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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Those Pesky Letters of Complaint

Richard J. Clark · July 8, 2016

E ALL GET them. Every single one of us. No one is immune. Really.

We might receive ten notes of praise for every one letter of complaint, but the latter is what we obsess about. We brood. It’s human nature, and perhaps even vanity to do so.

For the most part, it is best to never get too low from complaints, not even too high from praise. Neither may be fully representative of the general likes or dislikes of a congregation. But that’s not what matters. Here’s what does:

1 • Spiritually • Is the music at the service of worship?
2 • Pragmatically • What is the opinion of the pastor, finance council, choir, most parishioners, etc.?

NE MAY TAKE COMFORT in the following: no matter who you are, or what the reputation of your music program is, you will be criticized, most likely with some regularity. As surely as the sun rises in the East and sets in the West, someone will be unhappy. Your name may be James Levine and you will be the target of vehement anger. Displeasure does not discriminate.

Here’s the good news: someone’s unhappiness is rarely, if ever, a reflection on you or your hard work. Nor is the personal pleasure of the faithful your responsibility within the liturgy. (To try is impossible and foolishness.)

But neither does an individual’s displeasure render them a bad or unwise person. They might be right. They may raise a fair point or two.

SUGGEST THE FOLLOWING: Separate the criticism from the way it was delivered. If the communication was charitable, there may be an opening for dialogue and both can learn from the encounter. This is a wonderful development that may broaden one’s personal connection to a member of the congregation. It may be an opportunity for catechesis.

If it was not delivered in a charitable fashion, do not respond in any way except kindly. After that, separate the criticism from how it was delivered and evaluate it. Can I learn something from it—even if delivered in a hurtful fashion? Sometimes the answer is yes—even if only in part. Make one’s own decision considering the betterment of your service to God and the faithful. Furthermore, it may even be wise to keep an open channel with the pastor about the criticism and your response. Responding kindly to uncharitable criticism reveals character and professionalism.

Openness to criticism takes an act of humility. Such openness is not a display of weakness. Self-evaluation and self-correction require great strength.

ACRED MUSIC IS AT THE SERVICE of worship, and not a slave to individual preferences including our own.

Instead, our responsibility is clearly outlined by the Second Vatican Council: the purpose of sacred music is to glorify God and sanctify the faithful. (Constitution on the Sacred Liturgy, §112) In short, we are responsible for helping others pray the words of the Mass.

Do this and we will find ultimate happiness and freedom with God.

Soli Deo Gloria

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski
    “Rare Photographs” • Hannibal Bugnini
    On 2 September 2025, we included in this article extremely rare photographs of Archbishop Hannibal Bugnini taken in Iran circa 1979. Bugnini had initially been banished by the pope to Uruguay, but he refused to obey. [This is interesting, since Bugnini relied upon ‘blind obedience’ when it came to modifications of the ancient liturgy.] After he refused to obey the order from the pope, Hannibal Bugnini was banished to Iran. You can also watch a short video of Hannibal Bugnini in Iran, dated 10 November 1979. That’s about a week after the USA embassy hostage crisis began in Tehran, and Pope Saint John Paul II had sent the leader of the Iranian Revolution a special letter.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski
    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski

Random Quote

“It will not be Rome to tell you what you should do, no: because you have the charism. …you have the Holy Spirit for this. If Rome were to begin to make the decisions it would be a blow to the Holy Spirit, who works in the particular Churches.”

— Pope Francis (27 March 2023)

Recent Posts

  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations
  • Simplified Version • “Canon in D” (Pachelbel)
  • PDF Download • “Organ Accompaniment”
  • “Gregorian Chant Quiz” • 4 May 2026

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