Views from the Choir Loft

Archives for April 2016

Jeff Ostrowski · April 7, 2016

“Et Cum Spiritu Tuo” in the 1961 Fulton Sheen Missal

What Fr. Philip Caraman does may surprise you…

Andrew Leung · April 7, 2016

Free Downloads • Works by Cardinal Bartolucci (Part 2)

More choral works by Cardinal Bartolucci are available on the Domenico Bartolucci Foundation website.

Jeff Ostrowski · April 6, 2016

“I confess that I was a liturgical nut” says Bishop consecrated by Pope Paul VI

“The liturgy is not only worship of God; it is the way we are formed in our faith.” —Bishop Gracida

Guest Author · April 6, 2016

Musical and Liturgical Life at the St. Lawrence Catholic Campus Center

Praising our Extraordinary God in the Ordinary Form

Jeff Ostrowski · April 5, 2016

Mass Propers • Fascinating Articles From 1924

Editors of “The Tablet” felt these essays were horrendous!

Jeff Ostrowski · April 5, 2016

We Need Assistance! Please Help Watershed Survive!

My 5-part series requesting donations seems to have failed miserably—with a few notable exceptions.

Dr. Lucas Tappan · April 5, 2016

A Musically Model Parish

I thought I would share some visioning ideas regarding music in the Ordinary Form parish.

Jeff Ostrowski · April 4, 2016

“Hymn To The Blessed Virgin Mary” • Caswall & Parry

Choirs not yet ready for SATB hymn singing will love this version for two voices!

Jeff Ostrowski · April 4, 2016

Ward Method Studies • Space Available!

The chant must be sung lightly, and not too slowly.

Jeff Ostrowski · April 3, 2016

Musical Resources • Low Sunday (1962 Missal)

“In the day of My resurrection, saith the Lord, I will go before you into Galilee…”

Fr. David Friel · April 3, 2016

Which Masses Would You Choose?

If you had the opportunity to add more festive music to selected feasts in the liturgical year, to which would you give preference?

Andrew Leung · April 1, 2016

The Chapel Royal Solemn Vespers is Available on BBC

A recording of the Solemn Vespers at the Chapel Royal is now available on BBC’s website.

Richard J. Clark · April 1, 2016

O Happy Fault • Nine things that are pure privilege

Such a reference to original sin—a positive reference—seems quite strange to us.

Epiphany Hymn • “New 2-Voice Arrangement”

The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.

—Jeff Ostrowski

Simplified Accompaniment (Epiphany Hymn)

About a month ago, I created a simplified keyboard accompaniment for “Come, Thou Long-Expected Jesus”—the famous ADVENT hymn—using a melody called CROSS OF JESUS. It was soon downloaded more than 1,000 times. As of this morning, you can download a simplified keyboard accompaniment for the belovèd Epiphany hymn “Bethlehem! Of noblest cities” (O Sola Magnarum Urbium) by clicking on this link (PDF file). Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult, which explains why choirmasters appreciate these simplified keyboard accompaniments.

—Jeff Ostrowski

Psalm Tone Challenge!

Many readers know that Tone 1a3 is the most difficult PSALM TONE in the 1962 books (and isn’t called for very often). But what about very short verses—which is the absolute most concise you know? The shortest PSALM TONE segment I know would be the fourth verse (PDF) from Psalm 44, used during Matins at Christmas. It’s literally one word long. If you know a more minuscule one, please email me!

—Jeff Ostrowski

PDF Download • “In Paradisum” in English

We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.

—Jeff Ostrowski

What does this mean? “Pre-Urbanite”

Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.

—Jeff Ostrowski

PDF Download • “Santo Santo Santo”

Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.

—Jeff Ostrowski