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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Does Our Enlightened Age Still Need “Sacred” Music?

Jeff Ostrowski · August 30, 2016

REQUENTLY, I’VE TALKED ABOUT what is—in my humble opinion 1—a serious flaw of the liturgical reformers: treating men like angels. Their mistake was an A PRIORI one which deemed physical motions unnecessary for prayer, and they eliminated hundreds of physical gestures from Mass. 2 But men are not pure spirits; we have bodies and live in the physical world. They failed to realize that such gestures had greatly assisted devotion. And whether we like it or not, music also has an effect on us.

One of my favorite films has always been Frank Capra’s It’s a Wonderful Life (1946). Can you imagine the following scene without music?


For decades, progressive liturgists have insisted that one style of music is as good as another. According to them, all styles are “equally suitable” for use at Mass. But movie directors know better! They know that different styles of music accomplish different goals.

If you ever feel mischievous, ask progressive liturgists what styles they would forbid during Mass. If you want to make them furious, ask WHY such styles are bad. (They will never answer that question.)

I believe music is powerful. Moreover, I believe certain styles are appropriate for a football game, a toothpaste commercial, a carousel ride, or a wedding reception. On the other hand, I believe other musical styles possess a “level of dignity” suitable for Mass. I became convinced of this (again) last Sunday, hearing our volunteer FSSP choir in Los Angeles sing a Viadana Gloria—so beautiful, prayerful, and uplifting.  I was blown away!

Our culture tries to convince us we can live in an alternate reality—a “computerized” reality. I believe many of our liturgical issues will be solved when our culture once again becomes fully human!



NOTES FROM THIS ARTICLE:

1   It is not forbidden to criticize the reforms, which were enacted with unbelievable haste. I’ve been reading the memoirs of Fr. Louis Bouyer, recently published by IGNATIUS. Bouyer, a close friend of Pope Paul VI, was deeply involved with the liturgical reforms of Vatican II. His sober assessment corroborates what many others have attested, such as the words of Cardinal Antonelli. At some point, I hope to share excerpts of what Bouyer has written. Suffice it to say, the sloppiness which characterized much (not all) of the post-conciliar reforms is horrifying.

2   The traditional rite contains numerous gestures. Examples would include physical instructions given to the celebrant, such as full bow, medium bow, head bow, striking one’s breast, kissing the Altar, holding one’s hands in a certain position, making circular motions with one’s arms, and so forth. The pre-conciliar rubrics even controlled where the priest’s eyes must look during certain times at Mass.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Louis Bouyer Oratorian Priest Last Updated: July 13, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 6th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 6th Sunday of Easter (25 May 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are provided at the the feasts website.
    —Jeff Ostrowski
    “Gloria in Spanish” • Free Accompaniment
    Several people have requested an organ accompaniment for the GLORY TO GOD which prints the Spanish words directly above the chords. The Spanish adaptation—Gloria a Dios en el cielo—as printed in Roman Misal, tercera edición was adapted from the “Glória in excélsis” from Mass XV (DOMINATOR DEUS). I used to feel that it’s a pretty boring chant … until I heard it sung well by a men’s Schola Cantorum, which changed my view dramatically. This morning, I created this harmonization and dedicated it to my colleague, Corrinne May. You may download it for free. Please let me know if you enjoy it!
    —Jeff Ostrowski
    How Well Does ICEL Know Latin?
    This year, the Feast of Saints Peter and Paul (29 June 2025) will fall on a Sunday. It’s not necessary to be an eminent Latin scholar to be horrified by examples like this, which have been in place since 1970. For the last 55 years, anyone who’s attempted to correct such errors has been threatened with legal action. It is simply unbelievable that the (mandatory) texts of the Holy Mass began being sold for a profit in the 1970s. How much longer will this gruesome situation last?
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“The sun, at one moment surrounded with scarlet flame, at another aureoled in yellow and deep purple, seemed to be in an exceedingly swift and whirling movement, at times appearing to be loosened from the sky and to be approaching the earth, strongly radiating heat.”

— ‘Dr. Domingos Pinto Coelho, noted lawyer from Lisbon and chairman of the Bar Association (1917)’

Recent Posts

  • “Music List” • 6th Sunday of Easter (Year C)
  • “Can the Choir Sing Alone at Mass?” • Yes! And Here’s Why That Matters
  • “Gloria in Spanish” • Free Accompaniment
  • How Well Does ICEL Know Latin?
  • Nobody Cares About This! • 1887 Rheims-Cambrai Gradual included “Restored” Plainsong

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