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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for December 2015

Fr. David Friel · December 20, 2015

Pope Francis on Collaboration of the Lay Faithful

Remarks during the Ad Limina Visit of the German Bishops

Veronica Brandt · December 19, 2015

Epiphany Proclamation

It is solemnly made known, dearest brethren that, just as we through the bounteous mercy of God, have rejoiced in the Birth of Our Lord Jesus Christ, likewise should we proclaim the joy of the Resurrection of this same Saviour.

Richard J. Clark · December 18, 2015

Podcast • Advent Communion Propers on “Sounds from the Spires”

There is such richness in the scriptures we sing in Advent. This is the kind of thing I find exciting! I am grateful to have discussed the propers with Dr. Pascual, Director of Music at St. Patrick’s Cathedral.

Dr. Alfred Calabrese · December 17, 2015

An Antidote For Clericalism: Sung Vespers

The public singing of Vespers is an antidote to the kind of clericalism frequently condemned by Pope Francis.

Jeff Ostrowski · December 17, 2015

Sacred Vs. Secular • What Do You Think?

My performance leaves much to be desired, but you get the idea.

Andrew Leung · December 17, 2015

The “O Antiphons” Begin Tonight

Starting tonight, the “O Antiphons” are prayed at Vespers. A recording of James MacMillan’s “Veni, Veni, Emmanuel” is also included in this post.

Jeff Ostrowski · December 16, 2015

“Veni Veni Emmanuel” • Original Setting (Two Voices)

This famous Advent hymn was not written in the 1800s—it goes back at least to the 15th century.

Jeff Ostrowski · December 14, 2015

Why Don’t Serious Catholics Address This?

If you want to test the USCCB policy, try this experiment.

Guest Author · December 14, 2015

Benedict XVI Institute Seeks Executive Director

Are you an entrepreneur?

Fr. David Friel · December 13, 2015

Lighting Up Façades

Catholic churches ought not to be treated as houses of entertainment, but as houses of prayer.

Richard J. Clark · December 11, 2015

Orient toward prayer. Orient toward gratitude.

We may not convince anyone that certain music is more worthy than another. But we can all understand that sacred music must orient itself towards reverence and prayer.

Jeff Ostrowski · December 10, 2015

Rehearsal Videos • Victoria’s “Ave Maria” (SATB)

Including six reasons why Tomás Luis de Victoria may be the true composer of this piece.

Andrew Leung · December 10, 2015

Videos • Popes open the Holy Door

Two old videos of the Opening of the Holy Door

Andrew Leung · December 10, 2015

Understanding the Sacred

Reflection on “Understanding the Sacred” based on two events happened in Vatican this week

Jeff Ostrowski · December 7, 2015

Propers for Our Lady of Guadalupe (12 December)

Providing music for the Traditional Latin Mass is not nearly as hard as some believe.

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Corpus Christi Watershed

President’s Corner

    (Part 2) • Did they simplify this hymn?
    Choirs love to sing the resplendent tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1929, I discovered what appears to be a simplified version of that hymn. Their harmonization is much less complex than the version found in the Father Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1929 harmonization (PDF) and let me know your thoughts. As always, the Germans added an organ INTRODUCTION. For the record, I posted a different harmonization a few months ago which was downloaded more than 2,000 times.
    —Jeff Ostrowski
    PDF • “Lectionary Comparison Chart”
    Various shell corporations (in an effort to make money selling Sacred Scripture) have tinkered with the LECTIONARY texts in a way that’s shameful. It’s no wonder Catholics in the pews know so few Bible passages by heart. Without authorization, these shell corporations pervert the official texts. Consider the Responsorial Psalm for the 1st Sunday of Advent (Year A). If you download this PDF comparison chart you’ll notice each country randomly omits certain sections. Such tinkering has gone on for 60+ years—and it’s reprehensible.
    —Corpus Christi Watershed
    Monsignor Klaus Gamber Speaks!
    An interesting quotation from the eminent liturgist, Monsignor Klaus Gamber (d. 1989): “According to canon law, a person’s affiliation with a particular liturgical rite is determined by that person’s rite of baptism. Given that the liturgical reforms of Pope Paul VI created a de facto new rite, one could assert that those among the faithful who were baptized according to the traditional Roman rite have the right to continue following that rite; just as priests who were ordained according to the traditional Ordo have the right to exercise the very rite that they were ordained to celebrate.”
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

When the matter is thus regarded, an assertion which is being made today, not only by laymen but also at times by certain theologians and priests and spread about by them, ought to be rejected as an erroneous opinion: namely, that the offering of one Mass, at which a hundred priests assist with religious devotion, is the same as a hundred Masses celebrated by a hundred priests. That is not true.

— Pope Pius XII (2 November 1954)

Recent Posts

  • Children’s Repertoire • Mueller’s Recommendations
  • PDF Download • “Marian Antiphon Booklet” (4 pages) + Five Rhythmic Considerations
  • False Accusations
  • (Part 2) • Did they simplify this hymn?
  • PDF • “Lectionary Comparison Chart”

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