Views from the Choir Loft

Archives for April 2016

Jeff Ostrowski · April 7, 2016

“Et Cum Spiritu Tuo” in the 1961 Fulton Sheen Missal

What Fr. Philip Caraman does may surprise you…

Andrew Leung · April 7, 2016

Free Downloads • Works by Cardinal Bartolucci (Part 2)

More choral works by Cardinal Bartolucci are available on the Domenico Bartolucci Foundation website.

Jeff Ostrowski · April 6, 2016

“I confess that I was a liturgical nut” says Bishop consecrated by Pope Paul VI

“The liturgy is not only worship of God; it is the way we are formed in our faith.” —Bishop Gracida

Guest Author · April 6, 2016

Musical and Liturgical Life at the St. Lawrence Catholic Campus Center

Praising our Extraordinary God in the Ordinary Form

Jeff Ostrowski · April 5, 2016

Mass Propers • Fascinating Articles From 1924

Editors of “The Tablet” felt these essays were horrendous!

Jeff Ostrowski · April 5, 2016

We Need Assistance! Please Help Watershed Survive!

My 5-part series requesting donations seems to have failed miserably—with a few notable exceptions.

Dr. Lucas Tappan · April 5, 2016

A Musically Model Parish

I thought I would share some visioning ideas regarding music in the Ordinary Form parish.

Jeff Ostrowski · April 4, 2016

“Hymn To The Blessed Virgin Mary” • Caswall & Parry

Choirs not yet ready for SATB hymn singing will love this version for two voices!

Jeff Ostrowski · April 4, 2016

Ward Method Studies • Space Available!

The chant must be sung lightly, and not too slowly.

Jeff Ostrowski · April 3, 2016

Musical Resources • Low Sunday (1962 Missal)

“In the day of My resurrection, saith the Lord, I will go before you into Galilee…”

Fr. David Friel · April 3, 2016

Which Masses Would You Choose?

If you had the opportunity to add more festive music to selected feasts in the liturgical year, to which would you give preference?

Andrew Leung · April 1, 2016

The Chapel Royal Solemn Vespers is Available on BBC

A recording of the Solemn Vespers at the Chapel Royal is now available on BBC’s website.

Richard J. Clark · April 1, 2016

O Happy Fault • Nine things that are pure privilege

Such a reference to original sin—a positive reference—seems quite strange to us.

PDF • “Music List” (Immaculate Concep.)

Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 8 December 2025, the feast of OUR LADY’S IMMACULATE CONCEPTION. If such a thing interests you, feel free to download it as a PDF file. The fauxbourdon setting of the COMMUNION is exquisite. In Latin, the title of this feast is: In Conceptione Immaculata Beatae Mariae Virginis. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.

—Jeff Ostrowski

“Reminder” — Month of December (2025)

On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.

—Jeff Ostrowski

Dr. Mahrt explains the ‘Spoken’ Propers

In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron). It would be difficult to phrase things more clearly than the pope: viz. the ADALBERT PROPERS are for recited Masses, the GRADUALE PROPERS are for Masses with singing.

—Jeff Ostrowski

“Translations Approved for Liturgical Use”

According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.

—Corpus Christi Watershed

Gospel Options for 2 November (“All Souls”)

We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”

—Corpus Christi Watershed

“Our Father” • Musical Setting?

Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?

—Jeff Ostrowski