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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Positive Impact Of Parish Events

Dr. Alfred Calabrese · June 30, 2016

384 bell tower S CATHOLIC MUSICIANS we are fortunate that there are an increasing number of wonderful symposiums, workshops, colloquia, and festivals in this country and abroad that provide us the opportunity to learn about the availability and performance of music appropriate for the sacred liturgy. Most of these gatherings are sponsored by national or international organizations whose reach and impact is vast. We are blessed that such organizations exist and are run so well. But can something on a smaller scale happen at the parish level?

Work and family issues have kept me from posting here for the last couple of months. But I now want to share with you two back-to-back events that I was fortunate enough to be involved with that took place in May. Both were parish-driven events that had a profound impact on the people that attended and on the life of the parishes in which they were held.

The first was the conference that my colleagues and I at St. Rita in Dallas convened, “High Above the Stars: Sainthood, Beauty, and Catholic Artistic Expression.” I had written previously about this conference and world premiere here on this site. The second was the Sacred Music Symposium held by the FSSP parish in West Hollywood, where I was honored to have been asked by Jeffrey Ostrowski to serve as one of the clinicians and conductors. Both of these events were initiated at the parish level and fed the musical and spiritual needs of, together, well over 1,000 souls.

I bring this up not to advertise or to self-congratulate, but to encourage. David Clayton, one of the distinguished speakers at our Dallas conference, was, as he said, “blown away” that such a major event could take place at the parish level. He told me that this was the way things could and should be done, that this was a model for others to try. I felt the same way about the Sacred Music Symposium in LA. It was a wonderful experience for everyone. Not every parish needs to produce a major conference, create a website, advertise nationally, and take two years to do it. But here are some things that can be done at the parish level: commission a new three-minute motet or a new piece of art; organize a reading session of seasonal choral music; invite a chant expert to come in for a Saturday morning workshop for choir directors; hold a three to five day summer camp for children; bring in a lecturer from a local university to talk to the parish about your patron saint; dig through the church archives and organize a talk or small conference about the history and architecture of your church. These are only some ideas, and many of them would pay for themselves.

Is this a lot of work? Yes. Will you lose some sleep before it’s finished? Yes. Will it be worth it? Absolutely. I am convinced, after my experiences in May with these two events, that David Clayton is right. Things like this can and should happen at the parish level. This is where we can really feel God’s presence and blessing on our efforts.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Alfred Calabrese

Dr. Alfred Calabrese is Director of Music and Liturgy at St. Rita Catholic Church in Dallas, TX. He and his wife have two children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“A striking detail: at Solesmes, we remember hearing Justine Ward criticize accompaniment sometimes or seeing her cover her ears, especially when the organ accompanied a soloist, which is something she could not accept.”

— Dom Pierre Combe

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