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Views from the Choir Loft

Communion Antiphons for Advent • World Library Publications

Richard J. Clark · September 18, 2015

ORLD LIBRARY Publications, the music and liturgy division of J. S. Paluch Company, Inc. has recently released my collection of Communion Antiphons for Advent. WLP will follow up shortly with my settings of communion propers for Lent.

The antiphons are set from the English translation of the Roman Missal, Third Edition, which during Advent are congruent with the Graduale Romanum. Likewise, the verses set are those prescribed by Graduale Romanum.

Scores are available in hard copies or digital format:

Order Octavo or PDF • View sample pages:
Octavo • “Communion Antiphons for Advent” (for SATB Choir; Cantor; Assembly)

• All are chant based.
• Can be sung with cantor or unison schola
• Ample opportunity for optional SATB
• Includes an additional setting for the Solemnity of the Immaculate Conception.

BE SURE TO LISTEN to the recordings here directed by Paul French, Director of the William Ferris Chorale and Music Director of Our Lady of Mt. Carmel Church in Chicago. French and his singers beautifully captured the joy, movement, and energy of these chant based works. Glorious Things Are Spoken for the Immaculate Conception was recorded at St. Cecilia Church in Boston with Jaime Korkos, mezzo-soprano and Marc DeMille, baritone.

NFUSE CHANT WITH PASSION! Most of these settings are marked con moto. Chant or chant-based works must not be lethargic, plodding and as a result boring. They can be tranquil at times, but yearn for movement.

Taken directly form the scriptures of Advent, we have been singing these texts together as a Church for about thirteen hundred years. This is an extraordinary sign of unity and communion with our ancestors!

And the tradition lives and breathes within us today. It informs us of who we are. It connects us to the very source of life in the Eucharist. Finally, our traditions propel us toward an intimate relationship with God.

In the end, I hope these are useful, prayerful, reverent, and with a bit of passion.

Soli Deo gloria

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Propers, World Library Publications Last Updated: December 4, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

Soloists are dangerous in any church choir! Their voices frequently do not blend with those of the other singers to form a rich, integrated tone.

— Roger Wagner

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