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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Sounds from the Spires • SiriusXM Radio • Jennifer Pascual

Richard J. Clark · February 26, 2016

INCE 2006, Dr. Jennifer Pascual, Director of Music for Saint Patrick’s Cathedral in New York City, has been hosting the radio program “Sounds from the Spires.” It can be heard SIRIUSXM 129 Radio, The Catholic Channel.

It was in 2006 that the Archdiocese of New York began its venture into radio programming on Sirius Satellite Radio. Jennifer Pascual was asked to host a show on sacred music. Reticent, as she had no prior radio experience, she is now a veteran in the field, and quite a natural. Anyone listening to the program can hear her easygoing voice and demeanor, putting guests at ease as they talk about sacred music.

AVING BEEN ON THE SHOW a few times, I recently joined Jennifer at the SiriusXM Studio in Midtown Manhattan. (Co-blogger Chris Mueller and his amazing compositions have also been featured on this program.) The studio is a couple of blocks from Rockefeller Center, St. Patrick’s Cathedral and across the street from Radio City Music Hall and NBC’s “Tonight Show with Jimmy Fallon.” Making the environment even more interesting, Howard Stern, who fuels most of SiriusXM Radio’s subscriptions, broadcasts down the hall from The Catholic Channel along with several other shows.

Needless to say, Jennifer Pascual and I stuck out like a sore thumb in the lobby among the others in the entertainment industry who were there that day. Jennifer doesn’t care. Her down-to-earth demeanor on the air is exactly who she is off. For someone who has played for popes and presidents, she is as unpretentious a musician as you will ever meet.

“Sounds from the Spires” can be heard at the following times:
Saturday: 1am–2am & 11:00pm-12:00am
Sunday: 6:am-7am & 8pm-9pm
(All Eastern times)
The Catholic Channel • SIRIUS XM 129

MY SIX-YEAR-OLD SON PUT ME IN MY PLACE before our interview. My daughter, who is eight, said, “Daddy is lucky because he is famous because he is being interviewed.” My son responded: “No, he’s not famous. Never, ever! Only God is famous.” This, coming from a boy who loves getting into mischief, especially if it gets a laugh from his siblings and disapproval from his parents. But here he was dead serious and spot on!

OUR RECENT INTERVIEW WILL AIR THIS WEEKEND. (2/27, 2/28) Featured on the program are the following:

• Communion Antiphons for Lent | SATB, Organ, Assembly • World Library Publications

• Variations on Misereris Omnium | Introit for Ash Wednesday • RJC Cecilia Music

• By the Rivers of Babylon | Soprano, piano, cello • RJC Cecilia Music

• Magna Opera Domini | Commissioned for the ordination of Bishop Steven Lopes. • RJC Cecilia Music

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

No concession should ever be made for the singing of the Exsultet, in whole or in part, in the vernacular.

— ‘Fr. Augustin Bea, S.J. in the years immediately before the Second Vatican Council’

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