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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Seraphim Singers Premiere “I Am the Land: A Poem in Memory of Óscar Romero”

Richard J. Clark · November 4, 2016

ENNIFER LESTER, director of The Seraphim Singers, molds highly adventuresome programming through faith and personal conviction. Seraphim’s upcoming program “Oppression, Exile, and Solidarity” will be another strong statement, musically and socially.

From their website:

This concert of musical works bearing witness and standing with human suffering includes James MacMillan’s Cantos Sagrados, on Argentina’s Dirty War; Zachary Wadsworth’s setting of Whitman’s “Old War Dreams”; the premiere of Richard Clark’s I Am the Land, a poem inspired by Óscar Romero, and Howells’ exquisite Requiem. With Heinrich Christensen, organ.

ESTER was intent on commissioning a new work about Óscar Romero, a voice for the voiceless. The result was music set to I Am the Land: A Poem in Memory of Oscar Romero by E. Ethelbert Miller (b. 1950), a tribute to the late Archbishop of El Salvador. Assassinated on March 24, 1980 while saying Mass, Romero was beatified by Pope Francis on May 23, 2015.

From my program notes: “…Romero’s message as a powerful voice crying out for the voiceless, the oppressed, and the slaughtered. Phrases in a modern harmonized Gregorian Chant style are in complete service of Miller’s text, and therefore Romero’s lifelong example of humble service towards justice and peace.”

The text of the poem is here.

From Miller’s publicist:

E. Ethelbert Miller is a writer and literary activist. He is board chair of the Institute for Policy Studies and a board member for The Community Foundation for the National Capital Region. Miller is an inductee of the 2015 Washington, DC Hall of Fame and recipient of the AWP 2016 George Garrett Award for Outstanding Community Service in Literature and the 2016 DC Mayor’s Arts Award for Distinguished Honor. His most recent book is The Collected Poems of E. Ethelbert Miller, edited by Kirsten Porter and published by Willow Books.

IF YOU ARE IN THE BOSTON AREA be sure not to miss this premiere as part the Seraphim Singer’s “ Oppression, Exile, and Solidarity.” There will be two performances:

Sunday, November 6, 2016, 3:00 pm
Eliot Church of Newton, 474 Centre Street, Newton

Sunday, November 13, 2016, 3:00 pm
First Church (Congregational) 11 Garden St., Cambridge, MA

$20 general admission and $15 senior/student.

• Tickets are available at the door or purchase online here
• Download the concert poster here
• Watch a video postcard here


HE SERAPHIM SINGERS ARE ENORMOUS ADVOCATES of new music with several new commissions each year. Jennifer Lester’s programming is astonishingly vast, from Gregorian Chant and Renaissance Polyphony to Twenty-first Century works. Yet, her programming flows with astounding unity and beauty.

The Boston Music Intelligencer writes:

“Ingenious programming by Jennifer Lester…”

“Anyone who cares about these genres owes it to him/herself to hear this gifted ensemble whenever possible.”

“Technically, the ensemble was in fine form, performing incredibly challenging choral repertoire with a high degree of finesse.”

Hope to see you there!

Tags = E. Ethelbert Miller & Richard J. Clark

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski
    “To Cover Sin With Smooth Names”
    Monsignor Ronald Knox created several English translations of the PSALTER at the request of the Cardinal Archbishop of Westminster. Readers know that the third edition of the Saint Edmund Campion Missal uses a magnificent translation of the ROMAN CANON (and complete Ordo Missae) created in 1950 by Monsignor Knox. What’s interesting is that, when psalms are used as part of the Ordo Missae, he doesn’t simply copy and paste from his other translations. Consider the beautiful turn of phrase he adds to Psalm 140 (which the celebrant prays as he incenses crucifix, relics, and altar): “Lord, set a guard on my mouth, a barrier to fence in my lips, lest my heart turn to thoughts of evil, to cover sin with smooth names.” The 3rd edition of the CAMPION MISSAL is sleek; it fits easily in one’s hand. The print quality is beyond gorgeous. One must see it to believe it! You owe it to yourself—at a minimum—to examine these sample pages from the full-color section.
    —Jeff Ostrowski
    Heretical Hymns
    As a public service, perhaps a theologian ought to begin assembling a heretical hymns collection. A liturgical book—for funerals!—published by the Collegeville Press contains this monstrosity by someone named “Delores Dufner.” I can’t tell what the lyrics are trying to convey—can you? I detest ‘hymns’ with lines such the one she came up with: “Let the thirsty come and drink, Share My wine and bread.” Somehow, the publication was granted an IMPRIMATUR by Most Rev’d Jerome Hanus (bishop of Saint Cloud) on 16 August 1989. It’s a nice tune, but paired with a nasty text!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“These French offices represent a new case of the old tendency towards local modification—which the Council of Trent had meant to repress. They are commonly attributed to Gallican ideas and are supposed to be not free from Jansenist venom. Some of these local French uses survived almost to our own time. They were supplanted by the Roman books in the 19th century, chiefly by the exertions of Dom Prosper Guéranger (d. 1875).”

— Dr. Adrian Fortescue (d. 1923)

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  • “To Cover Sin With Smooth Names”
  • Heretical Hymns
  • Alphabetizing Hymn Titles Inside Hymnals • “Does This Make Any Sense?”

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