• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

An Antidote For Clericalism: Sung Vespers

Dr. Alfred Calabrese · December 17, 2015

924 Pope Francis OR MUCH of his pontificate, and right from the start of it, Pope Francis has spoken openly against a certain kind of CLERICALISM amongst the clergy. That is, a false understanding of priestly service. One of the ways pastors can better serve their people is to offer them every opportunity to participate in the richness of the Church’s liturgies, and these opportunities are not limited to the Holy Mass.

Well before the Second Vatican Council, the Popes Pius (X, XI, and XII) had written about the importance of actuoso participatio. In a 1987 article for Sacred Music, the redoubtable Msgr. Richard Schuler documented this history:

    * *  PDF Download • “Actuosa Participatio” (Msgr. Richard Schuler)

The public singing of Vespers is an antidote to the kind of clericalism that Pope Francis consistently speaks against. How? When pastors offer to the people, as the Church desires, the prayer which they themselves are required to do privately, they keep nothing to themselves. But by denying their flocks the fullness of public prayer, pastors decide, against the wishes of the Church, what to make available to the laity. That’s a lack of service, and that’s clericalism.

In his important volume 1 on the liturgy, Msgr. Peter J. Elliot cites Sacrosanctum Concilium, §100: “Pastors of souls should see to it that the principal hours, especially Vespers, are celebrated in common in church on Sundays and on the more solemn feasts.”

922 Calabrese HOW CAN VESPERS BE INTRODUCED to a parish? My first recommendation is to start slowly, offering it on an important day such as Pentecost, then seasonally. After a while you may be able to expand this to once per month. It will soon become part of the flow of the liturgical life of the community.

Be prepared to do a tremendous amount of work. You will have to train choirs, cantors, servers, deacons and priests, create worship aids, do the advertising, and perhaps even compose some antiphons (for services in English). For the service, lower the lighting and use candles wherever possible. Teach and perform solemn and uniform liturgical motions, gestures, and actions. Copy from places that do it well. The bottom line is, you will probably have to do everything yourself to make this a success. But do it anyway!

Vespers can be sung with one cantor, a small schola, or an entire choir. In addition to an SATB choir, you can spice things up, one time employing just the women of the choir, another time, just the men. At Notre Dame in Paris, Vespers is sung almost exclusively by two cantors. This can also be effective, and will give your choir a chance to attend Vespers to help the congregation sing their parts.

A distinguishing aspect of sung Evening Prayer is the way the Entrance and Retiring processions are carried out. Organ improvisations, sometimes based on seasonal melodies or completely abstract, are especially impactful. In our parish—in an attempt to imitate in a small way what happens at Notre Dame—the organ begins the ENTRANCE PROCESSION for the choir, servers and clergy. About half way through the procession, as the organ begins to build, a large hand-bell is rung, indicating the time for the people to stand. This is all well-orchestrated, and the formal role-playing of all involved lends an air of both liturgical solemnity and actuoso participatio.

After a few publicly-offered Vespers, you’ll end up with a small but loyal cohort who attend because they love it. They love the beauty, the stillness, the solemnity, and the smoke. It’s literally smells and bells. And don’t count the number of people in attendance. That’s not why you do it. You do it because it’s the prayer of the Church, and she wants us to pray together. And that is most certainly “the spirit of the Council.”



NOTES FROM THIS ARTICLE:

1   This book’s full title is: “Ceremonies of the Modern Roman Rite: the Eucharist and the Liturgy of the Hours.” Everyone should own and read Msgr. Elliot’s various volumes on the liturgy.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Participatio Actuosa Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Dr. Alfred Calabrese

Dr. Alfred Calabrese is Director of Music and Liturgy at St. Rita Catholic Church in Dallas, TX. He and his wife have two children.—(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“The Humanists abominated the rhythmical poetry of the Middle Ages from an exaggerated enthusiasm for ancient classical forms and meters. Hymnody then received its death blow as, on the revision of the Breviary under Pope Urban VIII, the medieval rhythmical hymns were forced into more classical forms by means of so-called corrections.”

— ‘Father Clemens Blume, S.J.’

Recent Posts

  • “Translations Approved for Liturgical Use”
  • “Sacred Music Pilgrimage to Italy” with Grace Feltoe
  • Dr. Mahrt explains the ‘Spoken’ Propers
  • PDF • “Music List” (1st Sunday of Advent)
  • Kid’s Repertoire • “Jeffrey’s 3 Recommendations”

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.