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Views from the Choir Loft

A Dad’s Dilemma • I pray and God determines.

Richard J. Clark · November 18, 2016

HEN WORKING hard and being stretched too thin and in too many directions, one might very well question one’s life choices. Every day I struggle with being a dad and working for the Church in many capacities, dealing with professional politics as a matter of routine, and ultimately caring for both parishioners and family.

Yet working for the Church is wholly at odds with having a family and being present for them. Gone over twenty hours on a weekend. Home three to four nights after my children have gone to bed. This doesn’t work. My wife carries the burden. My kids do. On Monday mornings, my two-year-old has recently taken to saying “We got Daddy back!” I don’t know the answer and have written on this subject before.

Overwork for the sake of politics and professional survival is ubiquitous. Add to it dedication to one’s art and calling, and the result is quite a schedule! There’s never enough time.

But we work for the Church because we must. Frankly, I don’t know what else to do with my life. I pray, and God determines my path.

UT THIS WEEK is a week with many blessings. I can’t complain. A new work was premiered. I was asked by a publisher to contribute a new work. I have the opportunity to conduct the orchestral version of John Rutter’s Requiem and also perform with the amazing Richard Kelley. One week. Absolutely no complaints.

But such is also the culmination of many seven-day workweeks, and composing after the kids are in bed. I want to be present for those in the parish. But I want and must be present for my family. It’s non-negotiable.

I want to do it all. I can’t. I pray and God determines.

At the moment I’m at a loss for the proper balance and direction. But I do know that we must sing sacred music because we love. We yearn for our families because we love them greater than anything imaginable. We trust in God because He loves.

I pray and God determines.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt

Random Quote

“Naturally the accompaniment of the organ is merely tolerated during the office of the dead, but in fact, in nearly every parish this toleration has become a habit.”

— Henri Potiron, 1958

Recent Posts

  • “Hybrid” Chant Notation?
  • Available! • Free Rehearsal Videos for Agnus Dei “Mille Regretz” after Gombert (d. 1560)
  • Urgent! • We Desperately Need Funds!
  • PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
  • “Booklet of Eucharistic Hymns” (16 pages)

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