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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

To God Who Giveth Joy To My Youth

Cynthia Ostrowski · September 15, 2015

LAST SUNDAY’S Communion antiphon said “O God, from my youth thou hast taught me.” At the beginning of Mass, the priest prays: “I will go in to the altar of God; to God, who giveth joy to my youth.” Here’s a beautiful reflection on these words:

EHOLD THE YOUNG PRIEST with the holy oils fresh upon his consecrated hands. The moment for which he has been longing has arrived: he stands before the holy altar. He signs himself with the sacred Cross and the first exultant words that escape his lips are: “I will go unto the altar of God, unto, God, who giveth joy to my youth!”—beautiful expression of a soul that has clung to God, who has led him to the mount of sacrifice; heavenly expression of love for God, for whom he has despised all worldly and sinful pleasures, to find his joy in Him.

Day after day these words surge up from the heart of the minister of God. Years pass. Maturity is reached with its experience, and perhaps, honors. Old age steals on, with its rich harvest and its peculiar trials, yet the same lips pronounce the same exultant words: “I will go unto the altar of God, unto God, who giveth joy to my youth.” And when the Anointed of the Lord shall stand at the threshold of eternity, when the vision of the Immolated Lamb shall break upon his purified soul in all its dazzling beauty, his lips will once more exclaim: “I will go unto the altar of God, who giveth joy to my youth!” But now his feet must still tread the weary paths of earth; and mindful of his own weakness, the priest continues the Prayers at the Foot of the Altar…

The following pictures which remind of youth’s joys:

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Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: 1936 The Heart Of The Mass Last Updated: January 1, 2020

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About Cynthia Ostrowski

Cynthia Ostrowski holds a bachelor's degree (2005) in Geographic Information Science and a minor in Computer Science from Texas A&M University Corpus Christi.—(Read full biography).

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President’s Corner

    Music List • (3rd Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday: the 3rd Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski
    PDF Download • Introit (3rd Sn. Ord.)
    This coming Sunday, 25 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT (“Dóminus secus mare”) is somewhat rare because it comes from the New Testament. The authentic version in Latin—of astounding antiquity—was jettisoned in 1955 but restored in 1970. This rehearsal video has me attempting to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it because it has extremely ‘happy’ harmonies.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“In my capacity as the prefect of the Congregation for Divine Worship and the Discipline of the Sacraments, I continue to remind all that the celebration toward the East (versus orientem) is authorized by the rubrics of the missal, which specify the moments when the celebrant must turn toward the people. A particular authorization is, therefore, not needed to celebrate Mass facing the Lord.”

— ‘Robert Cardinal Sarah, 23 May 2016’

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