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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Working With People With Whom One Disagrees

Richard J. Clark · May 6, 2016

ORKING WITH people with whom one disagrees is not only common, it is the natural state of the world. So don’t freak out. You’ve probably been doing it already with some success. Or not.

In the real world—and in the real job market—it is rare to find oneself entirely in agreement with every coworker and superior. (I am not addressing matters of dogma or Truths of our Faith. Those are beyond discussion.) One must deal with disagreement to survive, and ultimately thrive. Different roles by necessity require dissimilar perspectives. As a result, this produces conflicting and sometimes competing priorities. E.g., A musician will likely consider keeping the organ in tune a greater budgetary priority than the Building Manager will. Or the pastor has to worry about fundraising and building maintenance, as well as the salvation of souls. With the weight of a parish on his shoulders, he might not be thinking at this moment about the most amazing organ postlude ever.

This is not to make light of anyone’s jobs. We are all called to serve, and there’s good reason we are laser-focused on our areas of expertise. “For just as the body is one and has many members, and all the members of the body, though many, are one body, so it is with Christ.” 1 Corinthians 12:12

NTERESTINGLY, ONE’S ABILITY to work effectively with someone else does not rely very much at all on how much one agrees with that other person. In thirty years of experience in the Church, I have found that I can work quite well with people with whom I disagree, and I cannot work with some people with whom I have a great deal in common, such as our philosophy or taste in music, etc. Why is this?

There are a few factors, but I have found that it comes down to three things:

1 • Mutual respect especially for each other’s professional (or volunteer) roles. While ultimately respect is earned, to give respect should be the default and automatic approach in a new working relationship. In fact, this is a beautiful way to live life.

2 • There is a willingness to serve the greater good, a shared motivation.

3 • Each person does not take personal offense of a disagreement. This is challenging, but key. To do so is a common mistake and sometimes leads to rather juvenile behavior. It’s hard to do when we are passionate. Just don’t do it. You’ll thank yourself later! Be open that you might learn something—even if from an underling—and as a result get better at your job.

There are also helpful benefits when working out disagreements. Many who have worked with me or under my direction do not prefer or agree with all my decisions. Their willingness has produced this very interesting side effect: my respect for them increases exponentially because I know they are not thrilled with what I’ve asked. Perhaps they offered a rebuttal, but worked with me cheerfully. Then another thing happens. They have greater influence, and our work becomes increasingly collaborative. Then, maybe I can learn something from them if I’m smart enough to listen.

Likewise, those who overstep professional boundaries do themselves no favors. Not because of recrimination, but simply because of its lack of mutuality. This produces ill-will among negative side-effects. Don’t do this either. Your colleagues will thank you for deferring to their area of expertise.

HEN THERE IS ANOTHER another fascinating development. There are people with whom one may agree with on a number of matters, but one cannot work with easily. Why? With some, the slightest disagreement causes strife. Concur on 97% of all matters, but there’s still a problem? This is because one or both parties fixate on the disputed 3%. This is sadly wasteful.

To survive in serving the Church and to survive a tough job market, one must consider carefully these elements, but especially this: Remember, that being “in-synch” with someone actually is a result of mutual work and effort. It doesn’t happen automatically, and no one is entitled to it. If people work well together, it’s because they worked very hard to that end.

Also one must have the humility to understand that disagreements often yield a greater good, sometimes unseen by the individuals in conflict. Wisely step back and observe this if you can. When colleagues work hard towards the greater good and establish trust, don’t take such working relationships for granted. It’s pretty amazing.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“Although some may not understand what is being sung, they understand why it is being sung, that is, for the praise of God, and this is enough, even if the faithful do not strictly speaking sing in order to rouse their devotion.”

— Saint Thomas Aquinas

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