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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Does Our Enlightened Age Still Need “Sacred” Music?

Jeff Ostrowski · August 30, 2016

REQUENTLY, I’VE TALKED ABOUT what is—in my humble opinion 1—a serious flaw of the liturgical reformers: treating men like angels. Their mistake was an A PRIORI one which deemed physical motions unnecessary for prayer, and they eliminated hundreds of physical gestures from Mass. 2 But men are not pure spirits; we have bodies and live in the physical world. They failed to realize that such gestures had greatly assisted devotion. And whether we like it or not, music also has an effect on us.

One of my favorite films has always been Frank Capra’s It’s a Wonderful Life (1946). Can you imagine the following scene without music?


For decades, progressive liturgists have insisted that one style of music is as good as another. According to them, all styles are “equally suitable” for use at Mass. But movie directors know better! They know that different styles of music accomplish different goals.

If you ever feel mischievous, ask progressive liturgists what styles they would forbid during Mass. If you want to make them furious, ask WHY such styles are bad. (They will never answer that question.)

I believe music is powerful. Moreover, I believe certain styles are appropriate for a football game, a toothpaste commercial, a carousel ride, or a wedding reception. On the other hand, I believe other musical styles possess a “level of dignity” suitable for Mass. I became convinced of this (again) last Sunday, hearing our volunteer FSSP choir in Los Angeles sing a Viadana Gloria—so beautiful, prayerful, and uplifting.  I was blown away!

Our culture tries to convince us we can live in an alternate reality—a “computerized” reality. I believe many of our liturgical issues will be solved when our culture once again becomes fully human!



NOTES FROM THIS ARTICLE:

1   It is not forbidden to criticize the reforms, which were enacted with unbelievable haste. I’ve been reading the memoirs of Fr. Louis Bouyer, recently published by IGNATIUS. Bouyer, a close friend of Pope Paul VI, was deeply involved with the liturgical reforms of Vatican II. His sober assessment corroborates what many others have attested, such as the words of Cardinal Antonelli. At some point, I hope to share excerpts of what Bouyer has written. Suffice it to say, the sloppiness which characterized much (not all) of the post-conciliar reforms is horrifying.

2   The traditional rite contains numerous gestures. Examples would include physical instructions given to the celebrant, such as full bow, medium bow, head bow, striking one’s breast, kissing the Altar, holding one’s hands in a certain position, making circular motions with one’s arms, and so forth. The pre-conciliar rubrics even controlled where the priest’s eyes must look during certain times at Mass.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Louis Bouyer Oratorian Priest Last Updated: July 13, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

Re: Low Mass: “It is desirable that in read Masses on Sundays and feast-days, the Gospel and Epistle be read by a lector in the vernacular for the convenience of the faithful.”

— 1958 document, issued under Pope Pius XII

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  • Kid’s Repertoire • “Jeffrey’s 3 Recommendations”

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