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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

May 2016 • Major Choral Event In Dallas!

Dr. Alfred Calabrese · January 18, 2016

847 Frank La Rocca HIS EXCITING NEW major work by composer Frank La Rocca will receive its world premiere on Saturday, May 21, 2016 at 8:00pm in Dallas, Texas:

  * A ROSE IN WINTER • The life of Saint Rita of Cascia

Dr. La Rocca’s 90-minute oratorio for chorus, orchestra, and soloists was commissioned by Saint Rita Catholic Church (URL) in Dallas, and is the brainchild of Alfred Calabrese, director of music at the parish. The original libretto is by Matthew Lickona. Four outstanding American soloists will take part in the world premiere:

SOPRANO — Melanie Sarakatsannis
BARITONE — Sumner Thompson
TENOR — Brian Downen
BASS — Daniel Cole

The title role—that of Saint Rita—will be Ms. Sarakatsannis. The professional orchestra will be joined by the St. Rita Festival Choir, and the conductor will be Alfred Calabrese (BIO).

HE CONCERT on 21 May will be preceded by a three-day conference entitled “High Above the Stars: Sainthood, Beauty, and Catholic Artistic Expression.” The conference (May 19-21) is designed for musicians, artists, poets, theologians, and Catholic laity, and deals with the creation of sacred music and art, the promotion of beauty, and the quest for sainthood in everyday life. Masterclasses will be held for conductors, composers, and poets. Speakers include: Carmen-Helena Téllez, (University of Notre Dame); David Clayton, artist, writer and educator, and a regular contributor to the New Liturgical Movement website; Ron and Kathryn Rombs (University of Dallas); and the Very Rev. Michael F. DiGregorio, O.S.A, Prior Provincial of the Augustinians of the Saint Thomas of Villanova Province. Fr. DiGregorio is the former director of the National Shrine of St. Rita in Philadelphia and pastor of the parish.

All are invited and encouraged to come to Dallas for this event. A website is being developed for the concert and conference. There you will be able to find registration materials, a complete schedule of events, biographies of all of the principle players, information on travel to and from Dallas, housing options, and fun things to do and see while you’re here. All proceedings will be held on the north Dallas campus of Saint Rita parish, which is a mere 15 minutes from DFW Airport.

Please join us in May for this tremendously exciting moment in the Catholic musical world!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Alfred Calabrese

Dr. Alfred Calabrese is Director of Music and Liturgy at St. Rita Catholic Church in Dallas, TX. He and his wife have two children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Latin has been the language of the Latin liturgy for 1,600 years. It is a sign and source of unity as well as a defense of doctrine, not because of the language so much, but because it is a language no longer subject to changes. There are so many beautiful texts which can never have the same effectiveness in translation. Lastly, Latin is bound to an extremely precious heritage of melody, Gregorian chant and polyphony.”

— Cardinal Antonelli (Secretary of the Conciliar Commission on the Liturgy)

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