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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Positive Impact Of Parish Events

Dr. Alfred Calabrese · June 30, 2016

384 bell tower S CATHOLIC MUSICIANS we are fortunate that there are an increasing number of wonderful symposiums, workshops, colloquia, and festivals in this country and abroad that provide us the opportunity to learn about the availability and performance of music appropriate for the sacred liturgy. Most of these gatherings are sponsored by national or international organizations whose reach and impact is vast. We are blessed that such organizations exist and are run so well. But can something on a smaller scale happen at the parish level?

Work and family issues have kept me from posting here for the last couple of months. But I now want to share with you two back-to-back events that I was fortunate enough to be involved with that took place in May. Both were parish-driven events that had a profound impact on the people that attended and on the life of the parishes in which they were held.

The first was the conference that my colleagues and I at St. Rita in Dallas convened, “High Above the Stars: Sainthood, Beauty, and Catholic Artistic Expression.” I had written previously about this conference and world premiere here on this site. The second was the Sacred Music Symposium held by the FSSP parish in West Hollywood, where I was honored to have been asked by Jeffrey Ostrowski to serve as one of the clinicians and conductors. Both of these events were initiated at the parish level and fed the musical and spiritual needs of, together, well over 1,000 souls.

I bring this up not to advertise or to self-congratulate, but to encourage. David Clayton, one of the distinguished speakers at our Dallas conference, was, as he said, “blown away” that such a major event could take place at the parish level. He told me that this was the way things could and should be done, that this was a model for others to try. I felt the same way about the Sacred Music Symposium in LA. It was a wonderful experience for everyone. Not every parish needs to produce a major conference, create a website, advertise nationally, and take two years to do it. But here are some things that can be done at the parish level: commission a new three-minute motet or a new piece of art; organize a reading session of seasonal choral music; invite a chant expert to come in for a Saturday morning workshop for choir directors; hold a three to five day summer camp for children; bring in a lecturer from a local university to talk to the parish about your patron saint; dig through the church archives and organize a talk or small conference about the history and architecture of your church. These are only some ideas, and many of them would pay for themselves.

Is this a lot of work? Yes. Will you lose some sleep before it’s finished? Yes. Will it be worth it? Absolutely. I am convinced, after my experiences in May with these two events, that David Clayton is right. Things like this can and should happen at the parish level. This is where we can really feel God’s presence and blessing on our efforts.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Alfred Calabrese

Dr. Alfred Calabrese is Director of Music and Liturgy at St. Rita Catholic Church in Dallas, TX. He and his wife have two children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski
    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski
    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

Far from dreading an encounter with the Iroquois, Fr. Garnier often told us he would be quite content to fall into their hands and remain their prisoner if—while they were torturing him—he at least had a chance of instructing them as long as his torments lasted. If they allowed him to live, it would afford him a golden opportunity to work for their conversion, which was now impossible, since the gateway to their country was closed as long as they were our enemies.

— Father Ragueneau (Jesuit Relations)

Recent Posts

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  • “Let the Choir Have a Voice” • Jeff Ostrowski’s Essay on Choral Music in the Catholic Mass

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