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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

More on Angelus Bells

Veronica Brandt · April 9, 2016

Angelus Glocke The Angelus Bell from Cologne Cathedral. From Wikimedia Commons. FEW MONTHS AGO I wrote about Angelus Bells and the Raspberry Pi where I set up a tiny computer to play a sound to remind us to say the Angelus at 6am, 12 noon and 6pm.

A month ago the arrangement was damaged in an electrical storm. Fortunately the computer itself was alright but I needed to reformat the memory and set it all up again.

I had another look for recordings of bells and found some very interesting articles on the internet:

The Bells of Cologne Cathedral

Cologne Cathedral is home to the relics of the Three Magi. It also hosts an amazing collection of bells from over the centuries.

In 1418 a huge bell was cast in honor of the Magi. It weighed around 3400kg. In 1448 it was joined by an even larger bell weighing around 10 000kg. The Magi Bell sounded a B and the new bell called the Pretiosa, sounded a G. One year later they were joined by a third bell, this one in A, called the Speciosa.

There is an Angelus bell, but much smaller. Bells for every occasion!

You can read more about them and listen to them here.

A recording from a French countryside

When ringing the bell for the Angelus, it is a custom to ring three sets of three then a set of nine. The way I was shown was to ring three clear notes, then silence for the time it takes to say a “Hail Mary”, then three more strikes, another silent “Hail Mary”, last three strikes, last silent “Hail Mary”, then nine rings to finish.

This recording from the Internet Archive seems to miss out the first set of three rings. You might edit the sound file to copy one of the three rings a suitable length before the rest of the recording. It is in the public domain,

Verdin Bells and Clocks

Lastly, there is a company still making bells in Ohio. As well as real cast bells, they have a range of digital bells. You can listen to samples here.

The Angelus sample gives three clear “dongs” and then a peal of three bells.

So, there you have a whole lot more options for your home Angelus bells.

Of course, in the Easter season the Regina Caeli replaces the Angelus. In case you missed it, watch some young children sing Regina Caeli.

Photo credit: SaintOuen via Wikimedia Commons. There are lots of photos of Cologne Cathedral on Wikimedia Commons. Well worth browsing to get an idea of the scale of the place.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Raspberry Pi Last Updated: October 29, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski
    “Equal Voices” Choir Pieces
    My colleague, CORRINNE MAY, has posted some delightful compositions for equal voices: that is, choirs consisting of all men or all women. Included there are settings of the “Ave Maria” and “Tantum Ergo.” They strike me as relatively simple and not excessively lengthy. (In other words, within reach of volunteer singers.) Even better, all the scores have been made available as instant PDF downloads, completely free of charge. Bravo!
    —Jeff Ostrowski
    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

“You have thereby removed from the celebration of the Mass all superstitions, all greed for lucre, and all irreverence … removed its celebrations from private homes and profane places to holy and consecrated sanctuaries. You have banished from the temple of the Lord the more effeminate singing and musical compositions.”

— ‘Bishop Racozonus, speaking at the last session of the Council of Trent (1563)’

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