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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Believe. Connect. Disappear.

Richard J. Clark · October 2, 2015

HAVE MELLOWED considerably in my old age. So I thought. But it’s not true. Even if I have, it’s not saying much. I have a very long way to go. But if I’ve softened in some ways, I’ve become much more intense in others. Priorities are clarified and heightened. Yet, the soul is relatively more centered, I pray.

And then there are days I feel I’m more of a mess than I’ve ever been. Then it’s time to remember God is in charge, and we are to serve Him.

Service to God and the faithful is the primary responsibility of our roles in the liturgy. If I have calmed my musical approach as an organist or director, it is because I have become more intense about this notion of service.

For example, the older I get, the more I spend time practicing and preparing hymns and service music. I play mass every day. Shouldn’t I know these, just show up and play them? Yes, I could do that. But I’m spending even more time choosing the specifics of text, tune, harmonization, and registration. Why? Because this is one of the most important things I must do in a week. I owe it to the people and to God. The flashy postlude is of far lesser importance.

As years go by, I prepare more—not in order to receive accolades—but to become invisible. To be solid, reliable, and therefore unnoticed is an essential goal these days. My, I have mellowed! But not: to lead and uplift while pointing away from myself and toward God is the ultimate goal I’m chasing.

R. RYAN DUNS, S.J., a newly ordained priest, shared with me a simple guide from his homiletics class: Believe. Connect. Disappear. It is something he clearly puts into practice during his wonderfully edifying homilies. This is also a great model for liturgical musicians.

We must not only make beautiful music on the surface. We must also believe fervently in our hearts in order to inspire and therefore connect.

Then we must step aside in order to allow the faithful to take this sacred melody and text into their hearts.

ALL SACRED MUSIC MUST BE CENTERED IN CHRIST. It must point to God alone and to no one else. Doing so serves the faithful. As musicians for the liturgy, this is our true goal.

AMDG

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    What does this mean? “Pre-Urbanite”
    One of the things informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal has to do with its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed

Random Quote

“The pope regrets that this trade in African slaves, that he believed having ceased, is still exercised in some regions and even more cruel way. He begs and begs the King of Portugal that it implement all its authority and wisdom to extirpate this unholy and abominable shame.”

— ‘Pope Pius VII, writing to the King of Portugal’

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  • PDF • “Music List” (Sunday, 28 December)
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  • PDF • “Music List” (Xmas Midnight Mass)
  • What does this mean? “Pre-Urbanite”

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