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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

As the Tension Grows

Richard J. Clark · March 18, 2016

GREAT BLESSING of daily Mass is the continuity from one Sunday to the next. Especially as each major season comes to a close, there are premonitions of the Feast and season to come. This is true as Ordinary Time approaches Advent. It is clearly obvious during Advent. Furthermore, the end of the Easter Season brings frequent reminders that Jesus will send another Advocate.

As Holy Week approaches, the tension is palpable. Each reading from John’s Gospel this past week foretells what is to come. It is no longer a secret that many want to kill Him. Many challenge Him. Meanwhile, Jesus speaks with authority of the relationship with His Father: “When you lift up the Son of Man, then you will realize that I AM and that I do nothing on my own, but I say only what the Father has taught me.” (John 8:28)

John’s Gospel then continues: “Because he spoke this way, many came to believe in Him.” However, the converse is also true: Because he spoke this way, many sought to kill Him.

Jesus redeems us all, suffering as one who is fully human, and fully vulnerable. Likewise, the blood of martyrs continues to spill today in our world. In a recent statement honoring the “Martyrs of Charity”, the USCCB describes that because they lived this way—the way of divine mercy—these four Sisters of Charity were put to death. The statement begins:

“Caring for the aging and dying is an act of love and mercy. Giving totally of oneself to serve the most vulnerable of our brothers and sisters is an act of courageous faith. Thus, it is always a great sorrow when such acts of mercy lead to martyrdom.”

You can read the full statement here.

What we celebrate during Holy Week is not only a reminder of what Jesus suffered, it is a reminder that our Redeemer lives today as witnessed by the suffering of so many.

As the tension in the world grows, so does our faith, so does Jesus’ active presence in our lives. So must our sung prayer be that much more directed toward Jesus and His Father who sent him.

Soli Deo gloria

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Common” Responsorial Psalm?
    I try to avoid arguing about liturgical legislation (even with Catholic priests) because it seems like many folks hold certain views—and nothing will persuade them to believe differently. You can show them 100 church documents, but it matters not. They won’t budge. Sometimes I’m confronted by people who insist that “there’s no such thing” as a COMMON RESPONSORIAL PSALM. When that happens, I show them a copy of the official legislation in Latin. I have occasionally prevailed by means of this method.
    —Jeff Ostrowski
    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Place the missal in the hand of the faithful so that they may take part more easily and more fruitfully in the Mass; and that they faithful, united with the priest, may pray together in the very words and sentiments of the Church.”

— Ven. Pope Pius XII

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