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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Does Our Enlightened Age Still Need “Sacred” Music?

Jeff Ostrowski · August 30, 2016

REQUENTLY, I’VE TALKED ABOUT what is—in my humble opinion 1—a serious flaw of the liturgical reformers: treating men like angels. Their mistake was an A PRIORI one which deemed physical motions unnecessary for prayer, and they eliminated hundreds of physical gestures from Mass. 2 But men are not pure spirits; we have bodies and live in the physical world. They failed to realize that such gestures had greatly assisted devotion. And whether we like it or not, music also has an effect on us.

One of my favorite films has always been Frank Capra’s It’s a Wonderful Life (1946). Can you imagine the following scene without music?


For decades, progressive liturgists have insisted that one style of music is as good as another. According to them, all styles are “equally suitable” for use at Mass. But movie directors know better! They know that different styles of music accomplish different goals.

If you ever feel mischievous, ask progressive liturgists what styles they would forbid during Mass. If you want to make them furious, ask WHY such styles are bad. (They will never answer that question.)

I believe music is powerful. Moreover, I believe certain styles are appropriate for a football game, a toothpaste commercial, a carousel ride, or a wedding reception. On the other hand, I believe other musical styles possess a “level of dignity” suitable for Mass. I became convinced of this (again) last Sunday, hearing our volunteer FSSP choir in Los Angeles sing a Viadana Gloria—so beautiful, prayerful, and uplifting.  I was blown away!

Our culture tries to convince us we can live in an alternate reality—a “computerized” reality. I believe many of our liturgical issues will be solved when our culture once again becomes fully human!



NOTES FROM THIS ARTICLE:

1   It is not forbidden to criticize the reforms, which were enacted with unbelievable haste. I’ve been reading the memoirs of Fr. Louis Bouyer, recently published by IGNATIUS. Bouyer, a close friend of Pope Paul VI, was deeply involved with the liturgical reforms of Vatican II. His sober assessment corroborates what many others have attested, such as the words of Cardinal Antonelli. At some point, I hope to share excerpts of what Bouyer has written. Suffice it to say, the sloppiness which characterized much (not all) of the post-conciliar reforms is horrifying.

2   The traditional rite contains numerous gestures. Examples would include physical instructions given to the celebrant, such as full bow, medium bow, head bow, striking one’s breast, kissing the Altar, holding one’s hands in a certain position, making circular motions with one’s arms, and so forth. The pre-conciliar rubrics even controlled where the priest’s eyes must look during certain times at Mass.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Louis Bouyer Oratorian Priest Last Updated: July 13, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Psalm Tone Challenge!
    Many readers know that Tone 1a3 is the most difficult PSALM TONE in the 1962 books (and isn’t called for very often). But what about very short verses—which is the absolute most concise you know? The shortest PSALM TONE segment I know would be the fourth verse (PDF) from Psalm 44, used during Matins at Christmas. It’s literally one word long. If you know a more minuscule one, please email me!
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“There are no hymns, in this sense, till the fourth century; they were not admitted to the Roman office till the twelfth. No Eastern rite to this day knows this kind of hymn. Indeed, in our Roman rite we still have the archaic offices of the last days of Holy Week and of the Easter octave, which—just because they are archaic—have no hymns.”

— Adrian Fortescue (25 March 1916)

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