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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Seraphim Singers • World Première of work by Adam Wood and Richard J. Clark

Richard J. Clark · October 23, 2015

HAVE LONG ADMIRED the writing of poet Adam Wood (b. 1982); his poetry, prose, and commentary are distinct, stemming in part from eclectic passions which include liturgy, theology, technology, economics and the Open Source. The results of such combination of interests are fascinating.

When Jennifer Lester, Director of The Seraphim Singers, asked me to compose another work for them on sacred poetry, I eagerly dug into Adam Wood’s work. His dedication to the spirit, art, and intellect (often infused with sharp wit) constitute a distinctly unique body of work from which one will elicit much inspiration and insight.

The result of this collaboration is On Emptiness, Wisdom, and Fortune (2014) which combines two of Wood’s poems On Fortune and On Emptiness. You can read Adam Wood’s essays and poems here.

IF YOU ARE IN THE BOSTON AREA be sure not to miss this premiere as part the Seraphim Singer’s “For Heaven Is a Different Thing.” Choral Settings of Sacred Poetry. There will be two performances:

Sunday, October 25, 2015, 3:00pm
First Church (Congregational) 11 Garden St., Cambridge, MA

Friday, October 30, 2015, 8:00pm
St. Cecilia Parish, 18 Belvidere St., Boston, MA

$20 general admission and $15 senior/student.
• Tickets are available at the door or purchase online here
• Download the concert program here
• Download the concert poster here


HE SERAPHIM SINGERS ARE ENORMOUS ADVOCATES of new music with several new commissions each year. Jennifer Lester’s programming is astonishingly vast, from Gregorian Chant and Renaissance Polyphony to Twenty-first Century works. Yet, her programming flows with astounding unity and beauty. The Boston Music Intelligencer writes:

“Ingenious programming by Jennifer Lester…”

“Anyone who cares about these genres owes it to him/herself to hear this gifted ensemble whenever possible.”

“Technically, the ensemble was in fine form, performing incredibly challenging choral repertoire with a high degree of finesse.”

Hope to see you there!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 22nd in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 31 August 2025, which is the 22nd Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “The Worm That Dieth Not”
    My pastor asked me to write a column for our parish bulletin with reflections on the sacred liturgy and church music. In my most recent article, I discuss “The Worm That Dieth Not.” At this website, you can access it conveniently; simply scroll down to the one dated 31 August 2025.
    —Jeff Ostrowski
    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

Had the Church never spoken on this matter, it would still be repugnant to our Catholic people’s sense of what is fit and proper in the holiest of places, that a priest should have to struggle through the prayers of the Holy Mass, because of such tunes as “Alice, where art thou?” the “Vacant Chair,” and others of more vulgar title, which, through the carelessness or bad judgment of organists, sometimes find their way into our choirs.

— Preface to a Roman Catholic Hymnal (1896)

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