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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Communion Antiphons for Advent & Christmas • NEW • World Library Publications

Richard J. Clark · August 26, 2016

ORLD LIBRARY Publications, the music and liturgy division of J. S. Paluch Company, Inc. has recently released my collection of Communion Antiphons for Christmas. These nine antiphons are set to the English translation of the Roman Missal, Third Edition, with verses according to the Graduale Romanum.

• You may also learn about and listen to my Communion Antiphons for Advent here.

Scores are available in hard copies or for digital download:

Order • View sample pages and order PDF or Octavo:
Octavo • “Communion Antiphons for Christmas” (for SATB Choir, Cantor, Assembly, Organ, Trumpet)

• All are chant based including quotes of Puer natus est nobis and the Mode I Ave Maria.
• May be sung with cantor or unison schola or optional SATB
• Several include optional vocal and trumpet descants.

BE SURE TO LISTEN to recordings here directed by Paul French, Director of the William Ferris Chorale and Music Director of Our Lady of Mt. Carmel Church in Chicago. You can hear six of the nine antiphons here. (Each antiphon has several more verses than are recorded here.)

*Note the two options for the Solemnity of Mary, Mother of God: Rejoice, O Daughter Zion (Exsulta fiIia Sion) is prescribed for the Mass at Dawn in the Roman Missal. It is also is prescribed also for the Solemnity of Mary in the Graduale Romanum.

HY SING THE PROPERS AT ALL? Forget GIRM 87 that gives singing the antiphons from the Roman Missal or Grandulae Romanum the highest preference. Forget the tradition of the propers being integral to the Roman Rite for well over a millennium. Forget that Sing to the Lord: Music In Divine Worship (SttL) gives singing the antiphons and psalms very high priority.

But remember the wisdom of the faithful who came before us. What matters most is that the antiphons and psalms we sing during communion most always point us back to the Gospel. Often they are from the Gospel itself or another reading. The psalms, which are just as important as the antiphons, shed deeper light upon the sacred mysteries and the Gospel. These scriptures amplify our prayer while receiving the Bread of Life.

I could go on for many pages, but I leave you with this simple story:

The best note I ever received on this topic came from a woman who probably knows nothing about the antiphons, the GIRM, or the rubrics. But she knows prayer and she knows her heart. She said “Isn’t it wonderful to sing the Gospel while receiving the Eucharist!”

This kind of intuitive understanding is born of the wisdom of the ages—from many faithful who came before us. This above all is why we sing the Mass.

Consciously or not, the scriptures sung in the antiphons and psalms touch the heart. Live daily with the Word, and we will be transformed.

Soli Deo gloria

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Propers, World Library Publications Last Updated: December 4, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Simplified Accomp. • Schubert’s “Ave Maria.”
    Sometimes the organist must simultaneously serve as the CANTOR. (Those who work in the field of church music know exactly what I’m talking about.) One of our contributors composed this simplified keyboard accompaniment for Franz Schubert’s “Ave Maria,” a piece which is frequently requested for Catholic funerals and weddings. In terms of the discussion about whether that piece is too theatrical (‘operatic’) for use in Church, I will leave that discussion to others. All I know is, many church musicians out there will appreciate this simplified version.
    —Jeff Ostrowski
    “Reminder” — Month of April (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simply click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

When you consider that the greatest hymns ever written—the plainchant hymns—are pushing the age of eight hundred and that the noble chorale hymn tunes of Bach date from the early eighteenth century, then what is the significance of the word “old” applied to “Mother at Thy Feet Is Kneeling”? Most of the old St. Basil hymns date from the Victorian era, particularly the 1870s and 1880s.

— Paul Hume (1956)

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  • “Reminder” — Month of April (2026)
  • “Gregorian Chant Isn’t a Platform for Your Personal Theories, Jeff” • (A Letter We Received)

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