Views from the Choir Loft

Chief Reasons For Mass “Facing The People”

Jeff Ostrowski · September 10, 2016

ERY SOON, the Society for Catholic Liturgy will visit Los Angeles. This is the same group that publishes ANTIPHON (the journal). Doing research on this group, I came across an article by a former editor, Monsignor Francis Mannion, titled “Should Mass be celebrated with the priest facing away from the people?” Published by the INTERMOUNTAIN CATHOLIC on 2 September 2016, his article is a quick read:

* * PDF Download • Intermountain Catholic Article

Monsignor Mannion gives what he considers the three reasons for “versus populum” celebration:

What are the advantages with Mass facing the people?
(1) It makes for better communication between priest and people. (2) It avoids the sense that the people are an appendum to the priest’s liturgy. (3) Not least, we live in an age of democracy and respect for the individual, in which facing away from someone in any context is generally insulting.

His first reason is rather flimsy, because during an OF “ad orientem” celebration, 90% happens facing the people. Even in the Extraordinary Form, the priest turns around to face the people whenever he’s communicating with them.

His second reason also seems dubious, because it assumes the congregation would automatically think in a certain way. Besides, if everyone faces the same direction except the celebrant, that draws attention to him in an awkward way.

His third reason—which he labels “not least”—is something I never thought of:

Not least, we live in an age of democracy and respect for the individual, in which facing away from someone in any context is generally insulting.

Monsignor Mannion here asserts that Catholics in the pews in front of you are being rude, because they have their backs to you. Moreover, he is saying that you are being rude to the people in pews behind you, because you have your back to them.

I suppose if everyone were arranged in a circle, nobody would be looking at someone’s back. However, that would severely limit the number of people who could fit inside a church. More importantly, we still would not be facing the person next to us…

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Music List • (3rd Sunday of Lent)

Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.

—Jeff Ostrowski

“Samaritánæ” (3rd Sunday of Lent)

With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)

—Jeff Ostrowski

PDF Download • “Ubi Caritas” (SATB)

I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.

—Jeff Ostrowski

Grotesque Pairing • “Passion Chorale”

One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.

—Jeff Ostrowski

Extreme Unction

Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.

—Corpus Christi Watershed

PDF Chart • “Plainsong Rhythm”

I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”

—Jeff Ostrowski