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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Sounds from the Spires • SiriusXM Radio • Jennifer Pascual

Richard J. Clark · February 26, 2016

INCE 2006, Dr. Jennifer Pascual, Director of Music for Saint Patrick’s Cathedral in New York City, has been hosting the radio program “Sounds from the Spires.” It can be heard SIRIUSXM 129 Radio, The Catholic Channel.

It was in 2006 that the Archdiocese of New York began its venture into radio programming on Sirius Satellite Radio. Jennifer Pascual was asked to host a show on sacred music. Reticent, as she had no prior radio experience, she is now a veteran in the field, and quite a natural. Anyone listening to the program can hear her easygoing voice and demeanor, putting guests at ease as they talk about sacred music.

AVING BEEN ON THE SHOW a few times, I recently joined Jennifer at the SiriusXM Studio in Midtown Manhattan. (Co-blogger Chris Mueller and his amazing compositions have also been featured on this program.) The studio is a couple of blocks from Rockefeller Center, St. Patrick’s Cathedral and across the street from Radio City Music Hall and NBC’s “Tonight Show with Jimmy Fallon.” Making the environment even more interesting, Howard Stern, who fuels most of SiriusXM Radio’s subscriptions, broadcasts down the hall from The Catholic Channel along with several other shows.

Needless to say, Jennifer Pascual and I stuck out like a sore thumb in the lobby among the others in the entertainment industry who were there that day. Jennifer doesn’t care. Her down-to-earth demeanor on the air is exactly who she is off. For someone who has played for popes and presidents, she is as unpretentious a musician as you will ever meet.

“Sounds from the Spires” can be heard at the following times:
Saturday: 1am–2am & 11:00pm-12:00am
Sunday: 6:am-7am & 8pm-9pm
(All Eastern times)
The Catholic Channel • SIRIUS XM 129

MY SIX-YEAR-OLD SON PUT ME IN MY PLACE before our interview. My daughter, who is eight, said, “Daddy is lucky because he is famous because he is being interviewed.” My son responded: “No, he’s not famous. Never, ever! Only God is famous.” This, coming from a boy who loves getting into mischief, especially if it gets a laugh from his siblings and disapproval from his parents. But here he was dead serious and spot on!

OUR RECENT INTERVIEW WILL AIR THIS WEEKEND. (2/27, 2/28) Featured on the program are the following:

• Communion Antiphons for Lent | SATB, Organ, Assembly • World Library Publications

• Variations on Misereris Omnium | Introit for Ash Wednesday • RJC Cecilia Music

• By the Rivers of Babylon | Soprano, piano, cello • RJC Cecilia Music

• Magna Opera Domini | Commissioned for the ordination of Bishop Steven Lopes. • RJC Cecilia Music

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

Last Fall, however, the bishop of Augsburg in West Germany, the Most Rev. Josef Stimpfle, ordered all parishes in his diocese to have a Latin High Mass at least once a month. This policy drew a letter of warm commendation from the apostolic nuncio to West Germany, Archbishop Guido del Mestri, who termed the decree “exemplary” and added, “The way chosen by you is one desired by the whole Church.”

— Latin Liturgy Association “Newsletter” (September 1980)

Recent Posts

  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”

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