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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Sounds from the Spires • SiriusXM Radio • Jennifer Pascual

Richard J. Clark · February 26, 2016

INCE 2006, Dr. Jennifer Pascual, Director of Music for Saint Patrick’s Cathedral in New York City, has been hosting the radio program “Sounds from the Spires.” It can be heard SIRIUSXM 129 Radio, The Catholic Channel.

It was in 2006 that the Archdiocese of New York began its venture into radio programming on Sirius Satellite Radio. Jennifer Pascual was asked to host a show on sacred music. Reticent, as she had no prior radio experience, she is now a veteran in the field, and quite a natural. Anyone listening to the program can hear her easygoing voice and demeanor, putting guests at ease as they talk about sacred music.

AVING BEEN ON THE SHOW a few times, I recently joined Jennifer at the SiriusXM Studio in Midtown Manhattan. (Co-blogger Chris Mueller and his amazing compositions have also been featured on this program.) The studio is a couple of blocks from Rockefeller Center, St. Patrick’s Cathedral and across the street from Radio City Music Hall and NBC’s “Tonight Show with Jimmy Fallon.” Making the environment even more interesting, Howard Stern, who fuels most of SiriusXM Radio’s subscriptions, broadcasts down the hall from The Catholic Channel along with several other shows.

Needless to say, Jennifer Pascual and I stuck out like a sore thumb in the lobby among the others in the entertainment industry who were there that day. Jennifer doesn’t care. Her down-to-earth demeanor on the air is exactly who she is off. For someone who has played for popes and presidents, she is as unpretentious a musician as you will ever meet.

“Sounds from the Spires” can be heard at the following times:
Saturday: 1am–2am & 11:00pm-12:00am
Sunday: 6:am-7am & 8pm-9pm
(All Eastern times)
The Catholic Channel • SIRIUS XM 129

MY SIX-YEAR-OLD SON PUT ME IN MY PLACE before our interview. My daughter, who is eight, said, “Daddy is lucky because he is famous because he is being interviewed.” My son responded: “No, he’s not famous. Never, ever! Only God is famous.” This, coming from a boy who loves getting into mischief, especially if it gets a laugh from his siblings and disapproval from his parents. But here he was dead serious and spot on!

OUR RECENT INTERVIEW WILL AIR THIS WEEKEND. (2/27, 2/28) Featured on the program are the following:

• Communion Antiphons for Lent | SATB, Organ, Assembly • World Library Publications

• Variations on Misereris Omnium | Introit for Ash Wednesday • RJC Cecilia Music

• By the Rivers of Babylon | Soprano, piano, cello • RJC Cecilia Music

• Magna Opera Domini | Commissioned for the ordination of Bishop Steven Lopes. • RJC Cecilia Music

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Common” Responsorial Psalm?
    I try to avoid arguing about liturgical legislation (even with Catholic priests) because it seems like many folks hold certain views—and nothing will persuade them to believe differently. You can show them 100 church documents, but it matters not. They won’t budge. Sometimes I’m confronted by people who insist that “there’s no such thing” as a COMMON RESPONSORIAL PSALM. When that happens, I show them a copy of the official legislation in Latin. I have occasionally prevailed by means of this method.
    —Jeff Ostrowski
    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“What matters is to prefer God to all else; to be ready to sacrifice all, rather than commit one sin.”

— Cardinal Merry Del Val (shortly before his death)

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  • “Lindisfarne Gospels” • Created circa 705 A.D.
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