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“What earlier generations held as sacred, remains sacred and great for us too…” Pope Benedict XVI (7 July 2007)

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Views from the Choir Loft

Musical Resources • Low Sunday (1962 Missal)

Jeff Ostrowski · April 3, 2016


RESPONSES FOR HIGH MASS

PDF Score (Singer) • printed on a single sheet


PROCESSIONAL

Organist.


VIDI AQUAM

PDF Score (Singer)   •   Practice Audio (Singer)   •   YouTube   •   Organist


INTROIT   •   Sung by the men.

PDF Score (Singer)   •   Practice Audio (Singer)


KYRIE ELEISON

The new “Kyrie” is #3661 and #3579 and is mixed with this score.


GLORIA IN EXCELSIS

We will sing #3610.


GRADUAL & ALLELUIA

During Eastertide, there’s a special Alleluia.

We sing #3524 with the verses which you don’t need to practice.


CREDO IV   •   Alternatim

PDF Score (Singer)   •   Practice Audio (Singer)   •   Organist

Men need to learn #3445 ASAP.


OFFERTORY ANTIPHON

PDF Score (Singer)


OFFERTORY HYMN

“Omni Die”   •   Score for Organist & Choir

And you need to learn #3473, “Hymn to the Trinity.”


SANCTUS & HOSANNA

We have been singing the “Hosanna” section from #3496


AGNUS DEI

The current setting lacks rehearsal videos.

Please be learning #3379.


COMMUNION ANTIPHON

PDF Score (Singer)   •   Practice Audio (Singer)


COMMUNION POLYPHONY

“Jesu Dulcis Memoria” is number #4428.

With added verses.


RECESSIONAL HYMN   •   #841 Christ The Lord Is Ris’n Today

From the Campion Hymnal.   •   Here’s how the organist version looks in the Campion hymnal.



PRAYER WITH THE CHOIR (taken from the CAMPION HYMNAL) :

618 precis


810 Endings Collects CAMPION MISSAL


Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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Jeff Ostrowski

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Los Angeles.—(Read full biography).

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Corpus Christi Watershed

Quick Thoughts

Surprising Popularity!

One of our most popular downloads has proven to be the organ accompaniment to “The Monastery Hymnal” (131 pages). This book was compiled, arranged, and edited by Achille P. Bragers, who studied at the Lemmensinstituut (Belgium) about thirty years before that school produced the NOH. Bragers might be considered an example of Belgium “Stile Antico” whereas Flor Peeters and Jules Van Nuffel represented Belgium “Prima Pratica.” You can download the hymnal by Bragers at this link.

—Jeff Ostrowski
15 February 2021 • To Capitalize…?

In the Introit for the 6th Sunday after Pentecost, there is a question regarding whether to capitalize the word “christi.” The Vulgata does not, because Psalm 27 is not specifically referring to Our Lord, but rather to God’s “anointed one.” However, Missals tend to capitalize it, such as the official 1962 Missal and also a book from 1777 called Missel de Paris. Something tells me Monsignor Knox would not capitalize it.

—Jeff Ostrowski
15 February 2021 • “Sung vs. Spoken”

We have spoken quite a bit about “sung vs. spoken” antiphons. We have also noted that the texts of the Graduale Romanum sometimes don’t match the Missal texts (in the Extraordinary Form) because the Mass Propers are older than Saint Jerome’s Vulgate, and sometimes came from the ITALA versions of Sacred Scripture. On occasion, the Missal itself doesn’t match the Vulgate—cf. the Introit “Esto Mihi.” The Vulgate has: “Esto mihi in Deum protectórem et in domum refúgii…” but the Missal and Graduale Romanum use “Esto mihi in Deum protectórem et in locum refúgii…” The 1970s “spoken propers” use the traditional version, as you can see.

—Jeff Ostrowski

Random Quote

“I would hope there is a place [at Mass] for the avant-garde in the same way I think there has to be a place—and we have to be careful with this—a place for Jazz and a place for Evangelical and all of that. […] On theological grounds, I do think we need interaction with the culture at the level of high art or at the level of more commercial pop culture.”

— Fr. Anthony Ruff (22 June 2016)

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