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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for February 2016

Jeff Ostrowski · February 16, 2016

Something That Would Fix So Much … But Nobody Mentions It

Is this “tacit” approval really “imaginary” approval?

Jeff Ostrowski · February 15, 2016

“Credo for Two Voices” • Gustaaf Nees (d. 1965)

This simple setting of Gregorian Credo IV uses organ, men’s voices, and women’s voices.

Fr. David Friel · February 14, 2016

Repetition in the Roman Missal

A Literary Approach in an Adoremus Bulletin Article

Jeff Ostrowski · February 14, 2016

Canon Van Nuffel’s Setting Of Smoke Rising

“Smoke rises from the Mountain of Doom. The hour grows late, and Gandalf the Grey rides to Isengard seeking my counsel.”

Jeff Ostrowski · February 14, 2016

Musical Resources • 1st Sunday of Lent (EF)

“We solemnly offer the sacrifice at the beginning of Lent, O Lord…”

Veronica Brandt · February 13, 2016

Save the Merit, Save the World

Lenten discipline : St Philip Neri says “to love to be unknown”; Gandalf says “Keep it secret, keep it safe.”

Jeff Ostrowski · February 12, 2016

Motet • “Verbum Supernum” by Fr. Carlo Rossini

This SATB setting can be used during any liturgical season and has “O Salutaris Hostia” as one of its verses.

Richard J. Clark · February 12, 2016

Minimal Standards at Weddings and Funerals

It is easier to capitulate than to educate.

Jeff Ostrowski · February 11, 2016

“Audi Benigne Conditor” • Gregorian Hymn For Lent

The text is by St. Gregory the Great, who was Pope from 590-604.

Andrew Leung · February 11, 2016

Three Common Misconceptions about Chant

If we can solve these 3 misunderstandings, people can fall in love with chant easier!

Jeff Ostrowski · February 10, 2016

Decapitation of an Innocent Meadowlark

Do we remember that people in the pews often lack our musical background?

Jeff Ostrowski · February 9, 2016

Francisco Guerrero • “Hymn To The Sacred Trinity” (SATB with Plainsong)

Are you up for a special hymn challenge?

Dr. Lucas Tappan · February 9, 2016

Chorister Vocal Pedagogy

I hope this might serve as a foundation for your future work with young singers in your parish.

Jeff Ostrowski · February 8, 2016

What Are You Doing For Lent?

“The phone is our century’s plague. It destroys character, interaction, friendships, families, and our time. We are glued to these devices.”

Fr. David Friel · February 7, 2016

The Phrasing of the Sanctus

The Difference a Comma Makes

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Corpus Christi Watershed

President’s Corner

    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski
    “Equal Voices” Choir Pieces
    My colleague, CORRINNE MAY, has posted some delightful compositions for equal voices: that is, choirs consisting of all men or all women. Included there are settings of the “Ave Maria” and “Tantum Ergo.” They strike me as relatively simple and not excessively lengthy. (In other words, within reach of volunteer singers.) Even better, all the scores have been made available as instant PDF downloads, completely free of charge. Bravo!
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

“The Mass, said in Latin, is the same all over the world. Go where you will, the language is the same; and such unity is in itself a great good, far greater than would be the mere understanding of the words.”

— John Henry Newman (1859)

Recent Posts

  • “Music List” • All Souls (2 November)
  • 2-Voice Arr. • “Creator of the Starry Height”
  • PDF Download • Christmas Piece (SATB) — “Angels We Have Heard on High” with Text in Latin
  • “Equal Voices” Choir Pieces
  • A Practical Method of Projecting Solfege for Chant

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