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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Has The Church Rejected Her Inheritance?

Dr. Alfred Calabrese · March 10, 2016

“My son, you are here with me always. Everything I have is yours.” —Luke 15:31|

Prodigal HIS WAS WHAT the father of the estate said to his older son in the parable of the Prodigal Son, heard most recently this past weekend, the fourth Sunday of Lent. I’ve been thinking a lot about this parable lately, and in particular, why neither of the sons really understood what riches he had in his father’s house. Is that why the prodigal son left? Did he not realize what he had, and did he think things would be so much better elsewhere?

The father has inherited and maintained an existence that is well-ordered, successful, and respected, even coveted. The father is the caretaker of these riches, and the Prodigal Son is part of this inheritance. The rich blessings, fertile land, and beautiful adornments are his by right.

And yet, the Prodigal Son rejects all of it.

Imagine for a moment that the father and his house represent the Church. The sacraments are her wealth, and she is adorned with the richness of beautiful art, architecture, and music. The well-ordered success of the estate is akin to the Church’s time honored liturgical practices, steeped in history and tradition.

The father, clearly heartbroken by the son’s rejection, does not drastically change his house nor anything about it in an effort to lure back his son. He doesn’t rid himself of his possessions nor throw away all of his successful practices in order to join his son in the wasteful abandonment of all he knows. Rather, he remains steadfast, hoping that the son will realize what he has given up, and return to the life-giving love of the father and his house.

And yet it seems that many in the Church have not learned or understood this lesson. How many prodigal sons and daughters are still out there? Did the Church’s willingness to try to lure back her people really work? Did the abandonment of sacred tradition, of Gregorian chant, polyphony, and excellent hymnody, and of beautiful vestments and architecture, bring more people back home?

Those whose calling it is to work for the Church, those who understand what wealth really is, those who recognize the importance of beauty in the Father’s house, have a difficult task. Often they face ridicule, rejection, and heartbreak. Not an easy life. But the Gospel tells us that the prodigal children will one day return. To all of my colleagues—remain steadfast!

You are invited to experience something beautiful in Dallas,Texas this May. Please consider attending our conference on beauty and sainthood, and experience the world premiere of “A Rose in Winter” by composer Frank La Rocca. The registration fee is at an UNBELIEVABLY low price!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Alfred Calabrese

Dr. Alfred Calabrese is Director of Music and Liturgy at St. Rita Catholic Church in Dallas, TX. He and his wife have two children.—(Read full biography).

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President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

Participation at Mass must be “above all internal” (§15), and: “The faithful must be taught to unite themselves interiorly to what the ministers or choir sing, so that by listening to them they may raise their minds to God.”

— Musicam Sacram (5 March 1967)

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