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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Church Must Be Countercultural

Dr. Alfred Calabrese · October 15, 2015

321DraperTallLaren3 NE DAY A YEAR OR SO AGO a priest was consulting with a bride on her upcoming wedding. She couldn’t understand why he wasn’t allowing a popular song to be sung during her nuptial Mass. The title sounded sort of sacred, something about ‘raising you up.’ And it was a nice melody, everybody knew it, and it meant a lot to her, and…The young priest finally asked her, “Would you like to have the Ave Maria sung at your reception?” Then she understood that there’s a time and a place for everything. And despite what the popular culture tells us, all things are not equal.

Letting the popular culture into the Mass is dangerous. The Church has been and needs to be countercultural. Consider the generation of Catholics who came of age in the heyday immediately following the implementation of Vatican II. I find it both interesting and ironic that many from that period thought of themselves as countercultural. They were cutting edge, agents of change, new and exciting. The future lay before them and they were shaping it. No innovation was too great for the seismic shift they envisioned for the Catholic Church.

All around this swirl of activity the secular culture was changing as well. In the Church, a vacuum of available music was filled with pop and folk inspired songs. I remember walking into church one summer Sunday and seeing kids from my high school standing up in front with guitars. They were singing music that sounded like it was from the radio. (I never listened much to the pop songs of the day, so I really hated what was happening). Of course, since all of this music was “new” and I didn’t really know any of it, I couldn’t participate in the Mass. At that point I had no idea about “actuoso participatio.” It all just felt weird. But at least the kids doing the music seemed like they were having a good time.

Now some (not all, some) of those same countercultural people, those who embraced radical change, those who were so progressive, hip, open-minded and open-armed, are the very same who, when confronted with a resurgence, or gradual re-discovery of chant, Latin, sung dialogues, solemn liturgical practices and gestures, and solid Catholic hymnody, are now rigid and unwilling to accept change. They don’t want the Church to be countercultural.

Thanks to websites like this and many others, the Church is once again becoming countercultural. Except now, the culture it’s turning away from is the one created by some dubious choices in music, architecture, and sacred language.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Alfred Calabrese

Dr. Alfred Calabrese is Director of Music and Liturgy at St. Rita Catholic Church in Dallas, TX. He and his wife have two children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • “Music List” (Immaculate Concep.)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 8 December 2025, the feast of OUR LADY’S IMMACULATE CONCEPTION. If such a thing interests you, feel free to download it as a PDF file. The fauxbourdon setting of the COMMUNION is exquisite. In Latin, the title of this feast is: In Conceptione Immaculata Beatae Mariae Virginis. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Reminder” — Month of December (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron). It would be difficult to phrase things more clearly than the pope: viz. the ADALBERT PROPERS are for recited Masses, the GRADUALE PROPERS are for Masses with singing.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

Goupil deserves the name of martyr not only because he has been murdered by the enemies of God and His Church while laboring in ardent charity for his neighbor, but most of all because he was killed for being at prayer and notably for making the Sign of the Cross.

— St. Isaac Jogues (after the martyrdom of Saint René Goupil)

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