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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Communion Antiphons for Advent • World Library Publications

Richard J. Clark · September 18, 2015

ORLD LIBRARY Publications, the music and liturgy division of J. S. Paluch Company, Inc. has recently released my collection of Communion Antiphons for Advent. WLP will follow up shortly with my settings of communion propers for Lent.

The antiphons are set from the English translation of the Roman Missal, Third Edition, which during Advent are congruent with the Graduale Romanum. Likewise, the verses set are those prescribed by Graduale Romanum.

Scores are available in hard copies or digital format:

Order Octavo or PDF • View sample pages:
Octavo • “Communion Antiphons for Advent” (for SATB Choir; Cantor; Assembly)

• All are chant based.
• Can be sung with cantor or unison schola
• Ample opportunity for optional SATB
• Includes an additional setting for the Solemnity of the Immaculate Conception.

BE SURE TO LISTEN to the recordings here directed by Paul French, Director of the William Ferris Chorale and Music Director of Our Lady of Mt. Carmel Church in Chicago. French and his singers beautifully captured the joy, movement, and energy of these chant based works. Glorious Things Are Spoken for the Immaculate Conception was recorded at St. Cecilia Church in Boston with Jaime Korkos, mezzo-soprano and Marc DeMille, baritone.

NFUSE CHANT WITH PASSION! Most of these settings are marked con moto. Chant or chant-based works must not be lethargic, plodding and as a result boring. They can be tranquil at times, but yearn for movement.

Taken directly form the scriptures of Advent, we have been singing these texts together as a Church for about thirteen hundred years. This is an extraordinary sign of unity and communion with our ancestors!

And the tradition lives and breathes within us today. It informs us of who we are. It connects us to the very source of life in the Eucharist. Finally, our traditions propel us toward an intimate relationship with God.

In the end, I hope these are useful, prayerful, reverent, and with a bit of passion.

Soli Deo gloria

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Propers, World Library Publications Last Updated: December 4, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “The Worm That Dieth Not”
    My pastor asked me to write a column for our parish bulletin with reflections on the sacred liturgy and church music. In my most recent article, I discuss “The Worm That Dieth Not.” At this website, you can access it conveniently; simply scroll down to the one dated 31 August 2025.
    —Jeff Ostrowski
    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski
    “Music List” • 21st in Ordinary Time (Year C)
    Our choir returns on Sunday, 24 August 2025. Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for it, which is the 21st Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website. When it comes to the feast of the Assumption (15 August 2025), I have uploaded the music list for that Mass—but not the “bi-lingual” Mass in the evening (Spanish, Latin, and English) which has completely different music.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“Custom preserves many things in liturgy after their first reason has ceased.”

— Father Adrian Fortescue (writing in 1916)

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