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Views from the Choir Loft

Communion Antiphons for Advent • World Library Publications

Richard J. Clark · September 18, 2015

ORLD LIBRARY Publications, the music and liturgy division of J. S. Paluch Company, Inc. has recently released my collection of Communion Antiphons for Advent. WLP will follow up shortly with my settings of communion propers for Lent.

The antiphons are set from the English translation of the Roman Missal, Third Edition, which during Advent are congruent with the Graduale Romanum. Likewise, the verses set are those prescribed by Graduale Romanum.

Scores are available in hard copies or digital format:

Order Octavo or PDF • View sample pages:
Octavo • “Communion Antiphons for Advent” (for SATB Choir; Cantor; Assembly)

• All are chant based.
• Can be sung with cantor or unison schola
• Ample opportunity for optional SATB
• Includes an additional setting for the Solemnity of the Immaculate Conception.

BE SURE TO LISTEN to the recordings here directed by Paul French, Director of the William Ferris Chorale and Music Director of Our Lady of Mt. Carmel Church in Chicago. French and his singers beautifully captured the joy, movement, and energy of these chant based works. Glorious Things Are Spoken for the Immaculate Conception was recorded at St. Cecilia Church in Boston with Jaime Korkos, mezzo-soprano and Marc DeMille, baritone.

NFUSE CHANT WITH PASSION! Most of these settings are marked con moto. Chant or chant-based works must not be lethargic, plodding and as a result boring. They can be tranquil at times, but yearn for movement.

Taken directly form the scriptures of Advent, we have been singing these texts together as a Church for about thirteen hundred years. This is an extraordinary sign of unity and communion with our ancestors!

And the tradition lives and breathes within us today. It informs us of who we are. It connects us to the very source of life in the Eucharist. Finally, our traditions propel us toward an intimate relationship with God.

In the end, I hope these are useful, prayerful, reverent, and with a bit of passion.

Soli Deo gloria

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Propers, World Library Publications Last Updated: December 4, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“…it would be a very praiseworthy thing and the correction would be so easy to make that one could accommodate the chant by gradual changes; and through this it would not lose its original form, since it is only through the binding together of many notes put under short syllables that they become long without any good purpose when it would be sufficient to give one note only.”

— Zarlino (1558) anticipating the Medicæa

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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