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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Sounds from the Spires • SiriusXM Radio • Jennifer Pascual

Richard J. Clark · February 26, 2016

INCE 2006, Dr. Jennifer Pascual, Director of Music for Saint Patrick’s Cathedral in New York City, has been hosting the radio program “Sounds from the Spires.” It can be heard SIRIUSXM 129 Radio, The Catholic Channel.

It was in 2006 that the Archdiocese of New York began its venture into radio programming on Sirius Satellite Radio. Jennifer Pascual was asked to host a show on sacred music. Reticent, as she had no prior radio experience, she is now a veteran in the field, and quite a natural. Anyone listening to the program can hear her easygoing voice and demeanor, putting guests at ease as they talk about sacred music.

AVING BEEN ON THE SHOW a few times, I recently joined Jennifer at the SiriusXM Studio in Midtown Manhattan. (Co-blogger Chris Mueller and his amazing compositions have also been featured on this program.) The studio is a couple of blocks from Rockefeller Center, St. Patrick’s Cathedral and across the street from Radio City Music Hall and NBC’s “Tonight Show with Jimmy Fallon.” Making the environment even more interesting, Howard Stern, who fuels most of SiriusXM Radio’s subscriptions, broadcasts down the hall from The Catholic Channel along with several other shows.

Needless to say, Jennifer Pascual and I stuck out like a sore thumb in the lobby among the others in the entertainment industry who were there that day. Jennifer doesn’t care. Her down-to-earth demeanor on the air is exactly who she is off. For someone who has played for popes and presidents, she is as unpretentious a musician as you will ever meet.

“Sounds from the Spires” can be heard at the following times:
Saturday: 1am–2am & 11:00pm-12:00am
Sunday: 6:am-7am & 8pm-9pm
(All Eastern times)
The Catholic Channel • SIRIUS XM 129

MY SIX-YEAR-OLD SON PUT ME IN MY PLACE before our interview. My daughter, who is eight, said, “Daddy is lucky because he is famous because he is being interviewed.” My son responded: “No, he’s not famous. Never, ever! Only God is famous.” This, coming from a boy who loves getting into mischief, especially if it gets a laugh from his siblings and disapproval from his parents. But here he was dead serious and spot on!

OUR RECENT INTERVIEW WILL AIR THIS WEEKEND. (2/27, 2/28) Featured on the program are the following:

• Communion Antiphons for Lent | SATB, Organ, Assembly • World Library Publications

• Variations on Misereris Omnium | Introit for Ash Wednesday • RJC Cecilia Music

• By the Rivers of Babylon | Soprano, piano, cello • RJC Cecilia Music

• Magna Opera Domini | Commissioned for the ordination of Bishop Steven Lopes. • RJC Cecilia Music

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

[Speaking of those who wish to eliminate Latin from the liturgy.] “One may well wonder what the origin is of this new way of thinking and this sudden dislike for the past; one may well wonder why these things have been fostered.”

— Pope Saint Paul VI (15 August 1966)

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