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Views from the Choir Loft

Minimal Standards at Weddings and Funerals

Richard J. Clark · February 12, 2016

NEVER THOUGHT I would be advocating for minimal standards. It’s a sad moment. The highest standards should always be our aspiration and goal. God deserves our best. The people deserve better and are being served poorly on many fronts.

I cannot blame a wedding couple or a grieving family for being incredulous that I cannot include a pop song or Broadway melody. Why? Because their experience in the Roman Catholic Church tells them otherwise.

“But I’ve been to many weddings that had this song…” Or, “Father said it was ok…” etc., etc. We all have experience with such unfortunate stories and there is no need to rehash them.

But the appalling story is that the couple or the family has been victimized by horrifically low standards. They have lived a lifetime of exposure to mediocrity, ignorance, and defiance. Worse, they are done a great disservice because it is easier to capitulate than to educate. Catechesis takes great effort because it must be done with charity, love, and with finesse—especially for weddings and funerals which are so deeply personal experiences. Many of us have been on both sides of this experience and must be mindful of perspective.

That sacred music is a minimal standard for all liturgies would be an upgrade for a great many weddings and funerals. This is scandalous. That we find this impossible, that we fear doing so is equally scandalous.

I fear the spirit of another generation will atrophy in the blight of mediocrity. I won’t let that happen on my watch, and I know many of you won’t either. We are called to serve one another and God. We are called to implement the highest of standards with the resources at our disposal. Moreover, we are called to catechize though our actions, catechize by the way we live our lives, and catechize through sacred music.

I WORK IN A PARISH. This is a live recording of the Fauré Requiem with chamber orchestra by the choir of St. Cecilia Parish in Boston, a group of wonderful people that I am privileged to direct every week. They are almost entirely volunteer and mostly young people.

There are far better recordings of the Fauré Requiem by extraordinary conductors, choirs, and soloists. But I share with you here what can be accomplished in a parish (and there’s much more work to do!) Furthermore, this is a recording of people of faith who believe the words they sing. More important than any grandeur of the orchestra and organ is the simple reverence with which they sing. I hope this offering is a prayerful experience.

Soli Deo gloria.

Requiem in D minor, Op. 48 Gabriel Fauré
St. Cecilia Choir & Chamber Orchestra | Richard J. Clark, Director
Allesandra Cionco, soprano
Marc DeMille, baritone
Timothy E. Smith Organ
Tara Novak, violin

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Quick Thoughts

16 May 2022 • Harmonized Chant?

This year’s upcoming Sacred Music Symposium will demonstrate several ways to sing the CREDO at Mass. This is because—for many parishes—to sing a full-length polyphonic CREDO by Victoria or Palestrina is out of the question. Therefore, we show options that are halfway between plainsong and polyphony. You can hear my choir rehearsing a section that sounds like harmonized plainsong.

—Jeff Ostrowski
14 May 2022 • “Pure” Vatican Edition

As readers know, my choir has been singing from the “pure” Editio Vaticana. That is to say, the official rhythm which—technically—is the only rhythm allowed by the Church. I haven’t figured out how I want the scores to look, so in the meantime we’ve been using temporary scores that look like this. Stay tuned!

—Jeff Ostrowski
14 May 2022 • Gorgeous Book

If there is a more beautiful book than Abbat Pothier’s 1888 Processionale Monasticum, I don’t know what it might be. This gorgeous tome was today added to the Saint John Lalande Online Library. I wish I owned a physical copy.

—Jeff Ostrowski

Random Quote

“Oh, the happy choir director who is hired to start work on a brand new choir, or who walks into his first rehearsal a total stranger to the existing group—what a fortunate man he is! The new choir director who is a former member of the choir, or a member of the congregation, or the nephew of the alto soloist, or a former altar boy, or otherwise well acquainted with the choir, is in for a few headaches.”

— Paul Hume (1956)

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