Dr. Lucas Tappan · January 24, 2017

Chorister Pitfalls

A misguided belief states that the quality of our liturgical music should be sacrificed on the altar of good intentions.

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Jeff Ostrowski · January 24, 2017

Musical Resources • 4th Sunday after Epiphany

“But the men wondered, saying, What manner of man is this, for the winds and the sea obey Him?”

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Jeff Ostrowski · January 23, 2017

More From The New Microphone

This Introit is repeated many times, depending on how many Sundays occur after Epiphany.

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Fr. David Friel · January 22, 2017

Motet for Three Voices: “O Crux Ave” 1

This piece is ideal for use as a motet during the veneration of the Holy Cross at the Good Friday liturgy.

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Richard J. Clark · January 20, 2017

Communion Antiphons for Lent & Easter • NEW • World Library Publications

This is perhaps my favorite collection to date.

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Fr. David Friel · January 19, 2017

Debriefing “Silence”

Thoughts on Martin Scorsese’s Latest Film

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Jeff Ostrowski · January 17, 2017

PDF • “The Book of Ceremonies” (629 pages)

By Rev. Laurence J. O’Connell, and *published in English* in 1943.

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Jeff Ostrowski · January 16, 2017

Courageous Schola Director Posts “Live” Recording

Our choir is 100% volunteers—and many don’t read music.

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Jeff Ostrowski · January 16, 2017

Nine Rubrics for Mass in the Extraordinary Form

These rubrics are official; so when does your church begin the Introit?

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President’s Corner

    PDF Download • “Our Father” (1 page)
    Dutch organist, teacher, and conductor HERMAN STRATEGIER (d. 1988) studied under Hendrik Andriessen. He composed this unison setting with organ accompaniment for the LORD’S PRAYER (“Our Father”) which a children’s choir would find both within reach and worthy of the effort. The whole thing fits neatly on a single page. Strategier eventually became organist of Saint Catherine’s Cathedral in Utrecht. He also taught at the “Dutch Institute for Catholic Church Music” (Nederlands Instituut voor Katholieke Kerkmuziek).
    —Jeff Ostrowski
    PDF • “Organ Interlude” (Manuals Only)
    Monsignor Franciszek Walczyński (d. 1937) was a Polish composer. If you play the pipe organ, I encourage you to try out this ORGAN INTERLUDE FOR MANUALS ONLY (1-page PDF) which he composed. Walczyński taught plainsong at the seminary in Tarnów (about 50 miles east of Kraków). With his brother Stanisław—also a Catholic priest—he initiated the Saint Adalbert Society for the Support of Church Music, which ran annual workshops for their diocese. In July of 1894 (more than a decade before the appearance of the Editio Vaticana) Walczyński lectured on “congregational singing and Gregorian Chant.” On top of all that, Monsignor Walczyński founded an organists’ school in Tarnów and the SAINT ADALBERT CHOIR at the cathedral.
    —Jeff Ostrowski
    Eucharistic Prayer No. 2 on Sundays?

    Highlighted in yellow (on this single-page PDF file) is documentation concerning whether the 2nd Eucharistic prayer may be used on Sundays.

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    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

“Another cathedral functionary, a compañero named (coincidentally!) Francisco Guerrero, departs for the New World sometime before June 8, on which date the benefice held by him comes up for a split among three former choirboys whose voices have changed.”

— Chapter Resolution: 14 February 1562

Recent Posts

  • The Vanishing Art of Knowing Hymns • We Seek a Hymn “Expert” (Not Just a Hymn “Enthusiast”)
  • Preface of Saint Joseph (added by the pope)
  • PDF Download • “Our Father” (1 page)
  • Composer Isabella Quintana: “Christ my teacher, Christ my healer, Christ my Savior.” • (Guest Article)
  • PDF • “Organ Interlude” (Manuals Only)

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