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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Unhealthy Liturgical Obsession with Self

Richard J. Clark · October 14, 2016

N OBSESSION with self-affirmation can lead to problems in everyday life. Those who do not need it, even in the face of adversity and criticism, tend to be happiest. (This is no easy thing and requires a lifetime of struggle.) Those who are in service to others tend to also be happiest.

But those who require self-affirmation, especially immediate attention, are at risk of covering up real emotions. They are at risk of masking pain from unaddressed problems, which can lead to a host of dire consequences.

Please note, none of this is a judgment. I struggle with these very same things as I am mindful of the myriad planks I should remove from my own eye. (I often joke that I write these articles because I am emotionally needy, and I seek affirmation from the Internet.)

If an obsession with self-affirmation is something contrary to personal happiness, then why does this crop up in the liturgy so often?

It is not found in the Roman Rite. It is not there in the scriptures. We are in fact inserting such self-obsession. The ubiquity of self-congratulatory lyrics and added sentiments (not in the Roman Missal) has normalized this mindset. No, we have not gathered to celebrate ourselves, but the Sacred Mysteries, which are eternally present, now and always. This is the sacramental reality of the Eucharist. This is worth celebrating with joy far beyond our limited human understanding.

Avoiding self-focus does not preclude building a welcoming parish. Reverent prayer and being inviting are not mutually exclusive in the least. In fact they go together beautifully. Placing Christ at the center is a dynamic agent of change in our hearts and therefore change in the world.

Furthermore, a need for self-affirmation is quite different than underscoring service to our fellow parishioners. The latter is vital to a successful parish and key to the concept of Lex Vivendi, which is the law of how we live our lives according to our prayer and our beliefs.

OUNTERINTUITIVE PERHAPS is that the more focused we are on God—and less on ourselves—the happier we may be. As such, the more a community makes Christ the center of their prayer, the stronger its bonds. This in turn helps a community be of greater service far beyond the four walls of the sacred worship space.

As a leader—as a choir director—one must never make the liturgy about oneself. Yes, we are entrusted with decisions, but it must be in the service of God and others—not an affirmation of self-worth as a musician.

INALLY, THE IMPORTANCE of hymnody with solid Roman Catholic theology cannot be overestimated. Better still, sing the propers whenever possible. Sing the Mass. In doing so, we are singing the scriptures. In doing so we put God at the center.

Then watch what happens deep within our soul.

Soli Deo gloria

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed
    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on which source text is chosen and what each translator wants to emphasize. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“Young people have entrusted me with their absolute preference for the Extraordinary Form… […] But, above all, how can we understand—how can we not be surprised and deeply shocked—that what was the rule yesterday is prohibited today? Is it not true that prohibiting or suspecting the Extraordinary Form can only be inspired by the demon who desires our suffocation and spiritual death?”

— Cardinal Sarah to Edward Pentin (23 September 2019)

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