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Corpus Christi Watershed

We’re a 501(c)3 public charity established in 2006. We have no endowment, no major donors, no savings, and run no advertisements. We exist solely by the generosity of small donors.

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Views from the Choir Loft

Archives for February 2016

Christopher Mueller · February 29, 2016

The Domestic Church and the domestic schola

The family that sings together prays together.

Jeff Ostrowski · February 28, 2016

Catholic Hymns Before Vatican II Will Shock You!

In spite of what you may have read online, hymns in English were often sung during Low Mass.

Jeff Ostrowski · February 28, 2016

Musical Resources • 3rd Sunday of Lent (EF)

“…free us from all sins and dangers, as Thou dost grant us to be sharers in this great mystery…”

Richard J. Clark · February 26, 2016

Sounds from the Spires • SiriusXM Radio • Jennifer Pascual

Jennifer Pascual, Director of Music at St. Patrick’s Cathedral hosts a weekly radio program on sacred music.

Andrew Leung · February 25, 2016

Video • The Altar Server “Must See”

The altar server plays a very important role in the liturgy.

Jeff Ostrowski · February 23, 2016

Rehearsal Videos • A Resplendent “Agnus Dei” You’ve Never Heard

Can you hear the Canon between Soprano & Tenor?

Jeff Ostrowski · February 22, 2016

PDF Download • “Latin in the New Liturgy” (1976)

“The use of Latin in celebrating the new Mass Rite will be encouraged as it has been in the old; Latin expresses the nature of the Church as international and timeless.”

Andrew Leung · February 22, 2016

Video • Sacred or Secular?

Sacred or Secular? What do you hear?

Jeff Ostrowski · February 20, 2016

A Roman Catholic Cleric’s Noble Robes

The Archbishop of Kraków was (for a short time) Senator of the Second Polish Republic.

Jeff Ostrowski · February 20, 2016

Funeral Mass • Justice Antonin Scalia

You can download the program or view the full Mass online.

Veronica Brandt · February 20, 2016

Recordings for A New Book of Old Hymns

A little book of Gregorian chant hymns for the every occasion, with a collection of recordings for those unfamiliar with chant notation. Now more than a decade since the first edition and still going strong.

Richard J. Clark · February 19, 2016

122 Messengers of Peace • Dona Nobis Pacem

It’s never just about the music.

Andrew Leung · February 18, 2016

Are you Praying the Mass?

An old and holy priest talks about prayer and the liturgy.

Jeff Ostrowski · February 18, 2016

PDF • Two Nice Versions of “Attende Domine”

A good piece for Lent.

Dr. Lucas Tappan · February 16, 2016

Dorothy Sayers and the Lost Tools of Learning

We will never inspire a new generation of great Catholic musicians, so sorely needed at this time, if we don’t open their eyes to the “Lost Tools of Learning Music” and point them to the One to Whose praises we hope to sing for ever in the Heavenly Jerusalem.

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Corpus Christi Watershed

President’s Corner

    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“However well equipped and trained a choir may be, all its good points may be obscured by an unsuitable accompaniment. In fact the organist can, in a large measure, either make or mar his choir. It must be owned, however, that the accompanist of Plainsong has to contend with many difficulties. […] The purist will still find his best enjoyment of the chant when it is sung unaccompanied, but to most a becoming accompaniment gives an added charm.”

— Benedictines of Stanbrook (1905)

Recent Posts

  • Bugnini’s Statement (6 November 1966)
  • (Rehearsal Clips) • Sacred Music Symposium 2025
  • Hidden Gem: Ascendit Deus (Dalitz)
  • PDF Download • Soprano Descant — “Hail, Holy Queen Enthroned Above”
  • “Dom Jausions had a skilled hand. His transcriptions are masterpieces of neatness & precision.”

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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