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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Church Must Be Countercultural

Dr. Alfred Calabrese · October 15, 2015

321DraperTallLaren3 NE DAY A YEAR OR SO AGO a priest was consulting with a bride on her upcoming wedding. She couldn’t understand why he wasn’t allowing a popular song to be sung during her nuptial Mass. The title sounded sort of sacred, something about ‘raising you up.’ And it was a nice melody, everybody knew it, and it meant a lot to her, and…The young priest finally asked her, “Would you like to have the Ave Maria sung at your reception?” Then she understood that there’s a time and a place for everything. And despite what the popular culture tells us, all things are not equal.

Letting the popular culture into the Mass is dangerous. The Church has been and needs to be countercultural. Consider the generation of Catholics who came of age in the heyday immediately following the implementation of Vatican II. I find it both interesting and ironic that many from that period thought of themselves as countercultural. They were cutting edge, agents of change, new and exciting. The future lay before them and they were shaping it. No innovation was too great for the seismic shift they envisioned for the Catholic Church.

All around this swirl of activity the secular culture was changing as well. In the Church, a vacuum of available music was filled with pop and folk inspired songs. I remember walking into church one summer Sunday and seeing kids from my high school standing up in front with guitars. They were singing music that sounded like it was from the radio. (I never listened much to the pop songs of the day, so I really hated what was happening). Of course, since all of this music was “new” and I didn’t really know any of it, I couldn’t participate in the Mass. At that point I had no idea about “actuoso participatio.” It all just felt weird. But at least the kids doing the music seemed like they were having a good time.

Now some (not all, some) of those same countercultural people, those who embraced radical change, those who were so progressive, hip, open-minded and open-armed, are the very same who, when confronted with a resurgence, or gradual re-discovery of chant, Latin, sung dialogues, solemn liturgical practices and gestures, and solid Catholic hymnody, are now rigid and unwilling to accept change. They don’t want the Church to be countercultural.

Thanks to websites like this and many others, the Church is once again becoming countercultural. Except now, the culture it’s turning away from is the one created by some dubious choices in music, architecture, and sacred language.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Alfred Calabrese

Dr. Alfred Calabrese is Director of Music and Liturgy at St. Rita Catholic Church in Dallas, TX. He and his wife have two children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski
    “Entrance Chant” • 23rd (Ordinary Time)
    This coming Sunday, 7 September 2025, is the 23rd Sunday in Ordinary Time (Year C). You can download the “Entrance Chant,” conveniently located at the feasts website. I also recorded a rehearsal video for it (freely available at the same website). The Communion Chant includes gorgeous verses in FAUXBOURDON. I attempted to create a rehearsal video for it, and it’s been posted at the feasts website, called by some: “church music’s best kept secret.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

According to the Instruction “Musicam sacram” of 5 March 1967, Article 34 §1, the polyphonic “Ordinarium Missae” can in the future still be sung suetis normis, “according to the customary norms,” i.e. by the choir. In fact, this form of the high Mass is placed in high relief compared to the other forms, among which the congregationally sung Gregorian chant Mass deserves our special attention.

— Monsignor Overath (President, “Consociatio Internationalis Musicæ Sacræ” founded by Pope Saint Paul VI

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